Literary Essays

From Pulitzer Prize - winning book critic Michael Dirda comes a collection of his most personal and engaging essays on the literary life - the perfect companion for any lover of books. Dirda's latest volume collects fifty of his witty and wide-ranging reflections on literary journalism, book collecting, and the writers he loves. Reaching from the classics to the postmoderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson, and M. F. K. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace.

In this deeply personal reflection, Pulitzer Prize-winning author Jhumpa Lahiri explores the art of the book jacket from the perspectives of both reader and writer. Probing the complex relationships between text and image, author and designer, and art and commerce, Lahiri delves into the role of the uniform; explains what book jackets and design have come to mean to her; and how, sometimes, "the covers become a part of me".

These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens - as depicted by one of the great writers of this or any other time.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

A striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To listen to these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish.

SEX AND THE CITY offers a tantalizing glimpse of the openings, launch parties, and celebrity affairs that keep society amused. Throughout, a cast of characters - the troubled writer, the successful businessman, the famous underwear model, and others - searches for true love...or at least someone to go home with at the end of the night. It's a chronicle of the true-life adventures of the "in" crowd that is often hilarious and sometimes terrifying, but always mesmerizing.

Filled with his usual obsessions - sex, booze, gambling - More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly-veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters - climaxing with a long, hilarious adventure among French filmmakers.

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

The Ukraine is a collection of twenty-six pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. The Ukraine conveys to listeners a place that Chapeye and his countrymen are currently fighting for with their lives. The book features a preface by the author, which he composed on his phone from the front lines.

Slide "Further Under the Duvet", get yourself comfortable, and let Marian take you places you've never been before. Places like the Irish air-guitar championships, a shopping trip to Bloomingdales with a difference, and Cannes with a chronic case of Villa-itis. Along the way you'll encounter knicker-politics, fake tans, sticky-out ears and passionate love affairs both with make-up and Toblerones.

For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid Vogue editors, unassuming doormen who’ve seen too much. They are set in the star-studded salons of George Plimpton’s apartment, in the tense newsroom of a still burgeoning New York Times, in an electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest.

In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a comprehensive and provocative theory of the novel and the experience of reading. Drawing on Friedrich Schiller’s famous distinction between “naïve” writers—those who write spontaneously—and “sentimental” writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word.

Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to “banish the evil” from Tania. That day, the young girl realized that monsters weren’t just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you. Dinner on Monster Island is Tania’s memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic.

Here is Hemingway: the adventurer, the reporter, the man! More intimately than all his fiction, Hemingway the reporter reveals Hemingway the man, driving an ambulance through a bullet-barrage or leading guerrilla forces into Paris, always in the thick of the action. Here are his most sensational dispatches, the behind-the-scenes stories that became For Whom the Bell Tolls, A Farewell to Arms, and The Sun Also Rises.

Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.

Travels is a thrilling anthology of the travel writings of Paul Bowles, author of the era-defining post-war novel The Sheltering Sky. The acclaimed essays in Travel—never before collected in a single volume—span more than sixty years and range from Bowles’s early days in Paris to his time spent in Ceylon, Thailand, Kenya, and his expatriate life in Morocco. Insightful, exciting, and evocative, Travels is a stunning collection of rarely seen shorter works—a showcase of the literary artistry of one of the truly great American writers of the twentieth century.

Let's get one thing straight: Small, Broke, and Kind of Dirty: Affirmations for the Real World is not a book of advice. You're not going to find a step-by-step guide to meditation here, or even reminders to drink lots of water and get enough sleep. Those things are all good for you, but that's not what Hana Shafi wants to talk about. Instead, Small, Broke, and Kind of Dirty focuses on our common and never-ending journey of self-discovery. It explores the ways in which the world can all too often wear us down, and reminds us to remember our worth, even when it's hard to do so.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.