Literary Fiction Family

From the Pulitzer Prize-winning author of A Thousand Acres and the New York Times best-selling Last Hundred Years Trilogy, a captivating, brilliantly imaginative story of three extraordinary animals - and a young boy - whose lives intersect in Paris.

In this ferociously imaginative novel, abortion is once again illegal in America, in vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.

It's New Year's Day, and the residents of a small fishing town are ready to start their lives anew. Leo takes his two young sons out to the lake to write resolutions on paper boats. That same frigid morning, Vera sets out for a walk with her dog along the lake, leaving her husband in bed with a hangover. But she never returns. She places a call to the police saying she's found a boy in the woods, but the call is cut short by a muffled cry. Did one of Leo's sons see Vera? What are they hiding from the police? And why are they so scared of their own father?

On a sunny afternoon, the middle-aged writer Joe Rose and his wife look up from their picnic in the countryside to see an elderly man desperately trying to anchor his giant helium balloon. Running to help, Joe is joined by other bystanders. But from that fateful day, one of them, Jed Parry, will begin to stalk Joe. Driven by religious zeal and misdirected love, the strange young man will slowly unravel each strand of Joe's life.

Drawn from the author’s own family history, this powerful, moving multigenerational saga from National Book Award finalist Martha McPhee masterfully explores the stories we tell ourselves, and what we leave out. As Isadora, a novelist, and two of her sisters sift through the artifacts of their forebears’ lives, trying to decide what to salvage and what to toss, the story shifts to a winter day in 1910 at a train station in Ohio.

Don't call them heroes. But these six Californian teens have powers that set them apart. Take Ethan, aka Scam. He's got a voice inside him that'll say whatever you want to hear, whether it's true or not. Which is handy, except when it isn't - like when the voice starts gabbing in the middle of a bank robbery. The only people who can help are the other Zeroes, who aren't exactly best friends these days.

Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel's 19th birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack to bet and eavesdrop, learning the language of horses and risk.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

Winona Cole, an orphaned child of the Lakota Indians, finds herself growing up in an unconventional household on a farm in West Tennessee. Raised by her adoptive father John Cole and his brother-in-arms Thomas McNulty, this odd little family scrapes a living on Lige Magan's farm with the help of two freed slaves, the Bougereau siblings. They try to keep the brutal outside world at bay, along with their memories of the past.

As a young girl in Miller's Valley, an ordinary farming town that may be facing its final days, Mimi is observing adults, selling corn, growing up and changing, and watching the world around her change, too. As the years go by, the unthinkable starts to seem inevitable. Anna Quindlen's novel takes us through the changing eras of Mimi and her family, as secrets are revealed, and the heartbreaks of growing up and falling in love with the wrong man are overcome.

'Better opportunity'—that's why Angela's dad sailed to England from America in 1948 on the Empire Windrush. Six months later her mum joined him in his one room in Earl's Court. Twenty years and four children later, Mr Jacob has become seriously ill and starts to move unsteadily through the care of the National Health Service. As Angela, his youngest, tries to help her mother through this ordeal, she finds herself reliving her childhood years, spent on a council estate in Highbury.

Mary Lennox, a spoiled, ill-tempered, and unhealthy child, comes to live with her reclusive uncle in Misselthwaite Manor after the death of her parents. With the help of a robin, Mary finds the door to a secret garden, neglected and hidden for years. When she decides to restore the garden in secret, the story becomes a charming journey into the places of the heart, where faith restores health, flowers refresh the spirit, and the magic of the garden brings happiness to Mary.

Every family has its problems. But even among the most troubled, the Plumb family stands out as spectacularly dysfunctional. Years of simmering tensions finally reach a breaking point on an unseasonably cold afternoon in New York City as Melody, Beatrice, and Jack Plumb gather to confront their charismatic and reckless older brother, Leo, freshly released from rehab. Months earlier, an inebriated Leo got behind the wheel of a car with a 19-year-old waitress as his passenger.

Anita Rau Badami's acclaimed novel Can You Hear the Nightbird Call? chronicles the stories of three women, linked in love and tragedy, over a span of fifty years, sweeping from the partition of India and Pakistan in 1947 to the explosion of Air India flight 182 off the coast of Ireland in 1985.

The first thing every listener will want to know is whether Anne Shirley appears in these stories of Avonlea and Spencervale. She certainly does. As a matter of fact, page one starts off in this manner: "Anne Shirley was curled up on the window seat of Theodora Dix's sitting room one Saturday evening, looking dreamily afar at some fair starland beyond the hills of sunset. Anne was visiting for a fortnight of her vacation."

Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown, north Dublin. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke has a brother called Francis, but Paddy calls him Sinbad and hates him because that's the rule. Paddy Clarke knows the exact moment to knock a dead scab from his knee.

Written with astonishing clarity and evocative detail, convincing in its depiction of emotional pain, love, and vulnerability,

Harvesting the Heart recalls the writing of Alice Hoffman and Sue Miller. Paige has only a few vivid memories of her mother, who left when she was five. Now, having left her father behind in Chicago for dreams of art school and marriage to an ambitious young doctor, she finds herself with a child of her own.

The sheriff's deputy at the front door brings hard news to Ree Dolly. Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date. Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley.

From within the hopelessness and terror of China's Cultural Revolution, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening, and the magical power of storytelling. "An unexpected miracle," raves the Los Angeles Times Book Review, "a delicate, and often hilarious, tale."

If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife.