Literary Fiction War

Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due.

A cyberattack on an obscure US dam leaves thousands dead and the government wondering who attacked it, and why. When they realize it is just the tip of the iceberg - and that the safety of all of America is at stake - the president has no choice but to call in Luke Stone.

A biological agent is stolen from a biocontainment lab. Weaponized, it could kill millions, and a desperate national hunt ensues to catch the terrorists before it is too late. Luke Stone, head of an elite FBI department, with his own family still in jeopardy, has vowed to walk away - but when the new president, barely sworn in, calls him, he can't turn his back on her. Shocking devastation follows, winding its way all the way to the president, who finds her own family in jeopardy.

Irish domestic worker Norah King's decision to ask her wealthy employer, Caroline Parker, for an elegant red coat that the Beacon Hill matriarch has marked for donation ignites a series of events that neither woman could have fathomed. The unlikely exchange will impact their respective daughters and families for generations to come, from the coat's original owner, marriage-minded collegian Cordelia Parker, to the determined and spirited King sisters of South Boston, Rosemary, Kay, and Rita.

August 1942. Jacob and Moses Stein, two young Jewish brothers, are staying with their aunt in Paris amid the Nazi occupation. The boys’ parents, well-known German playwrights, have left the brothers in their aunt’s care until they can find safe harbor for their family. But before the Steins can reunite, a great and terrifying roundup occurs. The French gendarmes, under Nazi order, arrest the boys and take them to the Vélodrome d’Hiver - a massive, bleak structure in Paris where thousands of France’s Jews are being forcibly detained.

Dispatched to fight the Taliban as part of the NATO forces, the soldiers of the Third Platoon arrive in a desert hell intent on testing their courage and endurance. Among them are the charismatic platoon leader Schrøder, a former games designer fascinated by the imaginative potential of war; Colonel Steffensen, whose negotiating tactics will have deadly consequences; Sidekick, the LifeLogger whose online “war memorial” will blur into horror; and the hardened but vulnerable Hannah, who must bury her womanhood - or sacrifice her soul.

Simran is unable to move on. Grappling with the growing estrangement of her sister and daughter as well as the disintegration of her marriage, she wonders how her life has come to this. As the life she has carefully constructed unravels, she is forced to confront one of her most painful childhood memories - her parents sending her younger brother away from home.

Cultural and familial fireworks flare when the headstrong teenage daughter of a wealthy New Yorker falls passionately in love with a young man from New Orleans, and from a very different background indeed. What makes this story sizzle and soar are its time and place - the United States during the Civil War and Victorian England - and a couple of key facts about the protagonists.

Chicago, 1950. Rosalind Porter has always defied expectations - in her work as a physicist on the Manhattan Project and in her passionate love affair with colleague Thomas Weaver. Five years after the end of both, her guilt over the bomb and her heartbreak over Weaver are intertwined. She desperately misses her work in the lab, yet has almost resigned herself to a more conventional life.

In the aftermath of great floods, a doctor on a relief mission in Northeastern Pakistan discovers the remains of a collapsed bridge that reminds him of a bridge near his childhood home in Ohio. He snaps a cellphone picture and sends it to his sister just before his entire team is slaughtered. His sister is Beth Ledford, a Coast Guard sniper,who suspects that the answer to the mystery of her brother's death is in that cellphone picture.

A professor shows a colleague a painting that he has kept secret for decades. The professor swears it is a Vermeer - but why has he hidden this important work for so long? The reasons unfold in a series of stories that trace ownership of the painting back to World War II and Amsterdam, and still further back to the moment of the work's inspiration.

Set in 2006, Paris Echo follows Hannah, a 31-year-old American post-doctoral researcher looking into the lives of women during the German Occupation of Paris in 1940-44, and Tariq, a 19-year-old boy who has run away from his home in Morocco, searching for sex and adventure. Through their culture clash we are taken back into the hidden Paris of the Dark Years, the Algerian War, and the simmering discontents of the banlieue. As the main characters fight to preserve their integrity and sanity, they find their future shaped by the lives of the dead, by the ghosts of the Paris Metro.

Reverend Maloney isn't the world's greatest spiritual advisor. He drinks gin out of his coffee cup and has sex dreams about the Holy Ghost. His best friend Eli isn't perfect either, but he's a chess genius, so Maloney sees an opportunity in traveling around the country so Eli can win major chess tournament after chess tournament (while Maloney pockets Eli's winnings).

Richard Cottar is a respected independent film writer and director; his wife, Joanna, is his increasingly successful and wealthy producer. Together they are about to embark on a film about the life of Walter Benjamin, the German Jewish intellectual who killed himself in northern Spain while on the run from the Nazis in 1940. In what looks set to be the last year of Britain’s membership of the European Union, Benjamin’s story of exile and statelessness is more relevant than ever. But Richard and Joanna’s symbiotic life takes a sudden turn.

No. It is a simple word, uttered on a summer porch in 1936. And it will haunt Kitty Milton for the rest of her life. Kitty and her husband, Ogden, are both from families considered the backbone of the country. But this refusal will come to be Kitty’s defining moment, and its consequences will ripple through the Milton family for generations. For while they summer on their island in Maine, anchored as they are to the way things have always been, the winds of change are beginning to stir.

Detailing a six-hour window on April 21, 1941, The Bus features eight different narrators: six mental patients, the doctor who will kill them, and the man who will burn their corpses. Crammed into a bus with 35 others and unable to see out the painted windows, the patients are transferred from the Scheuern institution to the Nazi euthanasia clinic in Hadamar, Germany.

After political upheaval, economic collapse, and environmental disaster, the world has become a hotspot, boiling over into chaos of near apocalyptic proportions. In this perpetual state of emergency, all that separates order from anarchy is the military might of a United States, determined to keep peace among nations waging a free-for-all battle for survival and supremacy.

"Il entra dans ma vie en février 1932 pour n'en jamais sortir [...]. Je puis me rappeler le jour et l'heure où, pour la première fois, mon regard se posa sur ce garçon qui allait devenir la source de mon plus grand bonheur et de mon plus grand désespoir."

Leaving the safety of America, Teera returns to Cambodia for the first time since her harrowing escape as a child refugee. She carries a letter from a man who mysteriously signs himself as "the Old Musician" and claims to have known her father in the Khmer Rouge prison where he disappeared 25 years ago. In Phnom Penh, Teera finds a society still in turmoil, where perpetrators and survivors of unfathomable violence live side by side, striving to mend their still beloved country.

Emile Zola, along with fellow novelists Honoré de Balzac and Gustave Flaubert, was an early realist in French literature. In novels such as Flaubert's Madame Bovary and Zola's Nana, sex and violence were examined with vivid clarity. These realists soon adopted the word naturalism to describe their writings.