Literary Humor

Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility.

Morris Duckworth can't get over Massimina, or Mimi, as he likes to refer to her. But then, he should have thought of that before he kidnapped and killed her. Only now, living in Verona and married to Mimi's sister, does he appreciate how much he misses her and how blindly he has stumbled into a trap of fate. Struggling to adjust to his good fortune, with a lavish house and cushy job, our unsavory hero finds that his new success is rife with tribulation: not least his pushy bride's staggering sexual appetite.

An old house, a new lover, a fresh life for Dominick - or will the faith-driven doom it all? The past just won't go away. Dominick likes to idle there in history's comfortable remove, but when his mother dies and he meets the half sister he never knew he had, the past becomes more personal - and the present more dangerous. Dominick's perpetual peregrinations are interrupted by a visit to his newfound sibling's historic Hudson Valley estate, which is also home to a Wiccan coven.

Brought up in Switzerland, the only son of well-to-do parents, Charles Fryerne is somewhat unprepared for the world he meets when he goes up to Oxford University in the early 1980s. There he meets a fascinating social set, including a stellar young playwright, a student dubbed 'the future leader of the Conservative party' and a mercurial figure with ambitions to become the youngest prime minister since Pitt. When they leave university, the characters go their separate ways.

When the university merged his Department of Linguistics with English, Professor Desmond Bates took early retirement, but he is not enjoying it. But his daily discontent is nothing compared to the affliction of hearing loss, which is a constant source of domestic friction and social embarrassment. In the popular imagination, he observes, deafness is comic, as blindness is tragic, but for the deaf person himself it is no joke.

Tiller is an average American college student with a good heart but minimal aspirations. Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself.

Best-selling author Gary Shteyngart’s exquisite fiction is met with a level of critical acclaim reserved for the very best in the field. In this startlingly provocative work, Russian immigrant Vladimir Girshkin searches for love and self-identity while interacting with a quirky set of acquaintances.

Everyone wants a comfortable place to die, and Kingsley Amis’s characters have found it in Tuppeny-happeny Cottage, where assorted septuagenarians have come together to see one another out the door of life. Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

New York Times best-selling author Bruce Wagner is also a PEN/Faulkner Award finalist and a notable contributor to the New Yorker and Vanity Fair. With Dead Stars, Wagner delivers uproarious and sharply critical views on the sex- and money-obsessed world of Hollywood through the story of Telma, a 13-year-old girl who’s also the world’s youngest breast cancer survivor. A regular at pink-tie charity events and private lunches, Telma has come to enjoy her fame—so she’s not pleased to learn another young girl is about to break her record.

Researching female orgasms, Dr. Steven J. Fisher thinks he has sex down to an exact science. But Dr. Fisher is really just a shy chemist who is a beginner in the ways of love. When a beautiful and orgasmically-challenged Ph.D. student named Annie begins participating in his study, everything Dr. Fisher thinks he knows about women is turned on its head.

Aspiring novelist Molly MacGregor’s life is strikingly different from a literary heroine’s. Named for one of literature’s least romantic protagonists, Moll Flanders, Molly lives in Edmonton, a city she finds irredeemably unromantic, where she writes university term papers instead of novels, and sells shoes in the Largest Mall on Earth. There she seeks the other half of her young life’s own matched pair.

Twelve-year-old Elvis Babbitt has a head for the facts: she knows science proves yellow is the happiest color, she knows a healthy male giraffe weighs about 3,000 pounds, and she knows that the naked mole rat is the longest living rodent. She knows she should plan to grieve her mother, who has recently drowned while sleepwalking, for exactly 18 months. But there are things Elvis doesn't yet know—like how to keep her sister Lizzie from poisoning herself while sleep-eating or why her father has started wearing her mother's silk bathrobe around the house.

The complete BBC Radio 4 satirical comedy series about a seasoned presenter of travel documentaries, Brian Gulliver, who finds himself in a hospital's secure unit after claiming to have experienced a succession of bizarre adventures. In series one we hear about Brian's travels in Gelbetia, a country run by doctors; Juradia, where every other person is a lawyer; Osminia, a land where marriage is outlawed; Sham, a country where alternative therapies abound; Erosia, which has a very different view of sexual politics; and Jampoa, where fame definitely equals fortune.

While marooned at his banking job in the bewilderingly damp and insular realm known as Ireland, Claude Martingale, is approached by a down-on-his-luck author, Paul, looking for his next great subject. Claude finds that his life gets steadily more exciting under Paul's fictionalizing influence; he even falls in love with a beautiful waitress. But Paul's plan is not what it seems-and neither is Claude's employer, the Bank of Torabundo, which inflates through dodgy takeovers and derivatives-trading until-well, you can probably guess how that shakes out.

These 14 stories, which have appeared in The New Yorker, GQ, Harper's, McSweeney's, and Playboy, display Boyle's imaginative muscle, emotional sensitivity, and astonishing range. Here you will find the whimsical tales for which Boyle is famous, including "The Kind Assassin", about a radio shock jock who sets the world record for most continuous hours without sleep.

Cassie Wright, porn priestess, intends to cap her legendary career by breaking the world record for serial fornication. On camera. With 600 men. Snuff unfolds from the perspectives of Mr. 72, Mr. 137, and Mr. 600, who await their turn on camera in a very crowded green room. This wild, lethally funny, and thoroughly researched novel brings the huge yet underacknowledged presence of pornography in contemporary life into the realm of literary fiction at last. Who else but Chuck Palahniuk would dare do such a thing? Who else could do it so well, so unflinchingly, and with such an incendiary (you might say) climax?

Samuel Pickwick, founder and chairman of the Pickwick Club, engages three fellow members to accompany him on a journey. By coach they’ll travel to the outreaches of London to explore, observe, and report back on the quaint wonders of the English countryside. What transpires is a picaresque romp of misadventures, hair-raising challenges, and romantic follies entangling the fates of a riot of colorful characters - a passel of villains, spinsters, poets, and sportsmen - and the unworldly Pickwick himself, who has much to learn about life outside his gentleman’s club.

LOVE, DISHONOR, MARRY, DIE, CHERISH, PERISH leaps cities and decades as Rakoff sings the song of an America whose freedoms can be intoxicating, or brutal. The characters' lives are linked to each other by acts of generosity or cruelty.

Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything - regret, resentment, ambition, dignity, moving pictures, the dead - and taking it again from the top. Combining propulsive storytelling and mordant wit against the backdrop of indie filmmaking, Double Feature brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.