Literary Fiction Family

I'll Take You There centers on Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater. One evening, while setting up a film in the projectionist booth, he's confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood's silent film era. Lois invites Felix to revisit - and in some cases relive - scenes from his past as they are projected onto the cinema's big screen.

On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but instantly recognizes. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revelers, Jake realizes that things are becoming dangerous. They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand.

Barbados, 1962. Lost soul Iapetus roams the island, scared and alone, driven mad after witnessing his father’s death at the hands of his mother and his older brother, Cronus. Just before Iapetus is lost forever, he has a son, but the baby is not enough to save him from himself—or his family’s secrets. Seventeen years later, Iapetus’s son, the stoic Atlas, lives in a loveless house, under the care of his uncle, Cronus, and in the shadow of his charismatic cousin Z.

Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce’s first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin, and the Dubai Tourist Authority conspire to transport Bertie's mother, Irene, to a warmer--if not a better--place.

Starting with something as simple as a boy who wants a dog, His Whole Life takes us into a richly intimate world where everything that matters is at risk: family, nature, country, home.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

Throughout her childhood, Carlisle Martin got to see her father, Robert, for only a few precious weeks a year when she visited the brownstone apartment in Greenwich Village he shared with his partner, James. Brilliant but troubled, James gave Carlisle an education in all that he held dear in life—literature, music, and, most of all, dance.

Thirty-four-year-old Harry Crane works as an analyst for the US Forest Service. When his wife dies suddenly, Harry, despairing, retreats north to lose himself in the remote woods of the Endless Mountains of Pennsylvania. But fate intervenes in the form of a fiercely determined young girl named Oriana. She and her mother, Amanda, are struggling to pick up the pieces from their own tragic loss of Oriana’s father. Discovering Harry while roaming the forest, Oriana believes that he holds the key to righting her world.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

Chin up, Emily Thorn faces the pain and heartache of love lost and years wasted. At 40, all she has to show for 20 years of marriage is a Federal Express letter from her husband that begins "Dear Emily" - and ends their life together. She had put her own life on hold to pay Ian's way through medical school. She believed him when he told her that one day she'd have everything she ever wanted - children, an education, a career of her own. What she got was overweight, out of shape - and dumped.

Clayton Burroughs comes from a long line of outlaws. For generations the Burroughs clan has made their home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family's criminal empire, Clayton takes the job of sheriff in a neighboring community to keep what peace he can.

Jenny Offill’s heroine, referred to in these pages as simply “the wife”, once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts.

Inspired by a near-mythic event on the wild Florida frontier at the turn of the 20th century, Shadow Country re-imagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Twelve years ago Matthew "the Rocket" Rising had it all. Married to his high school sweetheart and one of the winningest quarterbacks in the history of college football, he was the number one NFL draft pick. But on the night of the draft, he plummeted from the pinnacle of esteem. Falsely accused of a heinous crime with irrefutable evidence, it seemed in an instant all was lost—his reputation, his career, his freedom, and most devastatingly, the love of his life.

From the award-winning author of Mistress of Spices, the best-selling novel about the extraordinary bond between two women, and the family secrets and romantic jealousies that threaten to tear them apart.

A family of four - mother, father, and two boys - move to the south coast of Norway, to a new house on a newly developed site. It is the early 1970s and the family's trajectory is upwardly mobile: The future seems limitless.

Seventeen-year-old Riggle is living in rural Indiana with his uncle and uncle's girlfriend after the death of both of his parents. Now his uncle has gone missing, probably on a drug binge. It's Monday, and $800 in rent is due Friday. Riggle, who's been suspended from school, has to either find his uncle or get the money together himself. His mission exposes him to a motley group of Opioid locals - encounters by turns perplexing, harrowing, and heartening. Meanwhile, Riggle marks each day by remembering the mythology his late mother invented for him about how the days got their names.

Six Californians join to discuss Jane Austen's novels. Over the six months they meet, marriages are tested, affairs begin, unsuitable arrangements become suitable, and love happens. With her finely sighted eye for the frailties of human behavior and her finely tuned ear for the absurdities of social intercourse, Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

When Graham Cavanaugh divorced his first wife, it was to marry his girlfriend, Audra, a woman as irrepressible as she is spontaneous and fun. But, Graham learns, life with Audra can also be exhausting, constantly interrupted by chatty phone calls, picky-eater houseguests, and invitations to weddings of people he's never met. Audra firmly believes that through the sheer force of her personality, she can overcome the most socially challenging interactions.

Rose and Lily Winters are twins, as close as the bond implies; they feel each other’s emotions, taste what the other is feeling. Like most young women, they’ve struggled with their bodies and food since childhood, and high school finds them turning to food - or not - to battle the waves of insecurity and the yearning for popularity. But their connection can be as destructive as it is supportive, a yin to yang. When Rose stops eating, Lily starts - consuming everything Rose won’t or can’t.