Literary Fiction Psychological

Prescription DEATH. Eight attractive, talented people, each tottering on the razor's edge of sanity. Now their psychiatrist, Dr. Elias, is dying from a ravaging cancer, and he has made his cold final judgment. Those he can't cure, he must kill.

Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can't seem to heal through literature is himself; he's still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened.

Arcade and Daffodil are twins born one minute apart. With their fiery red hair and thirst for escape, they form an unbreakable bond nurtured by their grandmother’s stories. Together, they disappear into their imaginations and forge a world all their own.

When Elizabeth Keane returns to Ireland after her mother’s death, she’s focused only on saying goodbye to that dark and dismal part of her life. Her childhood home is packed solid with useless junk, her mother’s presence already fading. But within this mess, she discovers a small stash of letters — and ultimately, the truth. Forty years earlier, a young woman stumbles from a remote stone house, the night quiet except for the constant wind that encircles her as she hurries deeper into the darkness away from the cliffs and the sea.

Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death.

What is VALIS? This question is at the heart of Philip K. Dick's groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy or whether a godlike entity is showing him the true nature of the world.

So says Mona Dean—playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence.

Así comienza Los enamoramientos, la nueva novela de Javier Marías, consagrado como uno de los mejores novelistas contemporáneos. María Dolz, la narradora y protagonista, sólo supo su nombre "cuando apareció su foto en el periódico, apuñalado y medio descamisado y a punto de convertirse en un muerto: lo último de lo que se debió de dar cuenta fue de que lo acuchillaban por confusión y sin causa".

Teetapur, an unassuming village just a few hours outside of bustling Delhi, is famous for nothing—until one of its children, eight-year-old Munia, is found dead, hanging from the branch of a Jamun tree. In the largely Hindu village, suspicion quickly falls on an itinerant Muslim man, Mansoor. Suspicion ignites like wildfire, fueled by religious tensions that simmer beneath the surface.

"To listen is to be, but to play is to live...." So believes Gideon Davies, 28-year-old musical wunderkind, a virtuoso violinist whose talents are internationally celebrated. When Gideon finds himself center stage, unable to play, his tortured search for his music - and for the truth behind the appalling event that shaped his life - will lead him to the very heart of love's darkest manifestations.

When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

Unsaid is told from the perspective of Helena Colden, a veterinarian who has just died of breast cancer. Helena is forced to witness the rapid emotional deterioration of her husband David. With Helena's passing, David, a successful Manhattan attorney, loses the only connection that made his life full. He tries to carry on the life that Helena had created for them, but he is too grief-stricken, too angry, and too quickly reabsorbed into the demands of his career. Helena's animals likewise struggle with the loss of their understanding and compassionate human companion.

Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, vividly follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening ( American Beauty, The Kids Are All Right) brings Woolf’s stream-of-consciousness style of storytelling to life, exploring the hidden springs of thought and action in one day of a woman’s life in a brilliant performance.

Like Foxcatcher meets The Art of Fielding, Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, Stephen Florida a story of loneliness, obsession, and the drive to leave a mark.

For young Peony, betrothed to a suitor she has never met, lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage.

Florence, de nos jours. Pietro Gerber est un psychiatre pour enfants, spécialiste de l'hypnose. Il arrive ainsi à extraire la vérité de jeunes patients tourmentés. Un jour, une consœur australienne lui demande de poursuivre la thérapie de sa patiente qui vient d'arriver en Italie. Seul hic, c'est une adulte. Elle s'appelle Hanna Hall et elle est persuadée d'avoir tué son frère pendant son enfance.

Lonnie is tired. He's tired of his job, the monotony of it, and tired of the predictability ofhis home life now that he's a father. It's a day like every other day, and hecan't face the inevitability of it all. So he lies. It's a small lie, but heknows small lies become big ones. He knows it as soon as he says his daughteris in the hospital. But he can't stop himself, and he can't stop the lie fromtaking on a life of its own.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Frieda Klein is uninterested in catching up on old times when her former classmate, Maddie Capel, shows up at her door - until she hears about Maddie’s troubled daughter, Becky. The teenager claims she was raped in her own bed one night while her mother was downstairs. Her assailant left her with a warning: “Don’t think of telling anyone, sweetheart. Nobody will believe you.” And no one does - except Frieda.