Literary Fiction Fantasy

Bubblegum is set in an alternate present-day world in which the internet does not exist and has never existed. Rather, a wholly different species of interactive technology - a "flesh-and-bone robot" called the Curio - has dominated both the market and the cultural imagination since the late 1980s. Belt Magnet, who as a boy in greater Chicago became one of the lucky first adopters of a Curio, is now writing his memoir, and through it we follow a singular man out of sync with the harsh realities of a world he feels alien to but must find a way to live in.

The northern mining town of River Meadows is one of three hotspots in the world producing ghost ore, a new source of energy worth twenty-eight times its weight in gold. It's also linked with slippages of time and space that gradually render the area uninhabitable. After the town is evacuated, the whole region is cordoned off, the new no-go zone wryly nicknamed "the Park." Three intertwined stories flow from the disaster of River Meadows.

Hundreds of years before the time of Imager, the continent of Lydar is fragmented. Years of war have consolidated five nations into three-Bovaria, Telaryn, and Antiago. Quaeryt is a scholar and friend of Bhayar, the young ruler of Telaryn. Worried about his future and the escalating intrigues in Solis, the capital city, Quaeryt persuades Bhayar to send him to Tilbor.

It is 1483, and Sir Thomas Lemuel Hawke, a Cornish knight, is about to ride into battle. On the eve of his departure, he composes a letter to his four young children, consisting of 20 virtues that provide instruction on how to live a noble life and on all the lessons, large and small, that he might have imparted to them himself were he not expecting to die on the battlefield.

Ever wondered what Bones was thinking and feeling, when he and half-vampire Cat Crawfield first met? Or how their story might differ if he were the one telling it? Now, relive the beginning of Cat and Bones' best-selling love story through Bones' point of view, which reveals a darker, sexier take on their early days, as well as a deeper dive into Bones' past, the vampire world, and other things that Cat didn't see, when their story was told only through her eyes in Halfway to the Grave. Cat had her say. Now, it's Bones' turn.

This sequel to The Claiming of Sleeping Beauty, the first of Anne Rice's elegantly written volumes of erotica, continues her explicit, teasing exploration of the psychology of human desire. Now Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away from the Satyricon-like world of the Castle. Sold at auction, she will soon experience the tantalizing punishments of "the village".

Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision and try to create such worlds all the time. Walidah Imarisha and adrienne maree brown have brought 20 of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change.

Acclaimed novelist Quan Barry delivers a tour de female force in this delightful novel. Set in the coastal town of Danvers, Massachusetts, where the accusations began that led to the 1692 witch trials, We Ride Upon Sticks follows the 1989 Danvers High School Falcons field hockey team, who will do anything to make it to the state finals—even if it means tapping into some devilishly dark powers. In chapters dense with 1980s iconography—from Heathers to "big hair"—Barry expertly weaves together the individual and collective progress of this enchanted team.

Since Anabelle’s mother left for Earth to care for her own ailing mother, her days in New Galveston have been spent at school and her nights at her laconic father’s diner with Watson, the family Kitchen Engine and dishwasher, as her only companion. When the Silence came, and communication and shipments from Earth to its colonies on Mars stopped, life seemed stuck in foreboding stasis until the night Silas Mundt and his gang attacked.

Ursula K. Le Guin has enthralled fans with her imagination, clarity, and moral vision. The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and five Hugo and five Nebula Awards, this renowned writer has created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity.

Alice, the daughter of a wealthy innkeeper in Kilkenny, grows up watching her mother wither under the constraints of family responsibilities—and she vows that she will never suffer the same fate. In time, she discovers she has a flair for making money, and takes her father's flourishing business to new heights. But as her riches and stature grow, so too do rumors about her private life. By the time she marries her fourth husband—the three earlier are dead—a storm of local gossip and resentment culminates in a life-threatening accusation.

As the son of a serial killer, homicide detective Thomas “Veck” DelVecchio, Jr., grew up in the shadow of evil. Now, on the knife-edge between civic duty and blind retribution, he atones for the sins of his father - while fighting his inner demons. Assigned to monitor Veck is Internal Affairs officer Sophia Reilly, whose interest in him is both professional and arousingly personal. And Veck and Sophia have another link: Jim Heron, a mysterious stranger with too many answers.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

Delaney Wells is an unlikely new hire at the Every. A former forest ranger and unwavering tech skeptic, she charms her way into an entry-level job with one goal in mind: to take down the company from within. With her compatriot, the not-at-all-ambitious Wes Makazian, they look for the Every's weaknesses, hoping to free humanity from all-encompassing surveillance and the emoji-driven infantilization of the species. But does anyone want what Delaney is fighting to save? Does humanity truly want to be free?

A scarlet tide of Rondian legions is flooding into the East, led by the Inquisition’s windships flying the Sacred Heart, the bright banner of the Church's darkest sons. They are slaughtering and pillaging their way across Antiopia in the name of Emperor Constant. But the emperor's greatest treasure, the Scytale of Corineus, has slipped through his fingers and his ruthless Inquisitors must scour two continents for the artefact, the source of all magical power.

The vampires of Asheville, North Carolina, want to establish their own clan, but since they owe loyalty to the Master Vampire of New Orleans, they must work out the terms with him. To come up with an equitable solution, he sends an envoy with the best bodyguard blood money can buy: skinwalker Jane Yellowrock. But when a group of local campers are attacked by something fanged, Jane goes from escort to investigator. Is it a rogue-vampire, shapechanger, or witch? Or something else magical?

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite.

When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty.

On the alien, sunless planet they call Eden, the 532 members of the Family shelter beneath the light and warmth of the Forest's lantern trees. Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say - and the Family must only wait for the travelers to return.