Literary Humor

In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen - Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs - sit at night, none too patiently. It is October 23, 2018, and they are expecting Maurice's estranged daughter, Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals, and serial exiles.

“Begins here first account of operative me, agent number 67 on arrival Midwestern American airport greater _____ area. Flight _____. Date _____. Priority mission top success to complete. Code name: Operation Havoc.” Thus speaks Pygmy, one of a handful of young adults from a totalitarian state sent to the United States, disguised as exchange students, to live with typical American families and blend in, all the while planning an unspecified act of massive terrorism.

Past Imperfect is the story of a quest. Damian Barker wishes to know if he has a living heir. By the time he married in his late 30s he was sterile (the result of adult mumps), but what about before that unfortunate illness? He was not a virgin. Had he sired a child? A letter from a girlfriend from these times suggests he did. But the letter is anonymous.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

Brilliant designer Miko Jin has spent most of her life falling in love over and over again...with the men she finds in the pages of her favorite novels. When Miko meets Liam Ashton, it’s love at first sight. At least, for her. Sure, the two of them are polar opposites, and yes, he seems to be dating someone new each week.

Mrs. Sookie Poole of Point Clear, Alabama, has just married off the last of her daughters and is looking forward to relaxing and perhaps traveling with her husband, Earle. The only thing left to contend with is her mother, the formidable Lenore Simmons Krackenberry. Lenore may be a lot of fun for other people, but is, for the most part, an overbearing presence for her daughter. Then one day, quite by accident, Sookie discovers a secret about her mother's past that knocks her for a loop and suddenly calls into question everything she ever thought she knew about herself, her family, and her future.

Mark Renton is finally a success. An international jet-setter, he now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms and broken relationships have left him dissatisfied with his life. He's then rocked by a chance encounter with Frank Begbie, from whom he'd been hiding for years after a terrible betrayal and the resulting debt. But the psychotic Begbie appears to have reinvented himself as a celebrated artist and - much to Mark's astonishment - doesn't seem interested in revenge.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

The holiday film A Christmas Story, first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family's typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It's a Wonderful Life and Miracle on 34th Street.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Years after the events of The House of God, the Fat Man has been given leadership over a new Future of Medicine Clinic at what is now only Man's 4th Best Hospital, and has persuaded Dr. Roy Basch and some of his intern cohorts to join him to teach a new generation of interns and residents. In a medical landscape dominated by computer screens and corrupted by money, they have one goal: to make medicine humane again.

Eighteen years old, pregnant, and working as a pizza delivery girl in suburban Los Angeles, our charmingly dysfunctional heroine is deeply lost and in complete denial. She's grieving the death of her father, avoiding her supportive mom and loving boyfriend, and flagrantly ignoring her future.

Domestic bliss seems in short supply at 44 Scotland Street. Over at the Pollocks', dad, Stuart, is harbouring a secret about a secret society and Bertie is feeling kind of blue. Having had enough of his neurotic hot-housing mother, he puts himself up for adoption on eBay. Will he go to the highest bidder or will he have to take matters into his own hands? Will the lovelorn Big Lou find true love on the Internet? And will Angus Lordie and Domenica make it up the aisle? Catch up with all your favorite faces down in 44 Scotland Street as we follow their daily pursuit of a little happiness.

Thirty-two-year-old actor Stephen C. McQueen (no, not that Steve McQueen) is waiting for his big break. His only screen credits so far are playing dead bodies on cop and doctor shows. At the moment, he's paying the rent by understudying hot movie star Josh Harper, who's trying to gain dramatic credibility in a West End play. If only Josh would miss a performance, Stephen-with-a-P-H could prove his talent and redeem himself in the eyes of his disapproving ex-wife and their precocious seven-year-old daughter.

Harry Christmas is unable to cope with the death of his wife and has been bouncing from one bad decision to the next. After a terrifying assault by the son of a woman he has conned, he makes up his mind to leave the country. Now Harry Christmas is on the run.

Cutter, a hard-working woman who makes her living waiting tables and writing obits, is determined to sabotage the sale of her family's dilapidated ancestral home. Every time a potential buyer comes calling, she makes every effort to play down any possible charm that might be found within the crumbling walls.

Mark Robarts, a young vicar, is newly arrived in the village of Framley. With ambitions to further his career, he seeks connections in the county's high society. He is soon preyed upon by a local member of parliament to guarantee a substantial loan, which Mark, in a moment of weakness, agrees to, even though he knows the man is a notorious debtor; it brings Mark to the brink of ruin.

Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist, eco-warrior novel American Mermaid becomes a best-seller. But when Hollywood insists she convert her fierce, androgynous protagonist into to a teen sex object in a clamshell bra, strange things start to happen. Is Penelope losing her mind, or has her fictional mermaid come to life, enacting revenge against society’s limited view of what a woman can and should be?

What drives someone to murder? Logan McRae's personal history is hardly squeaky clean, but now that he works for Professional Standards he's policing his fellow officers. When Detective Inspector Bell turns up dead in the drivers seat of a crashed car, it's a shock to everyone. Because Bell died two years ago. They buried him. Or they thought they did. As an investigation is launched into Bell's stabbing, Logan digs into his past. Where has he been all this time? Why did he disappear? And what's so important that he felt the need to come back from the dead?