Literary Fiction Family

An unlikely criminal, Andy Durant is robbing gas stations to buy back land once connected to his wife's farm in upstate New York. But when he's shot and killed during a robbery, he leaves his wife, Grady, and their three children to fend for themselves. Moving back to the debt-laden farm, Grady ignites a plan that involves getting in the middle of an adjoining neighbor's marriage. Meanwhile, one by one the whole family is charmed by Royal Provo, a young and charismatic orphan working on the property.

Lucrezia Tornabuoni, brought up in the Palazzo Medici alongside Cosimo's children, always expected to marry his charismatic younger son, Giovanni. But now in later life, she finds herself imprisoned in a loveless marriage with the gout-ridden elder son, Piero. Like Cosimo, she sees the future salvation of the family in the hands of her own son, Lorenzo the Magnificent, but how can she be sure he inherits the mantle before Piero ruins everything?

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

The year is 2029, and nothing is as it should be. The very essence of American life, the dollar, is under attack. In a coordinated move by the rest of the world's governments, the dollar loses all its value. The American president declares that the States will default on all its loans; prices skyrocket, currency becomes essentially worthless, and we watch one family struggle to survive through it all. The Mandibles can count on their inheritance no longer, and each member must come to terms with this in their own way.

Wyoming, 1876. For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.

After the death of her wife, Shelby is suffering from prolonged grief. She’s increasingly isolated, irritated by her family’s stoicism and her friends’ reliance on the toxic positivity of self-help culture. Then, in a grief support group, she meets Cammie, who gives Shelby permission to express her most hopeless, hideous feelings. Cammie is charismatic and unlike anyone Shelby has ever met. She’s also recovering from cancer and going through several other calamities.

Molly has arrived home from Vassar to reveal that she has an important announcement to make. Her mother, Suzanne, is convinced that Molly’s news is history repeating herself and that she’s about to become a 36-year-old grandmother. Suzanne’s mother, Ava, develops a case of impending great-grandmother fever - that is, when she’s not spying on the new next-door neighbor, Buddy McKinley, who turns out to be a blast from her past.

First published in monthly parts from March 1852 to September 1853, this novel follows the fortunes of three pedestrian characters; Esther Summerson, Ada Clare, and Richard Carstone. The story they tell embondies Dickens' merciless indictment of the Court of Chancery and its bungling, morally corrupt handling of the endless case of Jarndyce v. Jarndyce, giving the novel its scope and meaning.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this.

Twelve-year-old Bird Gardner lives a quiet existence with his loving father, a former linguist who now shelves books in a university library. His mother, Margaret, a Chinese American poet, left without a trace when he was nine years old. He doesn’t know what happened to her—only that her books have been banned—and he resents that she cared more about her work than about him.

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.

Érase una vez una saga familiar de terratenientes mexicanos y un niño rodeado de abejas. Con estos elementos Sofía Segovia ha creado una historia de amor por la tierra y del poder de la complicidad entre los seres humanos. Una mañana cualquiera un hombre de avanzada edad toma un taxi en la ciudad de Monterrey rumbo a Linares, su ciudad natal. El viaje solo llevará unas horas, pero el viejo habla y no para, como si delante de él se desplegara todo su pasado.

Kellie Scott has just returned to work after a decade of being a stay-at-home mom. She's adjusting to high heels, scrambling to cook dinner for her family after a day at the office - and soaking in the dangerous attention of a very handsome, very married male colleague. Kellie's neighbor, Susan Barrett, begins every day with fresh resolutions: She won't eat any carbs, she'll go to bed at a reasonable hour, and she'll stop stalking her ex-husband and his new girlfriend.

Evie and Thomas experience a very different war. Frustrated by life as a privileged young lady, Evie longs to play a greater part in the conflict - but how? - and as Thomas struggles with the unimaginable realities of war, he also faces personal battles back home, where War Office regulations on press reporting cause trouble at his father's newspaper business. Through their letters Evie and Thomas share their greatest hopes and fears - and grow ever fonder from afar. Can love flourish amid the horror of the First World War, or will fate intervene?

Cree bush pilot Will Bird lies comatose in a hospital while his wayward niece Annie arrives to sit in silent vigil by his side. Slowly their stories reveal two people previously separated by great distances, beaten and broken, and searching for some sense of where they belong in the world.

Southern China, 1923. Desperate to secure her future, Mei Ling’s parents arrange a marriage to a widower in California. To enter the country, she must pretend to be her husband’s first wife - a paper wife. On the perilous voyage, Mei Ling takes an orphan girl named Siew under her wing. Dreams of a better life in America give Mei Ling the strength to endure the treacherous journey and detainment on Angel Island. But when she finally reaches San Francisco, she’s met with a surprise. Her husband, Chinn Kai Li, is a houseboy, not the successful merchant he led her to believe.

Something terrifying that must not be seen. One glimpse and a person is driven to deadly violence. No one knows what it is or where it came from.Five years after it began, a handful of scattered survivors remain, including Malorie and her two young children. Living in an abandoned house near the river, Malorie has long dreamed of fleeing to a place where her family might be safe. But the journey ahead will be terrifying: 20 miles downriver in a rowboat blindfolded with nothing to rely on but Malorie's wits and the children's trained ears. One wrong choice and they will die. And something is following them....

Freelance writer Jacqueline Tate arrives in Los Angeles and soon meets brilliant, award-winning scientist Randall Atwater, the man she's come to cover at a conference on trends and technology. He is everything she's read about - brainy, witty, handsome, and cool. And after a week spent with the most fascinating man she's ever known, there's no way she can give him up. There's just one problem: Randall's wife of 20 years. No matter - men like Randall are few and far between.