Literary Horror

Pepper is a rambunctious big man, and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He's not mentally ill, but that doesn't seem to matter. On his first night, he's visited by a terrifying creature who nearly kills him before being hustled away by the hospital staff. It's no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic; Coffee, an African immigrant with severe OCD; and Loochie, a bipolar teenage girl.

Diary takes the form of a "coma diary" kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide attempt. It is a dark, hilarious, and poignant act of storytelling from America's favorite, most inventive nihilist.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?

After finding himself caught up in one of Louisiana’s oldest and bloodiest family rivalries, Detective Dave Robicheaux must battle the most terrifying adversary he has ever encountered: a time-traveling superhuman assassin.

Jean est journaliste dans la presse régionale. Son métier l'amène à rencontrer différentes personnalités de la vie locale afin de faire leur portrait. Quand l'un de ses articles fait polémique, sa femme et son fils se dressent contre lui avec violence et lui reprochent d'être dépassé, infréquentable, irrécupérable.

In what Henry James called a 'trap for the unwary', The Turn of the Screw tells of a nameless young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something malevolent is stalking the children in her care. But is the threat to her young charges really a malign and ghostly presence or something else entirely?

For 25 years, civilization has survived in meager enclaves, guarded against a plague of the dead. Temple wanders this blighted landscape, keeping to herself and keeping her demons inside her heart. She can’t remember a time before the zombies, but she does remember an old man who took her in and the younger brother she cared for until the tragedy that set her off on her personal journey toward redemption.

Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: Her 13-year-old son, Tommy, has vanished without a trace in the woods of a local park. The search isn't yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy's disappearance. They feel helpless and alone, and their sorrow is compounded by anger and frustration: The local and state police have uncovered no leads.

In a city teeming with stories, how do lost souls find one another? It’s a question Meg Rhys doesn’t think she’s asking. Meg is a self-identified spinster librarian, satisfied with living with her cat, stacks of books, and her dead sister’s ghost in her New York City apartment. Then she becomes obsessed with an intriguing library patron and the haunted house he’s trying to research. The house has its own story to tell too, of love and war, of racism’s fallout and the ghost story that is gentrification, and of Brooklyn before it was Brooklyn.

The Marigold, a gleaming Toronto condo tower, sits a half-empty promise: a stack of scuffed rental suites and undelivered amenities that crumbles around its residents as a mysterious sludge spreads slowly through it. Public health inspector Cathy Jin investigates this toxic mold as it infests the city’s infrastructure, rotting it from within, while Sam “Soda” Dalipagic stumbles on a dangerous cache of data while cruising the streets in his Camry, waiting for his next rideshare alert.

Alexander Cleave, actor, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for the future, and more particularly, for his beloved but troubled daughter, conspire to distract him from his dreaming retirement.

On a seemingly ordinary day, 17-year-old Lia Haddock hears news that will change her life forever: 300 men, women, and children living at a research facility in Limetown, Tennessee, have disappeared without a trace. Among the missing is Emile Haddock, Lia’s uncle. What happened to the people of Limetown? It’s all anyone can talk about. Except Lia’s parents, who refuse to discuss what might have happened there. They refuse, even, to discuss anything to do with Emile.

Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

Medusa's Ankles celebrates the very best of A. S. Byatt's short fiction, carefully selected from a lifetime of writing. Peopled by artists, poets, and fabulous creatures, the stories blaze with creativity and color. From ancient myth to a British candy factory, from a Chinese restaurant to a Mediterranean swimming pool, from a Turkish bazaar to a fairy-tale palace, Byatt transports her listeners beyond the veneer of the ordinary - even beyond the gloss of the fantastical - to places rich and strange and wholly unforgettable.

Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere.

Thomas Fool is an Information Man, an investigator tasked with cataloging and filing reports on the endless stream of violence and brutality that flows through Hell. His job holds no reward or satisfaction, because Hell has rules but no justice. Each new crime is stamped "Do Not Investigate" and dutifully filed away in the depths of the Bureaucracy. But when an important political delegation arrives and a human is found murdered in a horrific manner - extravagant even by Hell's standards - everything changes.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

Sandman Slim must save himself - and the entire world - from the wrath of some enraged and vengeful ancient gods in this sixth high-octane adventure in the New York Times best-selling series. Being a half-human, half-angel nephilim with a bad rep and a worse attitude - not to mention temporarily playing Lucifer - James Stark, aka Sandman Slim, has made a few enemies. None, though, are as fearsome as the vindictive Angra Om Ya - the old gods.

Stylish and camera-obsessed, Naomi and Nathan thrive on the yellow journalism of the social-media age. They are lovers and competitors - nomadic freelancers in pursuit of sensation and depravity, encountering each other only in airport hotels and browser windows. Naomi finds herself drawn to the headlines surrounding Célestine and Aristide Arosteguy, Marxist philosophers and sexual libertines. Célestine has been found dead and mutilated in her Paris apartment. Aristide has disappeared.