Literary Horror

The Narrative of Arthur Gordon Pym of Nantucket, Poe's only full novel, is one of his most unusual works. A riveting story, toldl in the first person, it tells of a disastrous sea voyage involving storms, mutiny, starvation, thirst - and a mysterious conclusion. Jorge Luis Borges and Baudelaire were among those who rated it highly. This recording was timed to mark the 200th anniversary of Poe's birth.

The nightmare home. We thought we'd found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down, but so peaceful. The woodland animals and birds couldn't have been more neighbourly. That was the first part of the Magic. Midge's painting and my music soared to new heights of creativity. That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

El padre de Cathy adopta a Heathcliff cuando era un niño hambriento. El niño enseguida se gana el corazón del Padre y de Cathy, sin embargo, Hindley hermano de Cathy lo odia por celos. Cuando el padre muere, Hindley obliga a Heathcliff a trabajar como peón del establo, y este acepta todo tipo de humillaciones por estar cerca de su amada.

A woman meets her next-door neighbor and loans her a spatula, then starts suffering horrific gaps in her memory. A man, feeling jilted by an unrequited love, becomes obsessed with sorting through his neighbors' garbage in the belief that it will teach him how to better relate to people. A landlord decides to raise the rent, and his tenants hatch a plan to kill him at a team-building retreat. In 10 captivating, unnerving stories, Flowers of Mold presents a range of ordinary individuals who have found themselves left behind by an increasingly urbanized and fragmented world.

For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters - and now it is heading in our direction.It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts - or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore.

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state - the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: It's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

He lives in solitude beneath the city, an exile from society, which will destroy him if he is ever seen. She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found. But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance - and nothing less than destiny - has brought them together in a world whose hour of reckoning is fast approaching.

Mo's latest assignment is assisting the police in containing an unusual outbreak: ordinary citizens suddenly imbued with extraordinary abilities of the superpowered kind. Unfortunately these people prefer playing superpranks instead of superheroics. The mayor of London being levitated by a dumpy man in Trafalgar Square would normally be a source of shared amusement for Mo and Bob, but they're currently separated because something's come between them - something evil.

Kazu is dead. Born in Fukushima in 1933, the same year as the Japanese emperor, his life is tied by a series of coincidences to the Imperial family and has been shaped at every turn by modern Japanese history. But his life story is also marked by bad luck, and now, in death, he is unable to rest, doomed to haunt the park near Ueno Station in Tokyo.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

On a seemingly ordinary day, 17-year-old Lia Haddock hears news that will change her life forever: 300 men, women, and children living at a research facility in Limetown, Tennessee, have disappeared without a trace. Among the missing is Emile Haddock, Lia’s uncle. What happened to the people of Limetown? It’s all anyone can talk about. Except Lia’s parents, who refuse to discuss what might have happened there. They refuse, even, to discuss anything to do with Emile.

In the emotional aftermath of her baby's death, Em starts running. Soon she runs from her husband, to the airport, down to the Florida Gulf, and out to Vermillion Key, where her father has offered the use of a shack he has kept there for years. This is doing her all kinds of good, until one day she makes the mistake of looking into the driveway of a man named Pickering. Pickering also enjoys the privacy of Vermillion Key, but the young women he brings there suffer the consequences. Will Em be next?

Les, a longtime sheriff just three weeks from retirement, contends with the ravages of crystal meth and his own duplicity in his small Appalachian town. Becky, a park ranger with a harrowing past, finds solace amid the lyrical beauty of this patch of North Carolina.

Hay-on-Wye, 1400. War is brewing in the Welsh borders. Catrin is on the brink of womanhood and falling in love for the first time. Her father is a soothsayer playing a dangerous game, playing on the mixed loyalties and furious rivalries between Welsh princes and English lords. For 200 years the Welsh people have lain under the English yoke, dreaming of independence. And finally it looks as though the charismatic Owain Glyndwr may be the man legend talks of.

In the spring of 1844, the Wells family receives a letter from a distant relative, the wealthy landowner Nicholas Van Ryn. He has invited one of their daughters for an extended visit at his Hudson Valley estate, Dragonwyck. Eighteen-year-old Miranda, bored with her local suitors and commonplace life on the farm, leaps at the chance for escape.

Light and dark—this is the cursed birthright placed upon Clara and Natasha by their godfather, Drosselmeyer, whose power and greed hold an entire city in his sway. Charming Clara, the favorite, grows into a life of beauty and ease, while ignored and unloved Natasha is relegated to her sister’s shadow. But the opportunity for revenge announces itself one Christmas Eve, when Drosselmeyer arrives at their family gala with the Nutcracker, an enchanted gift that offers entry into an alternate world: the Kingdom of Sweets.

Jean est journaliste dans la presse régionale. Son métier l'amène à rencontrer différentes personnalités de la vie locale afin de faire leur portrait. Quand l'un de ses articles fait polémique, sa femme et son fils se dressent contre lui avec violence et lui reprochent d'être dépassé, infréquentable, irrécupérable.

Ten years after the collapse, Huxley has built a good life again. He has a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers come. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken, and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He knows only that they head east, and so will he, setting out on foot across the desert of the Wastelands.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside.