Literary Humor

With The Blazing World, internationally best­selling author Siri Hustvedt returns to the New York art world in her most masterful and urgent novel since What I Loved. Hustvedt, who has long been celebrated for her “beguiling, lyrical prose” ( The Sunday Times Books, London), tells the provocative story of the artist Harriet Burden. After years of watching her work ignored or dismissed by critics, Burden conducts an experiment she calls Maskings: She presents her own art behind three male masks, concealing her female identity.

Look Who's Back is a cutting satire on modern media-bloated, celebrity-obsessed society, seen through the eyes of Adolf Hitler. Adolf Hitler wakes up on a patch of open ground, alive and well. It is the Summer of 2011 and things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman.

Everyone knows that if Scarlett O'Hara had an unlimited text-and-data plan, she'd constantly try to tempt Ashley away from Melanie with suggestive messages. If Mr. Rochester could text Jane Eyre, his ardent missives would obviously be in all-caps. And Daisy Buchanan would not only text while driving, she'd text you to pick her up after she totaled her car.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

Morgan Beale is a pop icon - and hates every second of it. He begins adapting the latest best seller, The Chihuahua in the Blue Prada Bag, into a blockbuster movie just before his celebutante wife starts remodeling their Hollywood home, driving Beale to a hotel. Dodging the paparazzi one morning on his way to Starbucks, he spots his writing partner, Luke, who has been dead for over a decade, and who is staring into a mysterious hole in the ground....

Bret Ellis, the narrator of Lunar Park, is the bestselling writer whose first novel Less Than Zero catapulted him to international stardom while he was still in college. In the years that followed he found himself adrift in a world of wealth, drugs, and fame, as well as dealing with the unexpected death of his abusive father.

When Graham Cavanaugh divorced his first wife, it was to marry his girlfriend, Audra, a woman as irrepressible as she is spontaneous and fun. But, Graham learns, life with Audra can also be exhausting, constantly interrupted by chatty phone calls, picky-eater houseguests, and invitations to weddings of people he's never met. Audra firmly believes that through the sheer force of her personality, she can overcome the most socially challenging interactions.

Tom Perrotta's thirtysomething parents of young children are a varied and surprising bunch. There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms of the playground; Sarah, a lapsed feminist with a bisexual past, who seems to have stumbled into a traditional marriage; Richard, Sarah's husband, who has found himself more and more involved with a fantasy life on the Internet than with the flesh and blood in his own house; and Mary Ann, who thinks she has it all figured out.

Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work has lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own miserable existence, news arrives that his good friend, a renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit box to Theo, however, the professor has set him on a quest of epic proportions.

Brilliant designer Miko Jin has spent most of her life falling in love over and over again...with the men she finds in the pages of her favorite novels. When Miko meets Liam Ashton, it’s love at first sight. At least, for her. Sure, the two of them are polar opposites, and yes, he seems to be dating someone new each week.

Daniel Pecan Cambridge, 30, 35, 38 or 27, depending on how he feels that day, is a young man whose life is rich and full, provided he never leaves his Santa Monica apartment. After all, outside there are 8-inch-high curbs and there's always the horrible chance he might see a gas station attendant wearing a blue hat. So, except for the occasional trip to the Rite Aid to admire the California girl Zandy and to buy earplugs because they're on sale, he stays home a lot. And good thing, too.

A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal and, at times, heartbreakingly satirical look at what it's like to be young and black in America.

A producer. A novelist. An actress. It's summer 1968 - a time of war and assassinations, protests and riots. While the world is reeling, our trio is involved in making a disaster-plagued, Swingin' Sixties British movie in sunny Brighton. All are leading secret lives. As the movie shoot zigs and zags, these layers of secrets become increasingly more untenable. Pressures build inexorably. The FBI and CIA get involved.

Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D'Or. It is a place for starlets and would-be starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic of 1950s Hollywood, Desert D'Or is a moral proving ground, where men and women discover what they really want - and how far they are willing to go to get it.

Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton; the libidinous Brian Hawkins; Mona Ramsey, still in a'60s trance; Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.

When recently orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except there is one small problem: His uncle is trying to kill him. Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Chrissie, who concludes that there is only one way for Barnaby to stop his demonic uncle: He will just have to kill him first.

At the turn of the 20th century, as he composes a treatise on melancholy, Jacov Reinhardt sets off from his small Croatian village in search of his hero and unwitting mentor, Emiliano Gomez Carrasquilla, who is rumored to have disappeared into the South American jungle - "not lost, mind you, but retired." Jacov's narcissistic preoccupation with melancholy consumes him, and as he desperately recounts the myth of his journey to his trusted but ailing scribe, hope for an encounter with the lost philosopher who holds the key to Jacov's obsession seems increasingly unlikely.

Sur les conseils de son médecin qui s’inquiète de ses dérapages récents, Nicolas part deux mois loin de son travail, de sa femme et de ses enfants. Un vent de liberté souffle dans ses cheveux et lui donne envie de mordre dans la vie comme si c’était un beau gros beigne débordant de crème. Il voyage, fait des rencontres, tente de réconforter de vieux amis aussi mal en point que lui; tout ça ne peut que mal finir.

Rachel Blum and Andy Landis are eight years old when they meet late one night in an ER waiting room. Born with a congenital heart defect, Rachel is a veteran of hospitals, and she's intrigued by the boy who shows up all alone with a broken arm. He tells her his name. She tells him a story. After Andy's taken back to the emergency room and Rachel's sent back to her bed, they think they'll never see each other again.

The Bible offers some clues to God's personality - he's alternately been called vindictive and just, bloodthirsty and caring, all-powerful and impotent, capricious and foresighted, and loving and hateful. But no one has ever fully explored why God might be such a figure of contrasts. Nor has anyone ever satisfactorily explained what guides his relationship not just with angels, the devil, and his son, but also with all of creation.