Literary Fiction Family

Just moved in to a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly’s for a pint, a slow one. One evening his drink is interrupted. A man in shorts and a pink shirt brings over his pint and sits down. He seems to know Victor’s name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, dislikes, too, the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers.

Best-selling author Elizabeth Berg has published fiction and nonfiction in The New York Times Magazine, Ladies’ Home Journal, and New Woman. She has been nominated for a National Magazine Award for her graceful, witty writing. In The Pull of the Moon, she alternates letters and journal entries to trace a middle-aged woman’s impulsive, and solitary, drive across country.

Meticulous, funny, eccentric - Mary has always been mindful of the complex role she plays as a professor of history. Her lectures are carefully written out beforehand; her departmental loyalties ambiguous. She is so careful, in fact, that she began to see herself as flat, dull, and lifeless. The closing of Brandon College, the institution she'd spent more than fifteen years at, changes everything. Forced to find another position, Mary finds herself at an experimental college in rainy Oregon.

Howards End is the story of the liberal Schlegel sisters and their struggle to come to terms with social class and their German heritage in Edwardian England. Their lives are intertwined with those of the wealthy and pragmatic Wilcox family and their country house, Howards End, as well as the lower-middle-class Basts. When Helen Schlegel and Paul Wilcox's brief romance ends badly the Schlegels hope to never see the Wilcoxes again.

Max Skinner is a man at the heart of London's financial universe until his employers embark on a little asset-stripping of their own. Himself. Amid the grey London drizzle, there is one potential ray of sunshine: Max's Uncle Harry has left him his estate in his will, an eighteenth-century chateau and vineyard an hour's drive from Avignon.

The world has changed around 79-year-old librarian Millicent Carmichael, a.k.a. Missy. Though quick to admit that she often found her roles as a housewife and mother less than satisfying, Missy once led a bustling life driven by two children, an accomplished and celebrated husband, and a Classics degree from Cambridge. Now, her husband is gone, her daughter is estranged after a shattering argument, and her son has moved to his wife's native Australia, taking Missy's beloved only grandchild half-a-world away.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

Roseanne McNulty, once one of the most beautiful and beguiling girls in County Sligo, Ireland, is now an elderly patient at Roscommon Regional Mental Hospital. As her 100th year draws near, she decides to record the events of her life, hiding the manuscript beneath the floorboards. Dr. Grene, Roseanne's caretaker, takes a special interest in her case. In his research, he discovers a document written by a local priest that tells a very different story of Roseanne's life than what she recalls.

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down.

Librarian Martha Storm has always found it easier to connect with books than people—though not for lack of trying. She keeps careful lists of how to help others in her superhero-themed notebook. And yet, sometimes it feels like she’s invisible. All of that changes when a book of fairy tales arrives on her doorstep. Inside, Martha finds a dedication written by her best friend—her grandmother Zelda—who died under mysterious circumstances years ago. When Martha discovers a clue within the book that her grandmother may still be alive, she becomes determined to discover the truth.

Two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives from scratch. For 20 years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.

From within the hopelessness and terror of China's Cultural Revolution, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening, and the magical power of storytelling. "An unexpected miracle," raves the Los Angeles Times Book Review, "a delicate, and often hilarious, tale."

Anita Rau Badami's acclaimed novel Can You Hear the Nightbird Call? chronicles the stories of three women, linked in love and tragedy, over a span of fifty years, sweeping from the partition of India and Pakistan in 1947 to the explosion of Air India flight 182 off the coast of Ireland in 1985.

Thirty-four-year-old Harry Crane works as an analyst for the US Forest Service. When his wife dies suddenly, Harry, despairing, retreats north to lose himself in the remote woods of the Endless Mountains of Pennsylvania. But fate intervenes in the form of a fiercely determined young girl named Oriana. She and her mother, Amanda, are struggling to pick up the pieces from their own tragic loss of Oriana’s father. Discovering Harry while roaming the forest, Oriana believes that he holds the key to righting her world.

"Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l'écho inlassable des morts, et le retentissement du désastre. Aujourd'hui, je sais aussi qu'elle illustre, comme tant d'autres familles, le pouvoir de destruction du verbe, et celui du silence."

With The Sportswriter, in 1986, Richard Ford commenced a cycle of novels that, 10 years later, after Independence Day won both the Pulitzer Prize and the PEN/Faulkner Award, was hailed by The Times of London as "an extraordinary epic [that] is nothing less than the story of the 20th century itself." Now, a decade later, Frank Bascombe returns, with a new lease on life (and real estate), and more acutely in thrall to life's endless complexities than ever before.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

London, 1976. In the thick of a record-breaking heatwave, Gretta Riordan's newly-retired husband has cleaned out his bank account and vanished. Now, for the first time in years, the three Riordan children are converging on their childhood home: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and an ugly secret that has driven a wedge between her and the little sister she once adored; and Aoife (pronounced EE-fah), the youngest, whose new life in Manhattan is elaborately arranged to conceal her illiteracy.

When Faye Travers is called upon to appraise the estate of a family in her small New Hampshire town, she isn't surprised to discover a forgotten cache of valuable Native American artifacts. However, she stops dead in her tracks when she finds in the collection a rare drum, ornamented with symbols she doesn't recognize and dressed in red tassels and a beaded belt and skirt, especially since, without touching the instrument, she hears it sound.