Literary Fiction Family

"Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l'écho inlassable des morts, et le retentissement du désastre. Aujourd'hui, je sais aussi qu'elle illustre, comme tant d'autres familles, le pouvoir de destruction du verbe, et celui du silence."

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

Épicène, adj. : Qui a la même forme au masculin et au féminin. Claude et Dominique, dont la rencontre au café a été fortuite, se marient et filent à Paris conquérir une nouvelle vie. De leur union naquit un enfant : Épicène. Un amour mère-fille fusionnel. Une détestation père-fille immédiate. Le dernier roman d'Amélie Nothomb est un jeu de piste familial shakespearien, écrit d'une main de maître.

Old friends meet up on a summer's evening at a Dublin restaurant. Both are now married with grown-up children, and their lives have taken seemingly similar paths. But Joe has a secret he has to tell Davy, and Davy, a grief he wants to keep from Joe. Both are not the men they used to be. Neither Davy nor Joe know what the night has in store, but as two pints turns to three, then five, and the men set out to revisit the haunts of their youth, the ghosts of Dublin entwine around them.

As single mother Leah struggles to get her children ready one morning, the doorbell rings. Standing on the doorstep of their terraced house in Whitley Bay is a well-dressed stranger, Clio, who feels an emotional tie to the house that she can’t explain.

Three men search for some version of home; their lives move inexorably toward a reckoning that will draw them all together. For Farouk, family is all. He has protected his wife and daughter as best he can from the war and hatred that has torn Syria apart. If they stay, they will lose their freedom. Lampy is distracted; he has too much going on in his small town life in Ireland. He has the city girl for a bit of fun, but she's not Chloe. The game was always the lifeblood coursing through John's veins: manipulating people for his enjoyment. But it was never enough.

Allison Weiss is a typical working mother, trying to balance a business, aging parents, a demanding daughter, and a marriage. But when the website she develops takes off, she finds herself challenged to the point of being completely overwhelmed. Her husband’s becoming distant, her daughter’s acting spoiled, her father is dealing with early Alzheimer’s, and her mother’s barely dealing at all.

Kathleen Winter’s poignant debut novel was a finalist for the Scotiabank Giller Prize. In it, Winter explores society’s views of gender identity through the eyes of a child born with male and female sex organs. At their doctor’s urging, the Blakes decide to raise their child as a boy, Wayne, giving him hormones to suppress his feminine physical traits. But after discovering the secret about his body, Wayne decides to stop taking his medication and lets his body develop naturally.

Dear Anna, What I have to tell you is difficult to write, but I know it will be far more difficult for you to hear, and I'm so sorry. The unfinished letter is the only clue Tara and Emerson have to the reason behind their close friend Noelle's suicide. Everything they knew about Noelle - her calling as a midwife, her passion for causes, her love for her friends and family - described a woman who embraced life. Yet there was so much they didn't know. With the discovery of the letter and its heartbreaking secret, Noelle's friends begin to uncover the truth about this complex woman who touched each of their lives.

On its surface, life in Houston in the 1950s is as you'd expect: stoic fathers, restless teens, drive-in movies, and souped-up Cadillacs. But underneath lies a world shifting under high school junior Aaron Broussard's feet. There's a class war between the "haves" and the "have-nots" as well as a real war, Korea, happening on the other side of the world. It is against this backdrop that Aaron comes of age, trying to understand how first loves, friendship, violence, and power can alter what "traditional America" means for the people trying to find their way in a changing world.

For Stella Fortuna, death has always been a part of life. Stella’s childhood is full of strange, life-threatening incidents - moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted. When the Fortunas emigrate to America on the cusp of World War II, Stella and her sister, Tina, must come of age side by side in a hostile new world with strict expectations for each of them.

After another relationship disaster Alice Littleton returns home to spend summer in Dublin’s Sandycove with her Mum, Ciara and beloved grandmother Eva at their family deli and grocers. As Alice settles back into her old life with best friend Becca and her new boyfriend Conal Blake, she begins to fall in love with the comings and goings of their family shop and once more enjoying the rhythms of Irish life.

Abel and Janice meet at a school for the deaf. Sign language brings them together, enabling them to survive and, indeed, to forge a love too powerful to be broken by the world into which they were born. Spanning forty years, from the late 1920s to the early 1960s, In This Sign follows the lives of Abel, Janice, and their hearing daughter, Margaret, as they contend uneasily with the “Outside”—a world designed, often purposely, to be inhospitable to those like them.

Six Californians join to discuss Jane Austen's novels. Over the six months they meet, marriages are tested, affairs begin, unsuitable arrangements become suitable, and love happens. With her finely sighted eye for the frailties of human behavior and her finely tuned ear for the absurdities of social intercourse, Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown, north Dublin. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke has a brother called Francis, but Paddy calls him Sinbad and hates him because that's the rule. Paddy Clarke knows the exact moment to knock a dead scab from his knee.

Tiny Tim, Bob Cratchit, and Ebenezer Scrooge come to marvelous life in Patrick Stewart's critically-acclaimed solo interpretation of A Christmas Carol. The star of X-Men and The Royal Shakespeare Company, Stewart has performed his one-man stage production of this holiday classic to sell-out audiences.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind.

Nell—funny, brave and so much loved—is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions. This is a meditation on love: spiritual, romantic, darkly sexual or genetic.

In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop. Hardborough becomes a battleground. Florence has tried to change the way things have always been done, and as a result she has to take on not only the people who have made themselves important but natural and even supernatural forces, too. Her fate will strike a chord with anyone who knows that life has treated them with less than justice.

On a miserable November day in 1967, two women disappear from a working-class town on the Fraser River. The community is thrown into panic, with talk of drifters and murderous husbands. But no one can find a trace of Bette Parsons or Alice McFee. Even the egg seller, Doris Tenpenny, a woman to whom everyone tells their secrets, hears nothing. Ten-year-old Lulu Parsons discovers something, though: a milk-stained note her mother, Bette, left for her father on the kitchen table.