Literary Humor

Twenty years ago, Abigail Sorenson’s brother Robert went missing one day before her 16th birthday, never to be seen again. That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams. Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse.

At fifty-three, Maggie Harris has a good marriage and two mostly happy children. Perpetually anxious, she’s also accumulated a list of semi-reasonable fears: falling air conditioners, the IRS, identity theft, skydiving, and airbag recalls. But never once did Maggie worry that her husband of nearly thirty years would leave her.

Shandee finds a friendly arm at a granite quarry. Ned drops down a hole in a golf course. Luna meets a man made of light bulbs at a tanning parlor. So begins Nicholson Baker's fuse-blowing, sex-positive escapade, House of Holes. Baker returns to erotic territory with a gleefully over-the-top novel set in a pleasure resort, where normal rules don't apply. Brimful of good-nature, wit, and surreal sexual vocabulary, this is a modern-day Hieronymous Boschian bacchanal that is sure to surprise, amuse, and arouse.

And...she's off. Eighty-year-old Herra Bjornsson, one of the most original narrators in literary history, takes listeners along with her on a dazzling ride of a novel that spans the events and locales of the 20th century. As she lies alone in that garage in the heart of Reykjavik, waiting to die, Herra reflects - in a voice by turns darkly funny, bawdy, poignant, and always, always smart - on the mishaps, tragedies, and turns of luck that took her from Iceland to Nazi Germany, from the United States to Argentina and back to a post-crash, high-tech, modern Iceland.

This wickedly fun debut is a stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives intertwine over the course of a summer, by a sharp new voice in fiction.

Guy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: Complacency, greed, corruption, and idiocy. Determined to "make it hot for people," Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom.

It was, maybe, the first job I'd ever had where people were happy to see me. An odd feeling indeed, to wield this kind of power. To be this kind of force. As near to magical as any mortal should stride. A technician of unspeakable joy. Braving the neon mountains to return with blue raspberry concentrate. Tearing out sundae cone fangs from the mouths of snow beasts. And so on.

It is 1994, and in the desert near Tillman, Arizona, 40 miles from Tucson, a grand experiment involving the future of humanity is underway. As climate change threatens the Earth, eight scientists, four men and four women dubbed the Terranauts, have been selected to live under glass in E2, a prototype of a possible off-Earth colony. Their sealed three-acre compound comprises five biomes - rain forest, savanna, desert, ocean, and marsh - and enough wildlife, water, and vegetation to sustain them.

Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional.

Star baker Mattie has hated Christmas ever since she had her heart broken on Christmas Eve. The only thing she hates more is the insufferable Tom, who has rubbed her up the wrong way since she started running the tearoom next door to his bookshop. So when Mattie and Tom are left in charge in the frantic festive days before Christmas, it might be cold outside, but things are sure to heat up. Can a bookshop full of romantic novels, a life-size reindeer and a mistletoe kissing booth persuade two scrooges to fall in love with Christmas...and each other?

Sidi lives a hermetic life as a bee whisperer, tending to his beloved “girls” on the outskirts of the desolate North African village of Nawa. He wakes one morning to find that something has attacked one of his beehives, brutally killing every inhabitant. Heartbroken, he soon learns that a mysterious swarm of vicious hornets committed the mass murder - but where did they come from, and how can he stop them? If he is going to unravel this mystery and save his bees from annihilation, Sidi must venture out into the village and then brave the big city and beyond in search of answers.

Désirée, trop jeune veuve, va régulièrement sur la tombe de son mari. Au cimetière, elle rencontre "le mec de la tombe d'à côté", dont l'allure l'agace autant que le caveau tape-à-l’œil qu'il vient fleurir. Depuis la mort de sa mère, Benny vit seul dans la ferme familiale. Il s'en sort comme il peut, grâce à une bonne dose d'humour. Chaque fois qu'il la voit, il s'énerve contre la nana qui s'assied sur le même banc de cimetière que lui.

Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingnue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.

For Mike Muñoz, a young Chicano living in Washington State, life has been a whole lot of waiting for something to happen. Not too many years out of high school and still doing menial work - and just fired from his latest gig as a lawn boy on a landscaping crew - he knows that he's got to be the one to shake things up if he's ever going to change his life. But how?

Kezia, Nathaniel, and Victor are reunited for the extravagant wedding of a college friend. Now at the tail end of their 20s, they arrive completely absorbed in their own lives - Kezia the second-in-command to a madwoman jewelry designer in Manhattan; Nathaniel the former literary cool kid, selling his wares in Hollywood; and the Eeyore-esque Victor, just fired from a middling search engine. They soon slip back into old roles: Victor loves Kezia. Kezia loves Nathaniel. Nathaniel loves Nathaniel.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Beth shows that women really can have it all. Ruby lives life by her own rules. And then there’s Lauren, living the dream. As perfect as it looks? Beth hasn’t had sex in a year. Ruby feels like she’s failing. Lauren’s happiness is fake news. And it just takes one shocking event to make the truth come tumbling out....

O. Henry wove several stories together into this highly episodic narrative, taking his title and inspiration from Lewis Carroll's ballad of the walrus and the carpenter in Through the Looking-Glass. The stories are set in the fictional country of Anchuria in Central America, a banana republic where larceny is rampant and revolution lurking in every impoverished back alley. O. Henry offers a cutting satire of contemporary politics and prejudices.

Cinderella married the man of her dreams - the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, 13 and a half years later, things have gone badly wrong, and her life is far from perfect. One night, fed up and exhausted, she sneaks out of the palace to get help from the witch who, for a price, offers love potions to disgruntled housewives. But as the old hag flings the last ingredients into the cauldron, Cinderella doesn't ask for a love spell to win back her Prince Charming. Instead, she wants him dead.

It is the dawn of the twentieth century when the beautiful, budding feminist Katherine Dexter falls in love with Stanley McCormick, son of a millionaire inventor. The two wed, but before the marriage is consummated, Stanley experiences a nervous breakdown and is diagnosed as a schizophrenic sex maniac. Locked up for the rest of his life at Riven Rock, the family's California mansion, Stanley is treated by a series of confident doctors determined to cure him.