Literary Fiction Family

I Am Liu Yuejin, by prize-winning Chinese novelist Liu Zhenyun, is a novel of Beijing that paints a microcosm of contemporary China, dealing with classes at the two extremes: the super rich and the migrant workers who make them rich through deceit and corruption. The protagonist, Liu Yuejin, is a work site cook and small-time thief whose bag is stolen. While searching for it, he stumbles upon another bag, which contains a flash disk that chronicles high-level corruption, and sets off a convoluted chase.

In the great wave of husband-leaving ushered in by the Sexual Revolution, Molly Held frees herself from her cold, flagrantly unfaithful husband after their final quarrel turns violent. With her five-year-old son, she lights out for an Upper West Side apartment and the new life she hopes to find with Conrad Schwartzberg - the charismatic radical lawyer who has recently become her lover. Having escaped from a desert, she lands in a swamp.

Set in Saskatchewan and the Ottawa Valley, this finely honed tale begins in 1929 with a small-town schoolteacher helping an underprivileged child learn to read - all under the watchful eye of the school's domineering, enigmatic principal. From there the story takes listeners on a mesmerizing journey probing the roots of obsession and revealing how the pains and passions of childhood follow us into adulthood and beyond.

Carson McCullers was all of 23 when she published her first novel, The Heart Is a Lonely Hunter. She became an overnight literary sensation, and soon such authors as Tennessee Williams were calling her "the greatest prose writer that the South [has] produced." The Heart Is a Lonely Hunter tells an unforgettable tale of moral isolation in a small southern mill town in the 1930s.

Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.

I'll Take You There centers on Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater. One evening, while setting up a film in the projectionist booth, he's confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood's silent film era. Lois invites Felix to revisit - and in some cases relive - scenes from his past as they are projected onto the cinema's big screen.

After a college student speeding in a blue Honda Civic kills her husband of less than a year, Olivia is completely lost. One hot summer day, she walks into the beachfront Rhode Island cottage she and David bought the previous August—the place where they had planned to someday start a family—and finds a stranger sitting at her kitchen table. Pregnant fifteen-year-old Ruby is looking for a safe haven for herself and her baby-to-be. Olivia takes her in, desperate to assuage her grief through human connection, even with a troubled teenager.

Seduced by Slim's stories of the privations of a cross-country trek that ended in the violence of an historic riot and tales of Depression-era work camps, Edie MacDonald has followed him from mine to mine, where he finds work and she cares for their son, Belly, in the thin shelter of canvas tents. Until now. Edie has left Slim behind, passed out in an unheated apartment on the coldest day of the year. Boarding a train with Belly, she travels westward. When the train struggles through a snowstorm and possible calamity, the lens shifts between Belly's perspective and Edie's.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

Two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives from scratch. For 20 years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.

The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.

"Work hard. Do good. Be incredible!" is the advice Teresa Rae Wood shares with the listeners of her local radio show, Modern Pioneers, and the advice she strives to live by every day. She has fled a bad marriage and rebuilt a life with her children, Claire and Joshua, and their caring stepfather, Bruce. Their love for each other binds them as a family through the daily struggles of making ends meet. But when they received unexpected news that Teresa, only 38, is dying of cancer, their lives all begin to unravel and drift apart.

The word "carnivorous", which appears in the title of this book, means "meat-eating", and once you have read such a bloodthirsty word, there is no reason to read any further. This carnivorous volume contains such a distressing story that consuming any of its contents would be far more stomach-turning than even the most imbalanced meal.

Maureen and Harold Fry have settled into a quiet life, but when an unexpected message from the North disturbs their peaceful equilibrium, Maureen realizes that it’s now her turn to make a journey. But she is not like her affable, easygoing husband. By turns outspoken, then vulnerable, she struggles to form bonds with the people she meets—and the landscape she crosses has radically changed. Maureen has no sense of what she will find at the end of the road. All she knows is that she has to get there.

Three sisters reunite on Sullivan’s Island off the coast of South Carolina after years of separation in this heartwarming first novel in a new trilogy from a beloved author. 80-year-old Marietta Muir is a dowager of Charleston society who has retired to her historic summer home on Sullivan’s Island. At the onset of summer, Marietta - "Mamaw" - seeks to gather her three granddaughters - Carson, Eudora, and Harper - with the intent to reunite them after years apart.

Rachel Blum and Andy Landis are eight years old when they meet late one night in an ER waiting room. Born with a congenital heart defect, Rachel is a veteran of hospitals, and she's intrigued by the boy who shows up all alone with a broken arm. He tells her his name. She tells him a story. After Andy's taken back to the emergency room and Rachel's sent back to her bed, they think they'll never see each other again.

Three men search for some version of home; their lives move inexorably toward a reckoning that will draw them all together. For Farouk, family is all. He has protected his wife and daughter as best he can from the war and hatred that has torn Syria apart. If they stay, they will lose their freedom. Lampy is distracted; he has too much going on in his small town life in Ireland. He has the city girl for a bit of fun, but she's not Chloe. The game was always the lifeblood coursing through John's veins: manipulating people for his enjoyment. But it was never enough.

From the winner of the Nobel Prize in Literature and author of the Booker Prize-winning novel The Remains of the Day, here is the story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter. In a novel where past and present confuse, she relives scenes of Japan's devastation in the wake of World War II.

When Faye Travers is called upon to appraise the estate of a family in her small New Hampshire town, she isn't surprised to discover a forgotten cache of valuable Native American artifacts. However, she stops dead in her tracks when she finds in the collection a rare drum, ornamented with symbols she doesn't recognize and dressed in red tassels and a beaded belt and skirt, especially since, without touching the instrument, she hears it sound.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.