Literary Humor

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

Meet Helen - youngest of the Walsh sisters and a law unto herself. She’s easily bored, has an inability to filter her thoughts and was fired from every job she ever had before she found her true calling as a private investigator. But times are tough for PIs, and Helen’s had no choice but to take on the search for AWOL boyband has-been Wayne Diffney: The Wacky One.

A spellbinding saga about the inhabitants and inheritors of one rural community, by one of Iceland's most beloved novelists. A man comes to awareness in a cold church in the Icelandic countryside, not knowing who he is, why he's there, or how he arrived, with a stranger staring mockingly from a few pews back. Startled by the man's cryptic questions, he leaves—and plunges into a history spanning centuries, a past pressed into his genes that sinks him closer to some knowledge of himself.

Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton; the libidinous Brian Hawkins; Mona Ramsey, still in a'60s trance; Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.

In her own words, Stella Sweeney is just "an ordinary woman living an ordinary life with her husband and two teenage kids", working for her sister in their neighborhood beauty salon. Then one day she is struck by a serious illness that lands her in the hospital for months.

Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

Landon Brinkley’s dreams are all coming true. She’s landed an internship with a fabulous event planner for the Hollywood elite, taking her from small-town Texas to the bright lights of LA. Landon finds herself in a world in which spending a million dollars on an event—even a child’s birthday party—is de rigueur, and the whims of celebrity clients are life-and-death matters.

Ted Fullilove, aka Mr. Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery-operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise-filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent.

A workhouse orphan, Oliver experiences the terror and brutality of the criminal underworld. His companions, a thief, a whore, a pickpocket, and a fence, are destined for gruesome ends, but Oliver emerges unscathed from the darkness of the underworld.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

The remote Irish village of Duneen has known little drama, but when human remains are discovered on an old farm, suspected to be those of Tommy Burke - a former lover of two different inhabitants - the village's dark past begins to unravel. As the frustrated sergeant PJ Collins struggles to solve a genuine case for the first time in his life, he unearths a community's worth of anger and resentments, secrets and regret.

Things on board the R.M.S. Atlantic are terribly, terribly complicated... Monty Bodkin loves Gertrude, who thinks he likes Lotus Blossom, a starlet, who definitely adores Ambrose, who thinks that she has a thing for his brother, Reggie, who is struck by Mabel Spence, sister-in-law of Ikey Llewellyn (movie mogul, Ambrose's prospective employer and reluctant smuggler), but hasn't the means to marry her.

Past Imperfect is the story of a quest. Damian Barker wishes to know if he has a living heir. By the time he married in his late 30s he was sterile (the result of adult mumps), but what about before that unfortunate illness? He was not a virgin. Had he sired a child? A letter from a girlfriend from these times suggests he did. But the letter is anonymous.

June the first, a bright summer's evening, a Monday.... And into the busy, bustling homes at 66 Star Street slips, unseen, a mysterious visitor. As the couples, flatmates and repentant singletons of No. 66 fall in and out of love, clutch at and drop secrets, laugh, cry and simply try to live, no one suspects the visitor patiently waiting in the wings. For soon, as the light slowly fades to dark, everything is going to change....

Unlike the rest of her family, Maggie Walsh has always done the right thing - that is until the day she leaves her husband and takes refuge with her friend Emily, a screenwriter in Los Angeles - a city where even the palm trees are skinny.

The corridor of the Fine Arts Building was deserted, save for two figures at the far end, two men approaching slowly. Rose was about to go into the classroom, where she'd left her purse, when she saw a sign on the door - a crude sign in pencil, on a ragged sheet of paper. "Collapse of Western Civilization - Dr. Norbert Beilstein," it said. "Visitors welcome."

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.