Literary Humor

Ted Fullilove, aka Mr. Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery-operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise-filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent.

A Pulitzer Prize finalist and winner of the National Book Critics Circle Award, New York Times best-selling author Dave Eggers is the voice of a generation. This stunning collection of his matchless short fiction includes the highly acclaimed “The Only Meaning of Oil-Wet Water.”

Numero Zero is the feverish and delightfully readable tale of a ghostwriter in Milan whose work pulls him into an underworld of media politics and murderous conspiracies (involving the cadaver of Mussolini's double, naturally). This novel is vintage Eco - corrupt newspapers, clandestine plots, imaginary histories - and will appeal to his many readers and earn him legions of new ones.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

Middle-aged, married, but living on his own, Prin has lost his way. Desperate for money and purpose, he moves to small-town Indiana to work for an evangelical millionaire who’s building a theme park inspired by Dante’s Inferno. He quickly becomes involved in the difficult lives of his co-workers and in the wider struggles of their opioid-ravaged community while trying to reconcile with his distant wife and distant God. Both projects spin out of control, and when a Black teenager is killed, creationists, politicians and protesters alike descend.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Original, honest and thought-provoking, Roar is Cecelia Ahern's unforgettable story collection. With her trademark honesty, Cecelia Ahern gives us 30 linked stories, all titled 'The Woman Who...', that capture the different facets of women's lives. Humorous, moving, surreal and poignant, the stories capture the moments the characters are overwhelmed by guilt, confusion, frustration, intimidation, exhaustion - the private moments when they feel the need to roar.

Freshly disengaged from her fiancé and feeling that life has not turned out quite the way she planned, 30-year-old Ruth quits her job, leaves town, and arrives at her parents' home to find that situation more complicated than she'd realized. Her father, a prominent history professor, is losing his memory and is only erratically lucid. Ruth's mother, meanwhile, is lucidly erratic.

You’ve never seen romance do this before. So brutally honest and breathtakingly perverse you’ll want to throw this book at the wall, but you’ll also want to know if it can possibly get any more disturbing (it can and it does). And as you start to wonder whether men and women were ever even meant to be together, a surprise ending brings the trilogy full circle and provides unexpected closure to an issue raised by a certain photographer's assistant in the first book. Eunuchs and Nymphomaniacs is about how we love today and how increasingly we try to avoid it altogether.

Thirty-two-year-old actor Stephen C. McQueen (no, not that Steve McQueen) is waiting for his big break. His only screen credits so far are playing dead bodies on cop and doctor shows. At the moment, he's paying the rent by understudying hot movie star Josh Harper, who's trying to gain dramatic credibility in a West End play. If only Josh would miss a performance, Stephen-with-a-P-H could prove his talent and redeem himself in the eyes of his disapproving ex-wife and their precocious seven-year-old daughter.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

Benedict is an inventor whose life’s work is a clean energy machine. It has just made him an overnight sensation and his family is suddenly wealthy. Benedict’s wife, Karen, and his teenage daughters, Charlotte and Poppy, are proud of him. But there are problems Benedict is too busy to see: Karen is deeply unhappy in the marriage and contemplating an affair, Charlotte, who is dealing with a chronic illness, is growing more and more distant, and Poppy is cracking under the pressures of her social circle. And there’s another problem.

New York Times best-selling author Bruce Wagner is also a PEN/Faulkner Award finalist and a notable contributor to the New Yorker and Vanity Fair. With Dead Stars, Wagner delivers uproarious and sharply critical views on the sex- and money-obsessed world of Hollywood through the story of Telma, a 13-year-old girl who’s also the world’s youngest breast cancer survivor. A regular at pink-tie charity events and private lunches, Telma has come to enjoy her fame—so she’s not pleased to learn another young girl is about to break her record.

Maud Drennan is a dedicated caretaker, but her sunny, capable disposition and snappy quips mask a deep sadness. A tragic childhood event left her in the company of a cast of patron saints who pop in and out of her life like unwelcome tourists. She tries to find solace in her hard work in London...but then she meets the inimitable Mr. Flood. A menace by all accounts, Cathal Flood is a widower living alone in a Gothic Dorset mansion crawling with collector's items and feral cats.

Hazel has just moved into a trailer park of senior citizens, with her father and Diane - his extremely lifelike sex doll - as her roommates. Life with Hazel's father is strained at best, but her only alternative seems even bleaker. She's just run out on her marriage to Byron Gogol, CEO and founder of Gogol Industries, a monolithic corporation hell-bent on making its products and technologies indispensable in daily life.

Behind every assassination, there is an anonymous mastermind - a plotter - working in the shadows. Plotters quietly dictate the moves of the city's most dangerous criminals, but their existence is little more than legend. Reseng is an assassin. Raised by a cantankerous killer named Old Raccoon in the crime headquarters "The Library", Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans.

Josh Levin is an aspiring screenwriter teaching ESL classes in Chicago. His laptop is full of ideas, but the only one to really take root is Zombie Wars. When Josh comes home to discover his landlord, an unhinged army vet, rifling through his dirty laundry, he decides to move in with his girlfriend, Kimmy. It's domestic bliss for a moment, but Josh becomes entangled with a student, a Bosnian woman named Ana, whose husband is jealous and violent. Disaster ensues, and as Josh's choices move from silly to profoundly absurd, The Making of Zombie Wars takes on real consequence.

The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie's phantasmagoric epic of an unnamed country that is "not quite Pakistan". In this dazzling tale of an ongoing duel between the families of two men - one a celebrated wager of war, the other a debauched lover of pleasure - Rushdie brilliantly portrays a world caught between honor and humiliation.

Grace has what one might call a 'full and interesting life', which is code for not married and has no kids. Her life is the envy of her straight friends, but all this time she has been waiting in secret for love to hit her so hard that she would run out of breath, like the way a wave in a rough sea bowls you over, slams you into the sand and nearly drowns you.

Set in the San Francisco of 2013, I Hate the Internet offers a hilarious and obscene portrayal of life among the victims of the digital boom. As billions of tweets fuel the city's gentrification and the human wreckage piles up, a group of friends suffers the consequences of being useless in a new world that despises the pointless and unprofitable. In his first full-length novel, Jarett Kobek tackles the pressing questions of our moment.