Literary Essays

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

Culinary creator, writer and community advocate, Sohla El-Waylly selects the best twenty articles published in 2021 that celebrate the many innovative, comforting, mouthwatering, and culturally rich culinary offerings of our country.

In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

Alexander Chee, an essayist of “virtuosity and power” (Washington Post), selects twenty essays out of thousands that represent the best examples of the form published the previous year.

"The Writing of Essays" by H. G. Wells is a short essay. H. G. Wells once different, humorous social satire and ironic. The art of the essayist is so simple, so entirely free from canons of criticism, and withal so delightful, that one must needs wonder why all men are not essayists. Perhaps people do not know how easy it is.

Celebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the listener that Aciman is a master of the personal essay.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

Spring is a deeply moving novel about family, our everyday lives, our joys and our struggles. Spring follows a father and his newborn daughter through one day in April, from sunrise to sunset. A day filled with everyday routine, the beginnings of life and its light, but also its deep struggles and its darkness.

“Books can connect people across time zones and zip codes, across cultures, national boundaries, and historical eras”, Kakutani writes in her introduction to Ex Libris. Here listeners will discover novels and memoirs by some of the most gifted writers working today; favorite classics worth listening or relistening; and nonfiction works, both old and new, that illuminate our social and political landscape and some of today’s most pressing issues, from climate change to medicine to the consequences of digital innovation.

The New York Times best seller from the author of Slaughterhouse-Five—a “gripping” posthumous collection of Kurt Vonnegut’s previously unpublished work on the subject of war and peace. A fitting tribute to a literary legend and a profoundly humane humorist, Armageddon in Retrospect is a collection of 12 previously unpublished writings. Imbued with Vonnegut's trademark rueful humor and outraged moral sense.

"Searingly honest, brilliant and disturbing. Brad Phillips peels back the skin and bone and stares right into the human soul." (Anthony Bourdain) Brad Phillips' collection of short stories adeptly walks a very thin line between taboo and propriety, with rigorous self-awareness and generosity. By confusing ideas around fiction and autobiography, Phillips writes with painful sincerity about shame, addiction, trauma, and the more troubling outreaches of sexual desire, with wit that is at odds with the subject matter. Brad Phillips is a well-known Canadian artist.

Un libro valiente, sutil y agudo sobre los milagros, la relación entre la ciencia y la fe, la redención o el destino final del hombre. Dios en el banquillo es una de las más conocidas colecciones de ensayos de Lewis, entre los que destacan El mito se hizo realidad, El gran milagro, ¿Sacerdotisas en la Iglesia? y, por supuesto Dios en el banquillo.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

This essay is from a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today.

Funny, thought provoking, and always entertaining, personal essayist Marion Winik is known for decades of storytelling on NPR and the stunning memoir First Comes Love. Memory and identity are the focus of this new collection, Guesswork, drawn from a column that has won "Best of Baltimore" from Baltimore magazine several years running.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.

Despite their phenomenal decades-long success, the Harry Potter novels have attracted relatively little attention from literary critics and scholars. This book challenges that oversight, assembling and foregrounding some of the best literary critical work by scholars trying to move the needle on these novels to reflect their importance to twenty-first-century literary culture. In Open at the Close, contributors consciously address Harry Potter primarily as a literary phenomenon rather than a cultural one.

In Entrapment and Other Writings - containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays - Algren speaks to our time as few of his fellow great American writers of the 1940s and ’50s do, in part because he hasn’t yet been accepted and assimilated into the American literary canon, despite that he is held up as a talismanic figure.

Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—"a master of vivisection," as Kathryn Harrison wrote in the New York Times. "When she's done with a subject, it's still living, mystery intact."