Literary Humor

I got the call. The dreaded call every child fears. My dad wasn't well, and the man who had always been my everything needed me. There was only one thing to do: pack up and head back to my small hometown. I had finally made my dream life in the city, with the great job and loving boyfriend. But was there really a choice not to go?

Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives and blows them to pieces.

This is a darkly hilarious coming-of-age novel and a richly plotted suspense tale told through the distinctive voice of its heroine, Blue van Meer. After a childhood spent moving from one academic outpost to another with her father, Blue is clever and possessed of a vast lexicon of knowledge. But when a drowning and the shocking death of a teacher lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide - or misguide - her.

In a famous but declining Hollywood bar works A Barman. Morbidly amused by the decadent decay of his surroundings, he watches the patrons fall into their nightly oblivion, making notes for his novel. In the hope of uncovering their secrets and motives, he establishes tentative friendships with the cast of variously pathological regulars.

One day, sitting in traffic, Stella Sweeney attempts a good deed. The resulting car crash changes her life. But in this event is born the seed of something which will take Stella thousands of miles from her old life, turning an ordinary woman into a superstar, wrenching her whole family apart. For the first time real, honest-to-goodness happiness is just within her reach. But is Stella Sweeney, Dublin housewife, ready to grasp it?

Zane and Maggie have been living a lie...A marriage that’s not really a marriage. A relationship that’s about as f--ked-up as they come. A secret that’s going to kill them both if they don’t sort their sh*t out, stat. And now they’re going on tour with Dirty. As the band’s assistant manager, Maggie knows she has to keep it professional - and keep away from her “husband” on the road.

A spellbinding saga about the inhabitants and inheritors of one rural community, by one of Iceland's most beloved novelists. A man comes to awareness in a cold church in the Icelandic countryside, not knowing who he is, why he's there, or how he arrived, with a stranger staring mockingly from a few pews back. Startled by the man's cryptic questions, he leaves—and plunges into a history spanning centuries, a past pressed into his genes that sinks him closer to some knowledge of himself.

Diary takes the form of a "coma diary" kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide attempt. It is a dark, hilarious, and poignant act of storytelling from America's favorite, most inventive nihilist.

Sarah Bird is acclaimed for her multi-layered novels that are at once hilarious and moving. Here Bird examines “the ever-deepening mysteries of parents and children as they grow up and apart” ( Publishers Weekly). Working single-mother Cam Lightsey is proud to give her daughter Aubrey a chance at a good education. But when Aubrey turns her attention away from college and toward a boy at school, their once solid mother-daughter relationship quickly begins to crumble.

Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility.

Isabel Walker has flown to Paris to offer moral support for Roxy, her pregnant stepsister. Roxy's husband, Charles-Henri, favorite son of a powerful French family, is having a love affair. Divorce seems imminent. When her entire family arrives to help with legal issues, Isabel feels intense pressure to keep everything from falling apart. And in the background, the unstable husband of Charles-Henri's lover lurks menacingly.

Cutter, a hard-working woman who makes her living waiting tables and writing obits, is determined to sabotage the sale of her family's dilapidated ancestral home. Every time a potential buyer comes calling, she makes every effort to play down any possible charm that might be found within the crumbling walls.

Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton; the libidinous Brian Hawkins; Mona Ramsey, still in a'60s trance; Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.

There's no one like Etgar Keret. His stories take place at the crossroads of the fantastical, searing, and hilarious. His characters grapple with parenthood and family, war and games, marijuana and cake, memory and love. These stories never go to the expected place, but always surprise, entertain, and move.... In "Arctic Lizard", a young boy narrates a post-apocalyptic version of the world where a youth army wages an unending war, rewarded by collecting prizes. A father tries to shield his son from the inevitable in "Fly Already".

Ray Welter, who was until recently a high-flying advertising executive in Chicago, has left the world of newspeak behind. He decamps to the isolated Scottish Isle of Jura in order to spend a few months in the cottage where George Orwell wrote most of his seminal novel, Nineteen Eighty-Four. Ray is miserable and quite prepared to make his troubles go away with the help of copious quantities of excellent scotch.

Meet the Knights of Creation, a group of artistic friends struggling with society's standards of beauty. Barb, a stunningly beautiful costume designer, chooses to don a fat suit in hopes that it will help her meet the man of her dreams - a man who can see beyond her looks. Lily, Barb's brilliantly talented, unfortunate-looking musician friend, goes to fantastic lengths to attract the shallow man she loves.

It's 1957, long before computers have replaced the skillful eye and hand, and our narrator at State U is determined to major in Art. After several false starts, he ends up by accident in a new class called "Introduction to Graphic Design," taught by the enigmatic professor Winter Sorbeck - equal parts genius, seducer, and sadist. Sorbeck is a bitter yet fascinating man whose assignments hurl his charges through a gauntlet of humiliation and heartache, shame and triumph, ego-bashing and enlightenment.

There are three things you should know about Elsie. The first is that she's my best friend. The second is that she always knows what to say to make me feel better. And the third...might take a little bit more explaining. Eighty-four-year-old Florence has fallen in her flat. As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died 60 years ago?

Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce’s first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin, and the Dubai Tourist Authority conspire to transport Bertie's mother, Irene, to a warmer--if not a better--place.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.