Latinos Mexico Americans

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

Cece Rios and her friends have escaped Devil’s Alley, but the fight to save their world is just beginning. Despite her growing comfort with her curandera abilities, Cece is worried that she won’t be strong enough to stop her most dangerous enemy yet: her tía, Catrina. Desperate for power and revenge, Catrina has seized the throne of Devil’s Alley and set her sights on the living world.

In this visionary novel framed as a hagiography, the ruminative, subjective memories of Gabriel’s witnesses - spiritual, familial, romantic, and political - converge to make sense of the man’s confounding works and message. As they do, a surprising portrait develops...not only of the deepening mystery of Gabriel Romero himself but also of a country in conflict and the faith it takes to fight the suspicion and fear that divide us.

Emerging from the ruins of Aztec civilization and from centuries of Spanish contact with indigenous people, Mexican culture followed the Spanish colonial frontier northward and put its distinctive mark on what became the southwestern United States. Shaped by their Indian and Spanish ancestors, deeply influenced by Catholicism, and often struggling to respond to political and economic precarity, Mexicans play an important role in United States society even as the dominant Anglo culture strives to assimilate them.

Jovita dreamed of wearing pants like her brothers, Ramón and Luciano. She hated the way the big skirts that Abuela made her wear tangled around her legs as she scaled the tallest mesquite tree in Rancho Palos Blancos. She wanted to ride her horse Morongo and feel the wind curl her face into a smile.

HOLA durante su mandato? Una catástrofe en el orden sanitario, económico, financiero, educativo, social.... Los muertos, los pobres, los desempleados y los enfermos, ¿le quitan el sueño? AMLO vive en una burbuja creada por el espejismo de las mentiras dichas en sus conferencias mañaneras y reforzadas por su aparato de comunicación en redes y medios. Quizá, entonces, no es conciente del México roto que va a entregar.

Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter’s health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care.

The fascinating Mexican artist Frida Kahlo is remembered for her self-portraits, her dramatic works featuring bold and vibrant colors. Her work brought attention to Mexican and indigenous culture, and she is also renowned for her works celebrating the female form. Brown's story recounts Frida's beloved pets - two monkeys, a parrot, three dogs, two turkeys, an eagle, a black cat, and a fawn - and playfully considers how Frida embodied many wonderful characteristics of each animal.

Award-winning author Duncan Tonatiuh reimagines one of Mexico's cherished legends. Princess Izta had many wealthy suitors but dismissed them all. When a mere warrior, Popoca, promised to be true to her and stay always by her side, Izta fell in love. The emperor promised Popoca if he could defeat their enemy Jaguar Claw, then Popoca and Izta could wed.

Gustavo Arellano has compiled the best questions about Mexican Americans from readers of his ¡Ask a Mexican!column in California's OC Weekly and uses them to explore the clichés of lowriders, busboys, and housekeepers; drunks and scoundrels; heroes and celebrities; and most important, millions upon millions of law-abiding, patriotic American citizens and their illegal-immigrant cousins who represent some $600 billion in economic power.

When a shy girl named Sarah Sierra first joins an after-school program in her neighborhood, she never expects to travel back in time and discover the words of Miguel de Cervantes. But at Still Waters in a Storm, a teacher named Stephen and a group of kids have pushed together tables piled high with books so they can gather round to talk about and translate Cervantes’ classic, Don Quixote de La Mancha. They begin to reimagine Don Quixote as the story of a group of modern-day kids from immigrant families in Brooklyn.

Border Odyssey takes us on a drive toward understanding the US/Mexico divide: all 1,969 miles, from Boca Chica to Tijuana. Along the journey, five centuries of cultural history (indigenous, French, Spanish, Mexican, African American, colonist, and US), wars, and legislation unfold. And through observation, conversation, and meditation, Border Odyssey scopes the stories of the people and towns on both sides.

Lala Reyes' grandmother is descended from a family of renowned rebozo, or shawl makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala's possession. The novel opens with the Reyes' annual car trip, a caravan overflowing with children, laughter, and quarrels, from Chicago to "the other side": Mexico City.

In a series of 10 essays, spanning five centuries of history, beginning with the conquest of Mexico by Hermán Cortés and ending in 1992 San Francisco, Rodriguez explores the conflicts of race, religion, and cultural identity for Mexican-Americans across the landscape of his beloved California.

She is the envy of every teenage girl in Mexico City. Her mother is a glamorous telenovela actress. Her father is the go-to voice-over talent for blockbuster films. Hers is a world of private planes, chauffeurs, paparazzi, and gossip columnists. Meet Camilla del Valle - Cammi to those who know her best. When Cammi's mom gets cast in an American television show and the family moves to LA, things change, and quickly.

El libro revela el Amor Universal y Cósmico del Sendero Rojo. El Sendero Rojo es la filosofía/cosmovisión/religión de las tribus/pueblos indígenas nativos de América del Norte y del Sur. Esta cosmovisión promueve la integración con la Madre Tierra y el cosmos para lograr la armonía dentro de la Existencia en eterna evolución.

The book reveals the universal and cosmic love of the Red Road. The Red Road is the philosophy/worldview/religion of the native Indian tribes/pueblos of North and South America. This worldview promotes integration with Mother Earth and the cosmos to achieve harmony within eternally evolving existence. Using the Chicano as an example, the book explores the human lifetime as a cosmic being with eternal cycles of reincarnation and integration. This cosmic journey is examined from the perspective of the Red Road.

Cece Rios thought saving her sister would be the end of her adventures in the world of criaturas. But part of Juana’s soul is still trapped in Devil’s Alley. As Cece tries to find a way to get it back using her new curandera abilities, Juana takes her fate in her own hands and sets off alone, intent on restoring her soul and getting revenge on El Sombrerón.

In the court of the “King”, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core. Part surreal fable and part narco-lit romance, this prize-winning novel from Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage and power.

es una novela estrictamente romántica: se cuenta el enamoramiento de una niñita de 9 años (Eglé) por boca del objeto de deseo, el propio protagonista, que nos cuenta la historia en primera persona y desde una perspectiva de pasado. Éste no se da cuenta del amor que la niñita le profesa y acaba achacando su estado a la edad.