Literary Humor

Elsie Bovary is a cow, and a pretty happy one at that—her long, lazy days are spent eating, napping, and chatting with her best friend, Mallory. One night, Elsie and Mallory sneak out of their pasture; but while Mallory is interested in flirting with the neighboring bulls, Elsie finds herself drawn to the farmhouse. Through the window, she sees the farmer's family gathered around a bright Box God—and what the Box God reveals about something called an "industrial meat farm" shakes Elsie's understanding of her world to its core.

In this witty, charming follow-up to the acclaimed Crooked Heart, the life of lies a small time scammer and her adopted son have constructed in London becomes endangered during the tumultuous final months of World War II.

Eleanor knows she's a mess. But today she will tackle the little things. She will shower and get dressed. She will have her poetry and yoga lessons after dropping off her son, Timby. She won't swear. She will initiate sex with her husband, Joe. But before she can put her modest plan into action - life happens. Today, it turns out, is the day Timby has decided to fake sick to weasel his way into his mother's company. It's also the day Joe has chosen to tell his office - but not Eleanor - that he's on vacation.

Millie, 30, just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning within reach. But with it also comes the paralyzing realization of just how hollow that vision has become.

Kevin Wilson’s characters inhabit a world that moves seamlessly between the real and the imagined, the mundane and the fantastic. “Grand Stand-In” is narrated by an employee of the Nuclear Family Supplemental Provider—a company that supplies “stand-ins” for families with deceased, ill, or plain mean grandparents. And in “Blowing Up On the Spot,” a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted. These wonderfully inventive stories explore the relationship between loss and death and the ways we try to cope with both.

When Inspector Peter Glebsky arrives at a remote ski chalet on vacation, the last thing he intends to do is get involved in any police work. He's there to ski, drink brandy, and loaf around in blissful solitude. But he hadn't counted on the other vacationers, an eccentric bunch, including a famous hypnotist, a physicist with a penchant for gymnastic feats, a sulky teenager of indeterminate gender, and the mysterious Mr. and Mrs. Moses.

Meet George Marvin Brush, one of Thornton Wilder's most memorable characters. Brush, a traveling textbook salesman, is a fervent religious convert who is determined to lead a good life. With sad and sometimes hilarious consequences, his travels take him through smoking cars, bawdy houses, banks, and campgrounds from Texas to Illinois - and into the soul of America itself.

Kody Rawlee Green is stuck in juvie. Tella “Teal Cartwheels” Carticelli is packing her bags for Rome—on the orders of her parents, who want her as far from Kody as possible. But teenage love is too strong a force for the obstacles of reality. And the highway beckons.

Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist, eco-warrior novel American Mermaid becomes a best-seller. But when Hollywood insists she convert her fierce, androgynous protagonist into to a teen sex object in a clamshell bra, strange things start to happen. Is Penelope losing her mind, or has her fictional mermaid come to life, enacting revenge against society’s limited view of what a woman can and should be?

Grammy Nominee for Best Spoken Word Album
Mirabelle, the "shopgirl" behind the glove counter at Neiman Marcus, is slightly lost, off-kilter, and shy. But there's something about Mirabelle. Steve Martin reads this charming novella. Hear an interview with the author and browse more Martin.

Violet Parry is living the quintessential life of luxury in the Hollywood Hills with David, her rock-and-roll manager husband, and her darling toddler, Dot. She has the perfect life - except that she's deeply unhappy. David expects the world of Violet but gives little of himself in return. When she meets Teddy, a roguish small-time bass player, Violet comes alive, and soon she's risking everything for the chance to find herself again.

When Jimmy Pitt bets an actor friend that any fool could burgle a house, a feat which he offers to demonstrate that very night, he puts his reputation on the line. Although he hires the services of a professional burglar, the difficulty is increased when he has the misfortune to select Police Captain McEachern's house.

Researching female orgasms, Dr. Steven J. Fisher thinks he has sex down to an exact science. But Dr. Fisher is really just a shy chemist who is a beginner in the ways of love. When a beautiful and orgasmically-challenged Ph.D. student named Annie begins participating in his study, everything Dr. Fisher thinks he knows about women is turned on its head.

Young, wealthy Arabella is obsessed with French romances: brought up by a reclusive widowed father in an isolated castle, she has educated herself through their pages, and been led to believe that their dramas and absurdities are reality. She blindly adheres to their example and interprets her everyday life through their lens, thinking that life consists of uncontrollable passions and murderous violence, and that any man would die for her. Thus she embarks on a series of hilarious misadventures, insistent on the reality of her imaginary world, like Don Quixote before her.

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

Sur les conseils de son médecin qui s’inquiète de ses dérapages récents, Nicolas part deux mois loin de son travail, de sa femme et de ses enfants. Un vent de liberté souffle dans ses cheveux et lui donne envie de mordre dans la vie comme si c’était un beau gros beigne débordant de crème. Il voyage, fait des rencontres, tente de réconforter de vieux amis aussi mal en point que lui; tout ça ne peut que mal finir.

O. Henry wove several stories together into this highly episodic narrative, taking his title and inspiration from Lewis Carroll's ballad of the walrus and the carpenter in Through the Looking-Glass. The stories are set in the fictional country of Anchuria in Central America, a banana republic where larceny is rampant and revolution lurking in every impoverished back alley. O. Henry offers a cutting satire of contemporary politics and prejudices.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.

A hilarious, wildly erotic, and biting satire of Hollywood, Blue Movie tells the story of King B., an Oscar-winning director who's determined to shoot the dirtiest and most expensive X-rated movie ever made; Sid Krassman, a producer who's made a fortune catering to the tastes of the American public, and Angela Sterling, a misunderstood sex symbol who'd give anything (and everything) for a chance to do something "serious."

Harry Sylvester Bird grows up in Edward, Pennsylvania, with his parents, Wayne and Chevy, whom he greatly dislikes. They’re racist, xenophobic, financially incompetent, and they have quite a few secrets of their own. To Harry, they represent everything wrong with this country. And his small town isn’t any better. He witnesses racial profiling, graffitied swastikas, and White Power signs on his walk home from school. He can’t wait until he’s old enough to leave. When he finally is, he moves straight to New York City, where he feels he can finally live out his true inner self.