Literary Horror

Miranda’s life and career has been a roller-coaster ride. Her successful rise to the top of the booming lifestyle industry as a social media influencer led to a humiliating fall after a controversial product she endorsed flopped. Desperate to get away from the hate-spewing trolls shaming her on the internet, she receives a mysterious letter from a young cousin in England that plunges her into a dark family mystery.

It would be easier for Thomas Mullen to move on from what he'd seen if Sarah stopped calling. It would be even better if she stopped appearing to him, and only him, to remind him of what he was powerless to stop. But months later, after Thomas loses his phone and the random woman who recovers it arranges to return it to him, his predicament intensifies. This woman tells him that while she's had his phone, his mother has called. His mother really needs him to call her back. And who is Sarah?

Adam and Alice are reaching the age when some of the children created by the fertility treatment that spawned them begin to turn feral. Will they succomb to the same physiological horror that destroyed their parents? Every change brings on terror - the voice cracking as it changes, the swelling of the breasts, the coarsening of down into actual hair. Their aunt, Cynthia, oversees renovations to the Twisden family's Manhattan residence - torn apart by the children's parents at their most savage....

En la aldea medieval de Lapvona, el pequeño Marek vive en la más absoluta pobreza con su padre Jude, viudo, devoto y agresivo. Cojo, con la cara deforme y una concepción distorsionada de la realidad, Marek solo halla consuelo en su temor de Dios y en sus visitas a Ina, una anciana con saberes ocultos que vive alejada del mundo. Cuando una muerte violenta lo sitúa en el epicentro de la vida palaciega, Marek pasa a convertirse en un auténtico aristócrata dentro de la corte del corrupto y ensimismado señor feudal que gobierna Lapvona.

One hot summer's day, John Cole decides to shut his bookshop early, and possibly forever, and drives out of London to see his brother. When his car breaks down on an isolated road, he goes looking for help and finds a dilapidated house. As he approaches, a laughing woman he's never seen before walks out, addresses him by name and explains she's been waiting for him. Entering the home, John discovers an enigmatic clan of residents all of whom seem to know who he is, and also claim they have been awaiting him arrival.

The (black) magical season is here - and whether it's a solstice seance gone demonically wrong with the incomparable Kim Harrison, a grossly misshapen Christmas with the remarkable Lynsay Sands, a blood-chilling-and-spilling New Year's with the wonderful Marjorie M. Liu, or a super-powered Thanksgiving with the phenomenal Vicki Pettersson, one thing is for certain: in the able hands of these exceptional dark side explorers, the holidays are going to be deliciously hellish!

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

Mulberry is a three-story Victorian in the Hamptons, the perfect summer retreat for the Bradley family. Forty years ago a family was murdered in the house. Now, the bloodstains have been washed away, and the grisly killings are just a chilling local legend. But something unseen still waits in the shadowed hallways and antique furnished bedrooms.

Months after her sister’s death, Marianne wakes up to find a growth of thick black hairs along her spine. They defy her attempts to remove them, instead proliferating, growing longer. The hairs, Marianne’s doctor tells her, are a reaction to trauma, developed in the wake of the loss of her sister, Marie. Her doctor recommends that Marianne visits Nede, a modern, New Age rehabilitation center in a remote forest in Wales where the patients attend unorthodox therapy sessions and commune with nature. Yet something strange is happening to Marianne and the other patients at Nede....

October 13, 1518; Somerset, England: Eight women are accused of witchcraft and heresy. Using the Malleus Maleficarum, Magistrate Peter Haystead and Father Samuel seek their own brand of justice against the women. This religious fanaticism is plenteous for torture and condemnation of such women, though it is the action of the leaders that creates the very witchcraft that they condemn.

In Dark Property, a woman carries a dying baby across a desert waste, moving toward a fortress harboring a mysterious resurrection cult. Menaced by scavengers, she nevertheless begins to suspect that the reality within the fortress may be even more unsettling than the blasted environment outside. In Contagion and Other Stories, Evenson takes his audiences into a world that is at once apocalyptic, dark, observant, and grotesque without ever dipping into static genre conventions.

England 1321: Deep in the countryside lies an isolate village governed by a sinister regime of Owl Masters. But their dark status quo is disturbed by the arrival of a house of religious women. Why do their crops succeed when village crops fail, their cattle survive despite the plague? Accusations of witchcraft and heresy run rife, while the Owl Masters rain down hellfire and torment on the women, who must look to their faith to save them from the lengthening shadow of evil... a shadow with predatory, terrifying talons.

M. R. James (Montague Rhodes James) was a noted British medieval scholar and provost of King's College, Cambridge (1905-1918) and of Eton College. He is best remembered today for his ghost stories, which are widely regarded as among the finest in English literature. As a medieval scholar his output in that field was phenomenal and remains highly respected in scholarly circles.

When seven-year-old Jamie falls down a very long hill, he finds himself trapped in a world of strange creatures, harsh landscapes, and near-perpetual darkness. Lost and confused, Jamie is desperate to get home. The nightmares, fears, and all manner of what-ifs that inhabit this shadow world are unfamiliar to him - all except one: the Lairdbalor, Jamie's personal nightmare, once relegated to his dreams. In this fantastical land, however, the Lairdbalor and all the fears and nightmares of children are very real.

Southwest Arizona, a century ago: an uneasy truce exists between the remote frontier community of Picture City and the neighboring Apaches. That delicate peace is shredded when the bodies of two white men are found hideously mutilated. The angry townspeople are certain the “savages” have broken the treaty, but Billjohn Finley, the local Indian agent, fears that darker, more unholy forces may be at work. There’s a tall, dark stranger in town, who rode in wearing the dead men’s clothes. A stranger who may not be entirely human.

Topper is a hilarious, ribald comedy about a mild-mannered bank manager and two capricious ghosts, George and Marion Kerby, who make it their mission to rescue Topper from the drab "summer of suburban Sundays" that is his life.

One rainy morning in 1871 in lower Manhattan, Martin Pemberton, a freelance writer sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins.

When I look back on my life in Eastbourne in the late 1980s I find it amazing that I could have ever had enough time and energy to accomplish what I did.

Enid Graham could only wonder why handsome, brilliant, wealthy Pierre St. John should have chosen her as his bride. But when the lovely American girl arrived with her husband at his lonely chateau, the reason become terribly clear. Pierre had a wife before Enid, a bewitching temptress who could have been Enid's twin in appearance.

Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.