Literary Fiction Political

Somewhere in the United Kingdom, an eight year old boy is removed from his home in the middle of the night. He is a victim of an extraordinary experiment. In an attempt to reform society, the government has divided the population into four groups, each group representing a different personality type.

On the lam for an act of violence against the American government, 25-year-old Jenny Shimada agrees to care for three younger fugitives whom a shadowy figure from her former radical life has spirited out of California. One of them, the kidnapped granddaughter of a wealthy newspaper magnate in San Francisco, has become a national celebrity for embracing her captors' ideology and joining their revolutionary cell.

Amparándose en la coartada del terrorismo islámico, unos políticos teócratas se hacen con el poder y, como primera medida, suprimen la libertad de prensa y los derechos de las mujeres. Esta trama, inquietante y oscura, que bien podría encontrarse en cualquier obra actual, pertenece en realidad a esta novela escrita por Margaret Atwood a principios de los ochenta, en la que la afamada autora canadiense anticipó con llamativa premonición una amenaza latente en el mundo de hoy.

The Shape of the Ruins is a masterly story of conspiracy, political obsession, and literary investigation. When a man is arrested at a museum for attempting to steal the bullet-ridden suit of a murdered Colombian politician, few notice. But soon this thwarted theft takes on greater meaning as it becomes a thread in a widening web of popular fixations with conspiracy theories, assassinations, and historical secrets; and it haunts those who feel that only they know the real truth behind these killings.

One starless night Janie's childhood was swept away by the terrors of the Khmer Rouge. Exiled from Phnom Penh, Janie and her family were forced to live out in the open: cold, hungry, and under constant surveillance. Caught up in a political storm that brought starvation to millions, tore families apart, and changed the world forever, Janie lost everyone she loved. Now, three decades later, Janie's life in Montreal is unraveling.

This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

In the fourth of the ‘Palliser’ stories, Trollope follows Phineas Finn’s return to the dangerous world of Westminster politics. When his political rival is murdered, Phineas is thrown under suspicion and eventually finds himself standing trial at the Old Bailey. The situation is complicated by the presence of two women in his life: his old flame Lady Laura, whose estranged husband is determined to destroy Phineas’s reputation, and the wealthy and enigmatic widow, Madame Max.

When Palmer Stoat notices the black pickup truck following him on the highway, he fears his precious Range Rover is about to be carjacked. But Twilly Spree, the man tailing Stoat, has vengeance, not sport-utility vehicles, on his mind. Idealistic, independently wealthy, and pathologically short-tempered, Twilly has dedicated himself to saving Florida's wilderness from runaway destruction. He favors unambiguous political statements - such as torching Jet-Skis or blowing up banks - that leave his human targets shaken but re-educated.

In one of the poorest parts of rural New Hampshire, teenage girls have been disappearing, snatched from back country roads, never to be seen alive again. For 17-year-old Marjorie Richards, the fear raised by these abductions is the backdrop to what she lives with in her own home, every day. Marjorie has been raised by parents so intentionally isolated from normal society that they have developed their own dialect, a kind of mountain hybrid of English that displays both their ignorance of and disdain for the wider world.

Three men meet on a ship bound for Haiti, a world in the grip of the corrupt 'Papa Doc' and the Tontons Macoute, his sinister secret police. Brown the hotelier, Smith the innocent American, and Jones the confidence man - these are the 'comedians' of Graham Greene's title. Hiding behind their actors' masks, they hesitate on the edge of life. And, to begin with, they are men afraid of love, afraid of pain, afraid of fear itself.

In a town at the foot of the northern Highlands, life goes on as always, but people are in a state of shock: A bank has been robbed, a sure sign of the Westernization of this backward Balkan land. Meanwhile, other strange events - such as the marriage of a girl and a snake - confirm that ancient legends still prevail. People are flocking from far and wide to search for a tunnel to the Secret State Archives, said to house records of crimes they may have committed. Some even claim the ghosts of former dictators Hoxha, Brezhnev, and Ulbricht - not to mention Oedipus - have been seen there....

Marisol vanished during the Cuban Revolution, disappearing with hardly a trace. Now, shaped by atrocities long-forgotten, her foul-mouthed spirit visits her nephew, Ramon, in modern-day New Jersey. Her hope: That her presence will prompt him to unearth their painful family history. Ramon launches a haphazard investigation into the story of his ancestor, unaware of the forces driving him on his search. Along the way, he falls in love, faces a run-in with a murderous gangster, and uncovers the lives of the lost saints who helped Marisol during her imprisonment.

Saeed is the comic hero, the luckless fool, whose tale tells of the aggression and resistance, terror and heroism, reason and loyalty, that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian—no hero still, but a simple man intent on survival and, perhaps, happiness.

Only four years after publishing his fable Animal Farm, a biting satire of Joseph Stalin’s horrific regime of terror, George Orwell turned his attention to the future. But his next book was to be no satire, no fable. What emerged from Orwell’s pen in 1949 was the most grimly dystopian novel ever written: 1984.

Septembre 1938. Hitler est prêt à déclarer la guerre. Le premier ministre du Royaume-Uni, Chamberlain, fera tout pour conserver la paix. Tout se jouera dans une ville : Munich. Tandis que l'avion de Chamberlain survole la manche, Hitler quitte le sud de Berlin en train. Tous deux se dirigent vers Munich. De leur côté, deux jeunes hommes entament le même voyage : Hugh Legat, secrétaire privé de Chamberlain, et Paul Hartmann, diplomate allemand et membre de la résistance au nazisme.

Named as one of the New York Times Year’s Ten Best upon its publication, Gary Shteyngart’s Absurdistan is a biting, poignant satire of American-style democracy and the American Dream. After returning to Russia to attend his father’s funeral, 30-year-old Misha is subsequently denied a visa when he attempts to re-enter the United States.

In a parched Southern California of the near future, Luz, once the poster child for the country's conservation movement, and Ray, an army deserter turned surfer, are squatting in a starlet's abandoned mansion. Most "Mojavs", prevented by armed vigilantes from freely crossing borders to lusher regions, have allowed themselves to be evacuated to encampments in the east. Holdouts like Ray and Luz subsist on rationed cola and water and whatever they can loot, scavenge, and improvise.

They live among us. They are our neighbors, our mothers, our lovers. They change. When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is. Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero. Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy.

The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles’s writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country’s 1954 nationalist uprising. Totally relevant to today’s political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider’s House is perhaps Bowles’s best, most beautifully subtle novel.