Literary Fiction Family

A lyrical coming-of-age story set in the 1960s, Hot Fudge Sundae Blues is an extraordinary companion to Bev Marshall's first two novels, Walking Through Shadows and Right as Rain. Here again she mines the territory of the small town of Zebulon, Mississippi, where even the most seemingly ordinary folks harbor well-disguised heartaches and intricate secrets.

In this ferociously imaginative novel, abortion is once again illegal in America, in vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.

Meet Charlie Savage: a middle-aged Dubliner with an indefatigable wife, an exasperated daughter, a drinking buddy who’s realized that he’s been a woman all along.... Compiled here for the first time is a whole year’s worth of Roddy Doyle’s hilariousseries for the Irish Independent. Giving a unique voice to the everyday, he draws a portrait of a man - funny, loyal, somewhat bewildered - trying to keep pace with the modern world (if his knees don’t give out first)

Two old friends, who first met in university, get together for a weekend of golfing: Allan, a football hero, worldly and financially successful, and his quieter friend, nicknamed Byron, lame from a childhood injury, a smart fellow who became a lawyer but who has never left home, staying put so he could care for a mother with Alzheimer's.

Ray Shepard is a wealthy architect who has mystified his friends by marrying Evelyn, a woman who works at a nail salon. Evelyn, in turn, hides a secret past about her former life in the circus, her ex-husband's mysterious death, and the colorful tattoos she carefully conceals under her clothes. When Evelyn starts to cave under the pressure of living in Ray's rarified world, she suggests they take in Ingrid, a 16-year-old girl with blue hair, a pet iguana, and no place to stay for the summer.

Melanie Henderson's life is a lie. The scandal of her birth and the identity of her true parents is kept from her family's small, conservative Colorado town. Not even she knows the truth: that her birth mother was just 14 and unmarried to her father, a local boy who drowned when he tried to take a shortcut across an icy river. Thirty-five years later, in Denver, Melanie dabbles in affairs with married men while clinging to a corporate job that gives her life order even as her tenuous relationships fall apart. She still hasn't learned that the woman who raised her is actually her aunt.

Ren Ishida is nearly finished with graduate school when he receives news of his sister Keiko's sudden death. She was viciously stabbed one rainy night on her way home, and there are no leads. Ren heads to Akakawa to conclude his sister's affairs, still failing to understand why she chose to abandon the family and Tokyo for this desolate town years ago. Haunted in his dreams by a young girl who is desperately trying to tell him something, Ren struggles to find solace in the void his sister has left behind.

From a Hong Kong movie idol fleeing a sex scandal to an obedient daughter turned Stanford pretender, from a Chinatown elder summoned to his village to a Korean American pastor with a secret agenda, the characters in the collection illustrate the conflict between self and society, tradition and change. In "What We Have Is What We Need", winner of the Atlantic's Student Writing Contest, a boy from Mexico reunites with his parents in San Francisco. When he suspects his mother has found love elsewhere, he fights to keep his family together.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

Thirty-six of the most interesting writers in the Pacific Northwest came together for a week-long marathon of writing live on stage. The result? Hotel Angeline, a truly inventive novel that surprises at every turn of the page. Something is amiss at the Hotel Angeline, a rickety former mortuary perched atop Capitol Hill in rain-soaked Seattle. Fourteen-year-old Alexis Austin is fixing the plumbing, the tea, and all the problems of the world, it seems, in her landlady mother’s absence.

Reclusive literary legend M. M. "Mimi" Banning has been holed up in her Bel Air mansion for years. But after falling prey to a Bernie Madoff-style Ponzi scheme, she's flat broke. Now Mimi must write a new book for the first time in decades, and to ensure the timely delivery of her manuscript, her New York publisher sends an assistant to monitor her progress. The prickly Mimi reluctantly complies - with a few stipulations: no Ivy Leaguers or English majors. Must drive, cook, tidy. Computer whiz. Good with kids.

The ghost of Kai, the love of Cam's life, won't leave Cam alone. He follows Cam from LA back home to Houston, his visits wild, tender, and unpredictable. But Cam has changed, and when he reenters the orbit of his childhood best friend TJ and his family's bakery, neither Cam nor TJ is sure how to navigate their charged estrangement. Searching for a way past all the wounds and secrets—a way to be okay together, maybe for the first time— the pair find hope and sustenance from the most unlikely source.

Not yet 16, Bellamy Larson - or Beam, as she'd rather be called - remembers everything. Truthfully, there's a lot she'd just rather forget. Beam never knew her father and doesn't ever want to. Her little brother died while saving her. And her mother self-medicates, leaving Beam to fend for herself. She doesn't need friends. She just needs to get away. Buzz Donovan is on a journey across America. Luckily for him, he has a friend - a dog named Hush. It's because of Hush, though, that Buzz is homeless. But that's his choice, because if it weren't for Hush, he'd be dead.

Since finishing graduate school, Maggie Griffin has worked hard to build an enviable life in Boston. She's an elementary school teacher in a tony Boston suburb, a devoted sister, and a loving aunt. With her childhood best friend's wedding quickly approaching and her own relationship blossoming, this is the summer she has been waiting for. But when Maggie's career is suddenly in jeopardy, her life begins to unravel. Stricken, Maggie returns home to seaside Mystic, Connecticut, where she expects to find comfort.

Joan Mitchell has two suitors, and can’t decide whom to marry. With her mother Aurelie’s example in mind, she’d like to skip marriage altogether. Joan and Aurelie live together in a beautiful French Quarter home on Coliseum Street in New Orleans, along with Joan’s many half-sisters born of Aurelie’s five disastrous marriages. Joan lives a mostly carefree life, but when she becomes pregnant, she chooses to end her pregnancy rather than marry a man she doesn’t love - a decision with grave consequences in conservative 1950s New Orleans.

Some twins communicate in a secret language all their own. For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not - bold, daring, carefree - and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back.

The best-selling author of Snow Falling on Cedars returns to his Pacific Northwest settings -and moves beyond them- in 10 sharply observed, funny, and wise new stories that explore the mysteries of love and unravel our complex desires to connect with others. Ranging from teenage to middle-age, the voices that inhabit Problems with People offer humorous or searing but always tightly focused accounts of the universal quest to understand one another - individually, and as part of our political and historical moment.

This magnificent novel - which secured for its author the 1955 Nobel Prize in Literature - is now available to contemporary American audiences. Although it is set in the early 20th century, it recalls both Iceland's medieval epics and such classics as Sigrid Undset's Kristin Lavransdatter. And if Bjartur of Summerhouses, the book's protagonist, is an ordinary sheep farmer, his flinty determination to achieve independence is genuinely heroic and, at the same time, terrifying and bleakly comic.

Once upon a time four aspiring authors met at their very first writers' conference. Ten years later they're still friends, survivors of the ultra-competitive New York publishing world. Mallory St. James is a workaholic whose best sellers support a lavish lifestyle. Tanya Mason is a single mother juggling two jobs, two kids, and too many deadlines. Faye Truett is the wife of a famous televangelist and the author of inspirational romances: No one would ever guess her explosive secret.

In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia...