Literary Fiction Psychological

At the end of a long winter in well-to-do Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town's prestigious university campus. No one knows who the baby is or how her body ended up out there. But there is no shortage of opinions.

Until now, Kathryn Lyons's life has been peaceful if unextraordinary: a satisfying job teaching high school in the New England mill town of her childhood; a picture-perfect home by the ocean; a precocious, independent-minded fifteen-year-old daughter; and a happy marriage whose occasional dull passages she attributes to the unavoidable deadening of time.

Laura Brandon's promise to her dying father was simple: to visit an elderly woman she'd never heard of before. A woman who remembers nothing-except the distant past. Visiting Sarah Tolley seemed a small enough sacrifice to make. But Laura's promise results in another death: her husband's. And after their five-year-old daughter, Emma, witnesses her father's suicide, Emma refuses to talk about it - to talk at all.Frantic and guilt ridden, Laura contacts the only person who may be able to help.

Set against the gorgeous backdrop of Rome, Tom Rachman’s wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English-language newspaper as they struggle to keep it - and themselves - afloat. This hilarious and poignant look at the struggles of print news will establish Rachman as one of the 21st century’s most perceptive talents.

It is All Souls Day, and the spirit of Marcus Conway sits at his kitchen table and remembers. In flowing, relentless prose, Conway recalls his life in rural Ireland: as a boy and man, father, husband, citizen. His ruminations move from childhood memories of his father's deftness with machines to his own work as a civil engineer, from transformations in the local economy to the tidal wave of global financial collapse. Conway's thoughts go still further, outward to the vast systems of time and history that hold us all.

At Mt. Douglas (a.k.a. Mt. Drug) High, all the girls have feathered hair, and the sweet scent of Love's Baby Soft can't hide the musk of raw teenage anger, apathy, and desire. Sara Shaw is a girl full of fever and longing, a girl looking for something risky, something real. Her only possible salvation comes in the willowy form of the mysterious Justine, the outlaw girl in the torn skirt. The search for Justine will lead Sara on a daring odyssey into an underworld of hookers and johns, junkies and thieves, runaway girls and skater boys, and, ultimately, into a violent tragedy.

As a child, Emma Malloy left isolated Coal River, Pennsylvania, vowing never to return. Now, orphaned and penniless at 19, she accepts a train ticket from her aunt and uncle and travels back to the rough-hewn community. Treated like a servant by her relatives, Emma works for free in the company store. There, miners and their impoverished families must pay inflated prices for food, clothing, and tools while those who owe money are turned away to starve.

London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. But she soon finds herself drawn into a world in which she can no longer be certain of anything. Even her own character.

Widely regarded as Sadegh Hedayat's masterpiece, The Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface, this work seems to be a tale of doomed love, but soon basic facts become obscure and the listener realizes this book is much more than a love story. Although The Blind Owl has been compared to the works of Kafka and Poe, it defies categorization. By preserving the spirit as well as the structure of Hedayat's writing, this edition brings the English listener into the world of The Blind Owl as never before.

One night in an isolated college town in the hills of Southern California, a first-year student stumbles into her dorm room, falls asleep - and doesn't wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics, nor the perplexed doctors at the hospital. When a second girl falls asleep, and then a third, Mei finds herself thrust together with an eccentric classmate as panic takes hold of the college and spreads to the town.

Jerome "Corky" Corcorn. A money-juggling wheeler dealer, rising politico, popular man's man, and successful womanizer. It is a Memorial Day weekend, and we are about to live with him, breathe with him, and sweat with him in a nonstop marathon of mounting desperation as he tries to keep his financial empire from unraveling, his love life from shredding, and his rebellious daughter from destroying both herself and him. Seldom in fiction has a man been brought so vividly to life in all his strength and weakness, hunger and ambition, carnality and corruption.

When Tessa arrives at the little house by the lake with her two children, it is an escape. The rental house may be a bit small – but it’s theirs for the summer. A place to hide.... However, their isolation is disrupted by the family from the big house next door. Three children and their glamorous mother Rebecca – who seems determined to invite Tessa into their lives.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.

In a small Mississippi town, Harriet Cleve Dusfresnes grows up in the shadow of her brother, who—when she was only a baby—was found hanging dead from a black-tupelo tree in their yard. His killer was never identified, nor has his family, in the years since, recovered from the tragedy. For Harriet, who has grown up largely unsupervised, in a world of her own imagination, her brother is a link to a glorious past she has only heard stories about or glimpsed in photograph albums.

An impeccable ear for language, an eye for the smallest shifts in the cultural landscape, and a preternatural understanding of motivation and behavior, Ann Beattie's renowned storytelling abilities are on dazzling display in The Doctor's House. The novel opens with Nina's account of her brother's sexual appetites and betrayals, and leads into her mother's narrative.

Daniel Pecan Cambridge, 30, 35, 38 or 27, depending on how he feels that day, is a young man whose life is rich and full, provided he never leaves his Santa Monica apartment. After all, outside there are 8-inch-high curbs and there's always the horrible chance he might see a gas station attendant wearing a blue hat. So, except for the occasional trip to the Rite Aid to admire the California girl Zandy and to buy earplugs because they're on sale, he stays home a lot. And good thing, too.

Rabbit, Run is the book that established John Updike as one of the major American novelists of his - or any other - generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is 26 years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty - even, in a sense, human hard-heartedness, and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path.

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

As single mother Leah struggles to get her children ready one morning, the doorbell rings. Standing on the doorstep of their terraced house in Whitley Bay is a well-dressed stranger, Clio, who feels an emotional tie to the house that she can’t explain.

Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play.