Literary Biography

A tireless champion of the downtrodden, Nelson Algren, one of the most celebrated writers of the 20th century, lived an outsider's life himself. He spent a month in prison as a young man for the theft of a typewriter; his involvement in Marxist groups earned him a lengthy FBI dossier; and he spent much of his life palling around with the sorts of drug addicts, prostitutes, and poor laborers who inspired and populated his novels and short stories. Most today know Algren as the radical writer of The Man with the Golden Arm, but award-winning reporter Mary Wisniewski offers a deeper portrait.

Charles M. Blow’s mother was a fiercely driven woman with five sons, brass knuckles in her glove box, and a job plucking poultry at a factory near their segregated Louisiana town, where slavery's legacy felt close. When her philandering husband finally pushed her over the edge, she fired a pistol at his fleeing back, missing every shot, thanks to “love that blurred her vision and bent the barrel.” Charles was the baby of the family, fiercely attached to his “do-right” mother. Until one day that divided his life into Before and After—the day an older cousin took advantage of the young boy.

The Amputee’s Guide to Jules Verne is a listener's guide to every novel Jules Verne wrote; in that respect alone, there is no other book like it on the market. But it’s more than that. Nick DiMartino has included several essays evaluating Verne’s overall approach as a writer and the values embodied in his work. He has included as well a number of deeply personal essays about his struggles with the loneliness, pain, and lack of mobility that came with being an amputee.

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were—in Holmes's words—"Brother Souls." Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes.

Azulejo es el tímido héroe de este relato, es uno de esos “niños de la guerra” que tanto se ha ocupado la literatura moderna española. Salvo en la primera parte del libro, donde el autor mantiene una quimérica conversación con el chaval considerado como un yo-otro independiente y autónomo, es el autor quien toma la palabra en tercera persona como cronista de la vida de ese niño, luego adolescente, hijo de una familia republicana en los años treinta y cuarenta del pasado siglo, los infaustos años de la guerra incivil y su primera posguerra.

Sie ist die Frau, der man nachsagt, dass sie kein Glück in der Liebe hat. Diejenige, die ihr Leben allein regelt: Die Frau ohne Begleitung. Als die Autorin feststellt, dass auch sie so eine geworden ist - ein weiblicher Langzeit-Single - ist die Erkenntnis ein Schock. Dann eine Befreiung. Und ein Ansporn, nicht nur für eine schonungslose Selbsterkundung, sondern auch für eine überfällige Spurensuche.

"Directing the Page" offers listeners an intimate exploration into the intertwined realms of filmmaking and literature as explored through the experiences of its author.

Frank Moorhouse was legendary in Australian literary and cultural life, the author of a huge and diverse body of work - essays, short stories, journalism, scripts, the iconic Edith Trilogy - an unapologetic activist, intellectual, libertarian and champion of freedom of speech and sexual self determination. Though he lived his life publicly, his private stories have not been shared, the many paths he forged left unexamined, until now. This landmark study is the fascinating story of how one of Australia's most original writers and pioneer of the discontinuous narrative came to be.

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure.

The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition.

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

At twenty-three, Michelle Ephraim was failing at everything. The only child of reclusive Holocaust-survivor parents who were dismayed by her literary studies, she found herself dumped by her boyfriend and bombing out of graduate school. Then, one night, she crashed a Shakespeare recitation party. Loopy from vodka and never having read a single line of Shakespeare, she was transfixed. Shakespeare, she decided, was the lifeline she needed.

Former bookseller, longtime publisher, and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau's Journal, Tagore's Gitanjali, Martin Buber's Hasidic Tales, and Tolstoy's Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.

In this unusual biography Krystal gives us not only the peripatetic and turbulent life of a cultural icon but also the intellectual sweep of a period in history that created our modern America. Some Unfinished Chaos delivers a nuanced portrait of a man whose various sides embodied the trends, passions, and pursuits of the imperfect society that both glorified and dismissed him.

In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.

The power, anger and fluency of Liang Qichao's writings make him one of the towering figures in modern Chinese literature. He saw his great, almost unmanageable task as an attempt to write China into the new era - to provide an ancient country, devastated by civil war and foreign predators, with the intellectual equipment to renew itself. This selection of pieces shows Liang's extraordinary range and the burning sense of mission which drove him on, attempting to galvanize and refresh an entire nation.

Il primo atlante mondiale della grande criminalità. Le mafie sono cambiate immensamente negli ultimi decenni. Fanno meno morti, forse, ma sono molto più potenti, ramificate, ricche. Si sono internazionalizzate, spesso hanno lasciato gli affari «piccoli» (prostituzione, gioco d’azzardo ecc.) a organizzazioni minori per concentrarsi su più redditizi business (dal traffico d’armi a quello di organi ed esseri umani all’emigrazione al traffico delle scorie radioattive ecc.).

Frances Hodgson Burnett's favorite theme in her fiction was the reversal of fortune, and she herself knew extremes of poverty and wealth. Born in Manchester in 1849, she emigrated with her family to Tennessee because of the financial problems caused by the cotton famine. From a young age she published her stories to help the family make ends meet. Only after she married did she publish Little Lord Fauntleroy that shot her into literary stardom.

Peter Ackroyd's insightful new biography positions Shakespeare in the close context of his world. In this way, Ackroyd not only richly conjures up the texture of Shakespeare's life, but also imparts an amazing amount of vivid, interesting material about place, period and background. Walk with Ackroyd through sixteenth century London and Stratford as he uncovers the intimate circumstances of Shakespeare's life.

Imagine sitting with an esteemed writer on his or her front porch somewhere in the world and swapping life stories. Dr. Wayne Flynt got the opportunity to do just this with Nelle Harper Lee. In a friendship that blossomed over a dozen years starting when Lee relocated back to Alabama after having had a stroke, Flynt and his wife Dartie became regular visitors at the assisted living facility that was Lee's new home. And there the conversation began, with an invitation to "Come in, sit down, and stay a while."