Literary Fiction Psychological

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

Intense, brilliant and moving, The Door is a compelling story about the relationship between two women of opposing backgrounds and personalities: one, an intellectual and writer; the other, her housekeeper, a mysterious, elderly woman who sets her own rules and abjures religion, education, pretense and any kind of authority. Beneath this hardened exterior of Emerence lies a painful story that must be concealed.

Blandine isn't like the other residents of her building. An online obituary writer. A young mother with a dark secret. A woman waging a solo campaign against rodents — neighbors, separated only by the thin walls of a low-cost housing complex in the once bustling industrial center of Vacca Vale, Indiana.

So says Mona Dean—playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence.

One of the best-known experimental novels of the 1960s, Beautiful Losers is Cohen's most defiant and uninhibited work. As imagined by Cohen, hell is an apartment in Montreal, where a bereaved and lust-tormented narrator reconstructs his relations with the dead. In that hell, two men and a woman twine impossibly and betray one another again and again. Memory blurs into blasphemous sexual fantasy - and redemption takes the form of an Iroquois saint and virgin who has been dead for 300 years but still has the power to save even the most degraded of her suitors.

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family's communal care—threaten to destroy this fragile second chance at life.

Ivy Cooper is 52 years old when Ansel Fleming first walks into her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience the physical chemistry between them is overpowering, and over the heady weeks and months that follow Ivy finds her life bifurcated by his presence.

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can't seem to heal through literature is himself; he's still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened.

Night. Sleep. Death. The Stars. is a gripping examination of contemporary America through the prism of a family tragedy: When a powerful parent dies, each of his adult children reacts in startling and unexpected ways, and his grieving widow in the most surprising way of all. Stark and penetrating, Joyce Carol Oates’s latest novel is a vivid exploration of race, psychological trauma, class warfare, grief, and eventual healing, as well as an intimate family novel in the tradition of the author’s best-selling We Were the Mulvaneys.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage produces twin sons whose separate paths confound Iqbal’s every effort to direct them.

“The first of my father’s illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.” So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the strange times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they “dream on” in a funny, sad, outrageous, and moving novel.

In 1918, after four harrowing years on the Western Front, Tom Sherbourne returns to Australia to take a job as the lighthouse keeper on remote Janus Rock. To this isolated island, where the supply boat comes only four times a year and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Three years later, after two miscarriages and one stillbirth, the grieving Isabel is tending the grave of her newly lost infant when she hears a baby’s cries on the wind. A boat has washed up on shore carrying a dead man and a living baby.

Years ago, bookseller and mystery aficionado Malcolm Kershaw compiled a list of the genre’s most unsolvable murders, those that are almost impossible to crack - which he titled "Eight Perfect Murders". But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller.

Flynn was only a teenager when her parents were killed in a terrible accident. Too young to lose her parents, too young to take on responsibility for her younger sister Kaiya, too young to protect Kaiya from the harshness of their new lives in the following years. Desperate to help her sister, Flynn reaches out to Willa Tomlinson, a grief counsellor renowned for helping her patients cope with profound loss. Under Willa’s influence and care, Kaiya finally seems to turn a corner, joining the climate action collective that Willa leads.

The Other Name follows the lives of two men living close to each other on the west coast of Norway. The year is coming to a close and Asle, an aging painter and widower, is reminiscing about his life. He lives alone, his only friends being his neighbor, Åsleik, a bachelor and traditional Norwegian fisherman-farmer, and Beyer, a gallerist who lives in Bjørgvin, a couple hours drive south of Dylgja, where he lives. There, in Bjørgvin, lives another Asle, also a painter. He and the narrator are doppelgangers—two versions of the same person, two versions of the same life.

A mesmerizing, moving, and elegantly written debut novel, The Language of Flowers beautifully weaves past and present, creating a vivid portrait of an unforgettable woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own troubled past. The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it's been more useful in communicating grief, mistrust, and solitude.

Toby is a happy-go-lucky charmer who's dodged a scrape at work and is celebrating with friends when the night takes a turn that will change his life - he surprises two burglars who beat him and leave him for dead. Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.

Anna Williams-Bonner has taken care of business. That is to say, she’s taken care of her husband, bestselling novelist Jacob Finch Bonner, and laid to rest those anonymous accusations of plagiarism that so tormented him. Now she is living the contented life of a literary widow, enjoying her husband’s royalty checks in perpetuity, but for the second time in her life, a work of fiction intercedes, and this time it’s her own debut novel, The Afterword. After all, how hard can it really be to write a universally lauded bestseller?

John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.