Literary Humor

Bret Ellis, the narrator of Lunar Park, is the bestselling writer whose first novel Less Than Zero catapulted him to international stardom while he was still in college. In the years that followed he found himself adrift in a world of wealth, drugs, and fame, as well as dealing with the unexpected death of his abusive father.

S.T., a domesticated crow, is a bird of simple pleasures: hanging out with his owner Big Jim, trading insults with Seattle's wild crows (i.e. "those idiots"), and enjoying the finest food humankind has to offer: Cheetos®. Then Big Jim's eyeball falls out of his head, and S.T. starts to think something isn't quite right. Even the slobbering affection of Big Jim's loyal but dim-witted dog, Dennis, fails to cure Big Jim's debilitating malady. S.T. is left with no choice but to abandon his old life and venture out into a wild and frightening new world with his trusty steed Dennis.

It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart.

In her own words, Stella Sweeney is just "an ordinary woman living an ordinary life with her husband and two teenage kids", working for her sister in their neighborhood beauty salon. Then one day she is struck by a serious illness that lands her in the hospital for months.

Leda, a middle-aged divorcee, is alone for the first time in years when her daughters leave home to live with their father. Her initial, unexpected sense of liberty turns to ferocious introspection following a seemingly trivial occurrence. Throughout the novel, Ferrante's language is as finely tuned and intense as ever, and she treats her theme with a fierce, candid tenacity.

Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations.

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

Hendrik Groen may be old, but he is far from dead and isn't planning to be buried any time soon. Granted, his daily strolls are getting shorter because his legs are no longer willing, and he has to visit his doctor more than he'd like. Technically speaking he is...elderly. But surely there is more to life at his age than weak tea and potted geraniums? Hendrik sets out to write an exposé: a year in the life of his care home in Amsterdam, revealing all its ups and downs.

B.J. Novak's One More Thing: Stories and Other Stories is an endlessly entertaining, surprisingly sensitive, and startlingly original debut that signals the arrival of a brilliant new voice in American fiction. A boy wins a $100,000 prize in a box of Frosted Flakes - only to discover how claiming the winnings might unravel his family. A woman sets out to seduce motivational speaker Tony Robbins - turning for help to the famed motivator himself. A new arrival in Heaven, overwhelmed with options, procrastinates over a long-ago promise to visit his grandmother....

Venice, a really long time ago: Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from Britain who also happens to be a favorite of the Doge: The rascal-Fool Pocket. This trio of cunning plotters have lured Pocket to a dark dungeon, promising a spirited evening. Their invitation is, of course, bogus. These scoundrels have something far less amusing planned for the man who has consistently foiled their quest for power and wealth. But this Fool is no fool.…

When first published in 1759, Candide became an instant best seller and is now regarded as one of the key texts of the Enlightenment. Voltaire’s preoccupations with evil and with various kinds of human folly and intolerance found a perfect vehicle in this philosophical tale. A master storyteller, he combined often wildly entertaining action with profoundly serious sense, parodying the traditional chivalric and oriental tales with which his public was more familiar.

First we live. Then we die. And then...we get another try? Ten thousand tries, to be exact. Ten thousand lives to "get it right". Answer all the big questions. Achieve wisdom. And become one with everything. Milo has had 9,995 chances so far and has just five more lives to earn a place in the cosmic soul. If he doesn't make the cut, oblivion awaits. But all Milo really wants is to fall forever into the arms of Death. Or Suzie, as he calls her.

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.

A workhouse orphan, Oliver experiences the terror and brutality of the criminal underworld. His companions, a thief, a whore, a pickpocket, and a fence, are destined for gruesome ends, but Oliver emerges unscathed from the darkness of the underworld.

Jojo Harvey is a literary agent whose star is on the rise. In love with both her married boss and her burgeoning career, not much distracts her. Until she finds herself representing two women who used to be best friends. Used to be....

Tara, Katherine and Fintan have been best friends since they were teenagers. Now in their early thirties, they've been living it up in London for 10 years. But what have they to show for a decade of hedonism? Sure, Tara's got a boyfriend - but only because she's terrified of spending five minutes alone. Katherine, on the other hand, has a neatness fetish that won't let anyone too close to mess up her life. And Fintan? Well, he has everything. Until he learns that without your health, you've got nothing....

Where did Roald Dahl get all of his wonderful ideas for stories? From his own life, of course! As full of excitement and the unexpected as his world-famous, best-selling books, Roald Dahl's tales of his own childhood are completely fascinating and fiendishly funny. Did you know that Roald Dahl nearly lost his nose in a car accident? Or that he was once a chocolate candy tester for Cadbury's? Have you heard about his involvement in the Great Mouse Plot of 1924? If not, you don’t yet know all there is to know about Roald Dahl.

Jen Beagin's quirky, moving, "frank and unflinching" (Josh Ferris) debut novel introduces an unforgettable character, Mona - almost 24, emotionally adrift, and cleaning houses to get by. Handing out clean needles to drug addicts, she falls for a recipient she calls Mr. Disgusting, who proceeds to break her heart in unimaginable ways. In search of healing, Mona decamps to Taos, New Mexico, for a fresh start, where she finds a community of seekers and cast-offs, all of whom have one or two things to teach her.

From the creator of the beloved and universally acclaimed television series BoJack Horseman, a fabulously off-beat collection of short stories about love - the best and worst thing in the universe. Equally at home with the surreal and the painfully relatable (and both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.

Cette histoire commence un mardi soir de février sur Facebook, se poursuit dans des inbox et des messages textes. Elle parle de scénarios inventés, de faire l’amour pas très bien dans une chambre sans rideaux, de soirées entre amis à regarder son cell aux deux mi­­nutes, de s’oublier soi-même. D’amour? Ça, Jolen elle-même ne sait pas.