Literary Fiction Psychological

Why has Mazie returned to her old farm — her family’s summer home and a pivotal refuge throughout her life? While there, Mazie meets and befriends an elderly woman. Mazie is adrift on a sea of memory as she gazes toward the rocky orchard above the farmhouse when movement in the far distance captures her attention. Lula emerges eerily from the morning fog, and a gentle, cautiously loving relationship between youth and old age begins.

"Méchantes blessures" est un roman qui, avec poésie, analyse le rêve de faire peuple d'une certaine jeunesse française éprise de culture et issue des banlieues et de l'immigration. Et si notre vie n'était que le résultat d'une succession de traumatismes ? Et si tout ce qui est vrai pour un être l'était également pour une ville, un pays ou un continent ? Alors les différentes blessures qu'inflige l'existence aux individus s'apparenteraient aux crises que connaissent de tout temps les nations.

The gentle, off-beat narrator of The Circus is perfectly content with his quiet life. By day, he works in a bakery, and by night, he obsessively organizes and reorganizes his record collection: It’s all just the way he likes it. But when his childhood friend, Magnus, comes calling out of the blue, the contours of our narrator’s familiar world begin to shift. On a visit to the circus together, Magnus volunteers to participate in the magician’s disappearing act, and midway through the routine, he vanishes. Is this part of the act? What’s happened to Magnus?

While on vacation on an idyllic island called Miden, a seemingly aimless woman meets an attractive man and leaves her country to be with him. A few months later, newly pregnant and just beginning to feel comfortable in her lover's space, her life is upended when a girl arrives at the door. Slight and pretty, the girl discloses a drawn out and violent affair she's had with her professor, the father of the woman's unborn child. In alternating perspectives, the professor and his girlfriend reflect upon their lives, each other, and their interloper.

Deeply grieving, Oscar feels his life slipping out of his control. A seemingly innocuous one-night stand with a woman named Dawn becomes volatile when, on the first day of classes, he realizes she is his student and later learns that she is a fledgling campus drug lord. To make matters worse, his family is in debt, having lost their modest savings to a self-help guru who had indoctrinated Oscar's mother by preying on her depression. Desperate to help his family, Oscar breaks with his academic personality - he agrees to help Dawn with a drug run.

A young woman moves to New York City for what promises to be a dream job. Displaced, she feels unsure of her fit in the world. Then comes a look of recognition, a gesture of friendship from an older woman named Greta who shares the same difficult-to-place color of skin. On common ground, a tenuous alliance grows between two women in racial limbo. So too, does the older woman's unnerving obsession, leading to a collision of two lives spiraling out of control.

An einem Bonner Gymnasium quält sich die hochintelligente Ada durch den öden Schulalltag. Die US-Truppen stürmen den Irak, doch es herrscht business as usual: Der Lehrkörper müht sich, das Weltbild aus Gut und Böse ein weiteres Mal zusammenzuflicken. Für Ada und ihren Mitschüler Alev nur eine weitere Runde in einem erbärmlichen und langweiligen Spiel. Sie beginnen ein anderes - und verstricken den Lehrer Smutek in eine ausweglose Erpressung. In ihrem Spiel soll es keine Gewinner und keine Gnade geben. Juli Zehs hochgelobter Roman über das Verschwinden der Moral liegt nun endlich auch als Hörbuch vor, gelesen von Sascha Icks.

When is a suicide not a suicide? You Can Leave, a novel by Laurie Calhoun, portrays a dark, disturbing, dystopic world where dissenters are permanently silenced whenever perceived of as threats by ruthless sociopaths occupying the highest corridors of power. The narrator relays her experiences at the hands of “the new mob”, a coordinated network of operatives enlisted from all walks of life on a “need to know” basis to carry out what appear to be trivial tasks for enticing sums of money. Lost in the labyrinth of an insane bureaucracy run amok, the heroine charts her path to survival using the only available means: her capacity to think. But will that be taken away from her as well?

1946: At the apogee of the American Century, the confidence inspired by victory in World War II has spawned a culture of suffocating conformity in thrall to the cult of masculine privilege. In the hardscrabble industrial city of Trenton, New Jersey, a woman made strong by wartime factory work kills her army veteran husband in a domestic brawl, disposes of his body, and assumes his identity. As Abe Kunstler, he secures a job in a wire rope factory, buys a car, and successfully woos Inez, an alcoholic dime dancer. He makes a home with her, but for Abe, this is not enough: to complete his transformation, he needs a son.

River steamboat captain Charles Marlow has set forth on the Congo in Africa to find the enigmatic European trader Mr. Kurtz. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in "one of the darkest places on earth." Marlow suspects something else of Kurtz: he has gone mad.

Chad Miller never intended on becoming a serial-killing, counterculture hero.... When the American dream turns into the American nightmare, Chad's forced to quit med school and rethink his life. Banks, bill collectors, and bad credit push him over the edge. Becoming a martyr for the poor and working class, Chad gives the rich pigs a taste of their own medicine. Shot guns and sharks and plane crashes, oh my!

When the Bergamots move to a well-to-do neighbourhood, they're unsure how well they'll adapt. Soon though, Richard is consumed by his new role and Liz is hectically playing mother to 4-year-old Coco and 15 year-old Jake. But the day Jake unthinkingly forwards his friends a sexually-explicit email from a young girl is the last day of the Bergamots' comfortable existence. Faced with impossible choices, what Richard and Liz do next risks destroying not only their marriage, their daughter, and their place in the community, but also Jake - the child they have set out to protect.

Towards Another Summer is a meditation on the themes of exile and return, homesickness and not knowing where home really is. It is suffused with beauty and tenderness and shot through with self-deprecating humour and frailty. Grace, the protagonist, is taking a break from writing a long novel and seems to be losing her grip on daily life in London. She feels more and more like a migratory bird as the pull of her native New Zealand makes life in England seem transitory.

It is a moment in the near future when the threat of terror has cultivated rage, apathy, and panic across the country. For Phil, a dermatologist at the UCLA hospital, it is a time of unease, in contrast to the days when he coasted through life on his good looks and middling charm. In addition to having to deal with his mother, Edith, who's emerging after years of grieving over her late husband, Phil has been recruited for a secret terror-response team. The assignment just may provide an ordinary man a chance at heroism.

When Didi discovers that her husband, the Masterji, has been hiding his beautiful lover and their young son, Tarun, in a nearby city, she takes the Masterji back into her grasp and expels his second family. Tarun's mother, heartsick and devastated, slowly begins to lose her mind, and Tarun turns to Didi for the mothering he longs for. But as Tarun gets older, Didi's domination of the boy turns from the emotional to the physical, and the damages she inflicts spiral outward.

Glen has fought for years to escape a brutal homelife, one in which he acts as his mother's only friend, and to accept that his father has been molesting his sister for over a decade. After dropping out of high school and spending years working aimless jobs, Glen finally begins a new chapter when he experiences the thrill of college life. But with that freedom comes disturbing sexual desires and inclinations.

Rosellen Brown's extraordinary new novel, Half a Heart, tells the story of a former civil rights activist, Miriam Vener, who feels trapped in the comfortable white upper-middle-class life she leads with her family in Houston in the 1980's. That life suddenly shatters with the appearance, after almost 18 years, of Veronica (Ronnee), her biracial daughter, born of Miriam's passionate affair a generation ago with Eljay, a brilliant black professor at a Mississippi college, who has raised the child ever since.

Lonely Lily Phelps is orphaned and in debt at 17 - but that's not the worst of her problems. Her dark past, hidden even to her, causes her to see ghosts. This scared, naïve girl must grow up fast in a rural community if she is to find work, love, and build a future. She learns to cope, but the weight of the past threatens everything she loves. Because of her terrible secret, Lily must protect her family from the worst danger of all - herself.

In a sprawling estate, willfully secluded, lives Morgan Fletcher, the disfigured heir to a fortune of mysterious origins. Morgan spends his days in quiet study, avoiding his reflection in mirrors and the lake at the end of his garden. One day, two children, Moira and David, appear. Morgan takes them in, giving them free reign of the mansion he shares with his housekeeper Engel. Then more children begin to show up.

Olivay, widowed for a year and sleepwalking through life, meets Henry by chance. She takes him to her Los Angeles loft, thinking it will just be for the night. But the following morning, bombs detonate across the city; mayhem and carnage fill the streets; and her loft is covered in broken glass and her own blood. Henry is skittish, solicitous, and strangely distracted. Who is this man she's marooned with as the city goes on lockdown?