Literary Horror

Father Ambrosio, the most pious and venerated monk in all of Madrid, is held as a paragon of virtue. But after 30 years of study and prayer, evil thoughts begin to permeate his mind. As two plots cleverly converge, torture, murder, incest, rape, poison, and magic prevail, sustained by an elegance in the writing of the 19-year-old Matthew Lewis.

Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold indigenous parades; it is a land of house burnings, werewolves, and witches.

Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted.

Professor David Ullman's expertise in the literature of the demonic - notably Milton's Paradise Lost - has won him wide acclaim. But David is not a believer. One afternoon he receives a visitor at his campus office, a strikingly thin woman who offers him an invitation: travel to Venice, Italy, witness a "phenomenon", and offer his professional opinion, in return for an extravagant sum of money. Needing a fresh start, David accepts and heads to Italy with his beloved 12-year-old daughter, Tess. What happens in Venice will send David on an unimaginable journey from skeptic to true believer....

As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.

A recurrent, unidentifiable noise in her apartment. A memo to her boss that's replaced by obscene insults. Amanda - a successful architect in a happy marriage - finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

Pepper is a rambunctious big man, and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He's not mentally ill, but that doesn't seem to matter. On his first night, he's visited by a terrifying creature who nearly kills him before being hustled away by the hospital staff. It's no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic; Coffee, an African immigrant with severe OCD; and Loochie, a bipolar teenage girl.

When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt; they only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers - with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another.

Connie's mother asks her to sell an abandoned house once owned by her grandmother in Salem, Mass. Relunctantly, Connie moves to the small town and inhabits the crumbling, ancient house, trying to restore it to a semblance of order. Curious things start to happen when Connie finds the name "Deliverance Dane" on a yellowed scrap of paper and begins to have visions of a long ago woman condemned for practicing "physick," or herbal healing, on her neighbors in 1690s Salem.

There is an old, empty house in Devil's Cleave, a deep gorge that leads from the high moors down to the harbour village of Hollow Bay. The house is Crickley Hall and it's large and grim, somehow foreboding. It's rumoured to be haunted. It's thought to hold a secret. Despite some reservations, the Caleighs move in, searching for respite in this beautiful part of North Devon, seeking peace and perhaps to come to terms with what's happened to them as a family. But all is not well with the house....

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Mo's latest assignment is assisting the police in containing an unusual outbreak: ordinary citizens suddenly imbued with extraordinary abilities of the superpowered kind. Unfortunately these people prefer playing superpranks instead of superheroics. The mayor of London being levitated by a dumpy man in Trafalgar Square would normally be a source of shared amusement for Mo and Bob, but they're currently separated because something's come between them - something evil.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother's disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened 26 years ago.

Ever wondered what Bones was thinking and feeling, when he and half-vampire Cat Crawfield first met? Or how their story might differ if he were the one telling it? Now, relive the beginning of Cat and Bones' best-selling love story through Bones' point of view, which reveals a darker, sexier take on their early days, as well as a deeper dive into Bones' past, the vampire world, and other things that Cat didn't see, when their story was told only through her eyes in Halfway to the Grave. Cat had her say. Now, it's Bones' turn.

He lives in solitude beneath the city, an exile from society, which will destroy him if he is ever seen. She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found. But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance - and nothing less than destiny - has brought them together in a world whose hour of reckoning is fast approaching.

It is 1917, in that sliver of borderland that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest, handsome, intelligent); Cob (short, heavyset, a bit slow); and Chimney (the youngest, thin, ill-tempered). Several hundred miles away in Southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula.

In what Henry James called a 'trap for the unwary', The Turn of the Screw tells of a nameless young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something malevolent is stalking the children in her care. But is the threat to her young charges really a malign and ghostly presence or something else entirely?

The town of Stillwater has been dying - the long and painful death of a town ravaged by floods and haunted by the ghosts of all who had lived there. Yet this most recent flood has brought something with it - a creature that nests among the good folks of Stillwater...and feeds off them. The children who haven't disappeared whisper the same word - "vampire". But they're wrong. What has come to Stillwater is something much more horrific.