Literary Humor

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Freshly disengaged from her fiancé and feeling that life has not turned out quite the way she planned, 30-year-old Ruth quits her job, leaves town, and arrives at her parents' home to find that situation more complicated than she'd realized. Her father, a prominent history professor, is losing his memory and is only erratically lucid. Ruth's mother, meanwhile, is lucidly erratic.

There are three things you should know about Elsie. The first is that she's my best friend. The second is that she always knows what to say to make me feel better. And the third...might take a little bit more explaining. Eighty-four-year-old Florence has fallen in her flat. As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died 60 years ago?

Eighteen years old, pregnant, and working as a pizza delivery girl in suburban Los Angeles, our charmingly dysfunctional heroine is deeply lost and in complete denial. She's grieving the death of her father, avoiding her supportive mom and loving boyfriend, and flagrantly ignoring her future.

Mrs. Sookie Poole of Point Clear, Alabama, has just married off the last of her daughters and is looking forward to relaxing and perhaps traveling with her husband, Earle. The only thing left to contend with is her mother, the formidable Lenore Simmons Krackenberry. Lenore may be a lot of fun for other people, but is, for the most part, an overbearing presence for her daughter. Then one day, quite by accident, Sookie discovers a secret about her mother's past that knocks her for a loop and suddenly calls into question everything she ever thought she knew about herself, her family, and her future.

Emer is just a woman living in New York City who takes the subway, buys ice cream from the bodega on the corner, has writerly aspirations, and lives with her boyfriend, Con. But is this life she lives the only path she’s on?

Morris Duckworth can't get over Massimina, or Mimi, as he likes to refer to her. But then, he should have thought of that before he kidnapped and killed her. Only now, living in Verona and married to Mimi's sister, does he appreciate how much he misses her and how blindly he has stumbled into a trap of fate. Struggling to adjust to his good fortune, with a lavish house and cushy job, our unsavory hero finds that his new success is rife with tribulation: not least his pushy bride's staggering sexual appetite.

PEN-Faulkner Award-winning author T. Coraghessan Boyle weaves together the stories of two families in Southern California: one affluent, the other destitute. As Boyle creates a counterpoint of personal needs, civic responsibility, and social custom, each family's quest for the American Dream fuels deep fear and anger that ultimately lead to a perilous confrontation.

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.

Once an inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his longtime mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath, bereft and grieving and besieged by the ghosts of those who loved and hated him most, contrives a succession of farcical disasters that take him to the brink of madness and extinction.

Look Who's Back is a cutting satire on modern media-bloated, celebrity-obsessed society, seen through the eyes of Adolf Hitler. Adolf Hitler wakes up on a patch of open ground, alive and well. It is the Summer of 2011 and things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman.

Twice a week, the president pilots his ultraluxury airship Trump Sky Alpha (seats start at $50,000), delivering, as he travels between D.C., New York City, and Mar-a-Lago, a streaming YouTube address to the nation, in which he trumpets his successes and blasts his enemies - until the day his words plunge the world into nuclear war. One year later, with 90 percent of the world's population destroyed, a journalist named Rachel has taken refuge in the Twin Cities Metro Containment Zone.

Somewhere people act normal - but not in the Downy Mount Mobile Home Park, where recently widowed Marfa Bacot lives with her mother-in-law, Lulu, who cleans from hell to breakfast and has her make-up tattooed on so she's always ready for the rapture.

It all began with a correspondence between two quite different women: 28-year-old Sara from Haninge, Sweden, and 65-year-old Amy from the small town of Broken Wheel, Iowa. After years of exchanging books, letters and thoughts on the meaning of literature and life, Sara, mousy, disheveled, who has never been anywhere in her life--has really lived only for her work in a beloved bookshop, which has just closed its doors for the last time--bravely decides to accept her unknown friend's invitation to visit. But when she arrives, she finds her house empty, the funeral guests just heading home. . .

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

Will Freeman may have discovered the key to dating success: If the simple fact that they were single mothers meant that gorgeous women - women who would not ordinarily look twice at Will - might not only be willing, but enthusiastic about dating him, then he was really onto something. Single mothers - bright, attractive, available women - thousands of them, were all over London. He just had to find them.

Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work has lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own miserable existence, news arrives that his good friend, a renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit box to Theo, however, the professor has set him on a quest of epic proportions.

A man with a borrowed name steps from a flashy red sports car—also borrowed—onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, and with a woman from his past who comes bearing an unusual request.

The little old lady is back! This time, Martha Andersson and her friends - the League of Pensioners - have left behind their dreary care home in Stockholm and are enjoying the bright lights of Las Vegas. This is their opportunity for a new lease of life and they plan to make the most of it. But before long, they are up to their old tricks and with ingenious tactics, a pair of false teeth and a wheelchair each, they plot to outwit the security system at one of the casinos.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.