Literary Fiction Psychological

1957: Jean Swinney is a feature writer on a local paper in the southeast suburbs of London. Clever but with limited career opportunities and on the brink of forty, Jean lives a dreary existence that includes caring for her demanding widowed mother, who rarely leaves the house. It’s a small life with little joy and no likelihood of escape.

They go through both bottles of champagne right there on the High Line, with nothing but the stars over them.... They drink, and Lavinia tells Louise about all the places they will go together when they finish their stories, when they are both great writers - to Paris and to Rome and to Trieste.... Lavinia will never go. She is going to die soon. Louise has nothing. Lavinia has everything. After a chance encounter, the two spiral into an intimate, intense, and possibly toxic friendship.

Amanda lives alone in the house where her mother, now dead of cancer, once grew up. A Facebook friend request puts her back in touch with a cousin, John. After months of seeing his life flicker across her screen, she learns he has moved to a community led by a mysterious Jason Wilson. John refers to him as "one of the greatest thinkers of our time", but his friends are worried that Wilson may in fact be a cult leader.

Lonnie is tired. He's tired of his job, the monotony of it, and tired of the predictability ofhis home life now that he's a father. It's a day like every other day, and hecan't face the inevitability of it all. So he lies. It's a small lie, but heknows small lies become big ones. He knows it as soon as he says his daughteris in the hospital. But he can't stop himself, and he can't stop the lie fromtaking on a life of its own.

Esther Nilson is an intellectual woman who values debate and political discourse almost as much as she values life itself. Until she is asked to give a lecture on famed artist Hugo Rask, and falls hopelessly in love with him. She abandons her relationships, her home, her friends and her self esteem, as her world begins to revolve around the existence of Hugo Rask. They strike up a casual relationship, but she sees it as much more

When Tessa arrives at the little house by the lake with her two children, it is an escape. The rental house may be a bit small – but it’s theirs for the summer. A place to hide.... However, their isolation is disrupted by the family from the big house next door. Three children and their glamorous mother Rebecca – who seems determined to invite Tessa into their lives.

The year is 1993, and Father Duncan MacAskill stands at a small Cape Breton fishing harbor a few miles from where he grew up. Enjoying the timeless sight of a father and son piloting a boat, Duncan takes a moment’s rest from his worries. But he does not yet know that his already strained faith is about to be tested by his interactions with a troubled boy, 18-year-old Danny MacKay.

Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play.

In his three novellas, In Short Measures, Strong Conspirators, and Sally Forth, Michael Ruhlman delves deeply into the nuanced complexity of romantic and sexual love - and the inevitable evolution of the heart over the span of years and decades. Each novella asks questions about the nature of love in terms of loyalty and fidelity - what are one's obligations toward one's spouse, one's family, and one's heart?

He was the brother of "the Arab" killed by the infamous Meursault, the antihero of Camus' classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling's memory, refuses to let him remain anonymous: He gives his brother a story and a name - Musa - and describes the events that led to Musa's casual murder on a dazzlingly sunny beach.

Two strangers in a foreign city, Thora and Santi meet in a chance encounter. At once, they recognize in each other a kindred spirit - someone who is longing for more in life than the cards they’ve been dealt. Before their friendship can blossom, though, a tragic accident cuts their story short.

Jean Mason has a doppelganger. She's never seen her, but others swear they have. Apparently, her identical twin hangs out in Kensington Market, where she sometimes buys churros and drags an empty shopping cart down the streets, like she's looking for something to put in it. Jean's a grown woman with a husband and two kids, as well as a thriving bookstore in downtown Toronto, and she doesn't rattle easily - not like she used to. But after two customers insist they've seen her double, Jean decides to investigate.

La novela que influenció toda una generación. El Lobo estepario es una de las grandes novelas del premio Nobel de 1946 Hermann Hesse (1877-1962), por tratar en forma profunda el tema del antagonismo entre las dos naturalezas de un individuo, en este caso Harry Haller, una persona desilusionada de la vida, que alterna la que se considera naturaleza bondadosa del ser humano con la ferocidad que caracteriza al lobo estepario.

Corinne’s life might look perfect on the outside, but after three failed IVF attempts it’s her last chance to have a baby. And when she finds a tiny part of a doll house outside her flat, it feels as if it’s a sign. But as more pieces begin to turn up, Corinne realises that they are far too familiar. Someone knows about the miniature rocking horse and the little doll with its red velvet dress. Someone has been inside her house...How does the stranger know so much about her life? How long have they been watching? And what are they waiting for...?

Diary takes the form of a "coma diary" kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide attempt. It is a dark, hilarious, and poignant act of storytelling from America's favorite, most inventive nihilist.

Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years, she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. She's become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives.

Emma J. Chapman's haunting literary debut has won an abundance of favorable reviews from critics and fellow authors alike. How to Be a Good Wife tells the story of Marta, who through her long marriage to Hector has followed all the advice in the dog-eared manual Hector's mother gave her. But her world is beginning to come apart. Marta is finding it harder and harder to remember life before Hector, and as her thoughts become more and more disjointed, she begins to see a blonde girl in the darkness - and knows that something is coming for her.

At night, in Huda's fragrant garden, a breeze sweeps in from the desert encircling Baghdad, rustling the leaves of her apricot trees and carrying warning of visitors at her gate. Huda, a secretary at the Australian embassy, lives in fear of the Mukhabarat - the secret police who watch and listen for any scrap of information that can be used against America and its allies. They have ordered her to befriend Ally Wilson, the deputy ambassador's wife. Huda has no wish to be an informant, but fears for her teenage son, who may be forced to join a deadly militia.

Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, vividly follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening ( American Beauty, The Kids Are All Right) brings Woolf’s stream-of-consciousness style of storytelling to life, exploring the hidden springs of thought and action in one day of a woman’s life in a brilliant performance.

Almost every afternoon, the Woman in the Purple Skirt sits on the same park bench, where she eats a cream bun while the local children make a game of trying to get her attention. Unbeknownst to her, she is being watched—by the Woman in the Yellow Cardigan, who is always perched just out of sight, monitoring which buses she takes, what she eats, whom she speaks to.