Literary Humor

The rural town of Stockton, New York, is famous for nothing: No one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there. To begin again. To start anew. But it isn't quite working out that way.

Contemptuous of their parents, who pass their days in a stupor of liquor, drugs, and sex, the children feel neglected and suffocated at the same time. When a destructive storm descends on the summer estate, the group's ringleaders - including Eve, who narrates the story - decide to run away, leading the younger ones on a dangerous foray into the apocalyptic chaos outside.

Aspiring novelist Molly MacGregor’s life is strikingly different from a literary heroine’s. Named for one of literature’s least romantic protagonists, Moll Flanders, Molly lives in Edmonton, a city she finds irredeemably unromantic, where she writes university term papers instead of novels, and sells shoes in the Largest Mall on Earth. There she seeks the other half of her young life’s own matched pair.

Simon and Caroline are back for another round of baking, banging, and big life changes. Settling in, but never settling down, Caroline has finally struck a balance between the professional and the personal. As one of the top interior designers in San Francisco, she travels all over Northern California between nook time with Simon.

Eleanor knows she's a mess. But today she will tackle the little things. She will shower and get dressed. She will have her poetry and yoga lessons after dropping off her son, Timby. She won't swear. She will initiate sex with her husband, Joe. But before she can put her modest plan into action - life happens. Today, it turns out, is the day Timby has decided to fake sick to weasel his way into his mother's company. It's also the day Joe has chosen to tell his office - but not Eleanor - that he's on vacation.

It is an April day in the year 2000 and an era is about to end, those booming times of market optimism when the culture boiled with money and corporations seemed more vital and influential than governments.

May We Be Forgiven, a darkly comic novel of 21st-century domestic life, stars Harold Silver, a historian who's always been jealous of his successful brother, George. But when the hot-tempered George is institutionalized for committing a violent act, Harold finds himself comforting his brother's wife and children. What follows is a scathing examination of a family so fractured it may never be whole again.

Edward St. Aubyn's Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award in this witty audiobook.

Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyperliberal pond. Caught between the prosaic values of his rural hometown and the intellectualized, multicultural cosmopolitanism of Berzerkeley, the 19-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends.

Dan Starkey is a young journalist in Belfast, who shares with his wife, Patricia, a prodigious appetite for drinking and dancing. Then Dan meets a beautiful and apparently impoverished student. And then, terrifyingly, she is murdered. Is it because she was not exactly who she claimed to be? Is it the IRA? A Protestant extremist group? A jealous lover? Before long, Dan is a target himself.…

When Scat comes up with an idea for the hottest new soda ever, he's sure he'll retire as the next savvy marketing success story. But in the treacherous waters of corporate America, there are no sure things. Suddenly Scat finds himself scrambling to save not only his idea, but his yet-to-be-realized career. With the help of a scarily beautiful and brainy girl called 6, he sets out on a mission to reclaim the fame and fortune that, time and again, elude him.

From bourgeois facial-hair trends to parental sleep deprivation, Joseph O’Neill closely observes the mores of his characters, whose vacillations and second thoughts expose the mysterious pettiness, underlying violence, and, sometimes, surprising beauty of ordinary life in the early 21st century. A lonely wedding guest talks to a goose; two poets struggle over whether to participate in a “pardon Edward Snowden” verse petition; a cowardly husband lets his wife face a possible intruder in their home; a potential co-op renter in NYC can’t find anyone to give him a character reference.

Gussie Fink-Nottle can't quite find the pluck to ask the girl of his dreams to marry him. He consults Jeeves of course. But Bertie, feeling his lemon just as supple as his manservant's, steps in and takes over the case. What follows is a torrent of hilarious hijinks, as only PG Wodehouse can deliver.

Weighing in at 320 pounds, Winston "Tuffy" Foshay, is an East Harlem denizen who breaks jaws and shoots dogs and dreams of millions from his idea, Cap'n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and his wife, Yolanda, he married from jail over the phone. Shrewdly comical as this dazzling novel is, it turns acerbically sublime when the frustrated Tuffy agrees to run for City Council.

For Mike Muñoz, a young Chicano living in Washington State, life has been a whole lot of waiting for something to happen. Not too many years out of high school and still doing menial work - and just fired from his latest gig as a lawn boy on a landscaping crew - he knows that he's got to be the one to shake things up if he's ever going to change his life. But how?

Sidi lives a hermetic life as a bee whisperer, tending to his beloved “girls” on the outskirts of the desolate North African village of Nawa. He wakes one morning to find that something has attacked one of his beehives, brutally killing every inhabitant. Heartbroken, he soon learns that a mysterious swarm of vicious hornets committed the mass murder - but where did they come from, and how can he stop them? If he is going to unravel this mystery and save his bees from annihilation, Sidi must venture out into the village and then brave the big city and beyond in search of answers.

Raised by vampyre relatives, Jane grows to resent the lifestyle's effect on her upbringing. No sunlight, nighttime hours, and a diet of bloody red meat is no way for a mortal girl to live. Things change for Jane when the ghost of her uncle visits her, imparts her parents' slayer history, and charges her with the responsibility of striking out to find others of her kind and learn the slayer ways.

Times are tough for young Jack McGreary in the American dust bowl. Living with his father, Jack is only getting by thanks to a solid repertoire of cons and scams. Everything gets shaken up, though, when shysters Virgil Ray and Miss Rose roll into town. Recognizing them as first-class scam artists, Jack gleefully joins their criminal band. Soon a budding romance between Jack and Miss Rose begins to bloom, but is it on the up-and-up?

Richard Brautigan was an original - brilliant and wickedly funny. His books resonated with the 1960s, making him an overnight counterculture hero. Dark, funny, and exquisitely haunting, his final book-length fiction explores the fragile, mysterious shadowland surrounding death. Told with classic Brautigan wit, poetic style, and mordant irony, An Unfortunate Woman assumes the form of a peripatetic journal chronicling the protagonist's travels and oblique ruminations on the suicide of one woman and the death of a close friend from cancer.

Story Easton knows the first line of every book, but never the last. She never cries, but she fakes it beautifully. And at night, she escapes from the failure of her own life by breaking into the homes of others, and feeling, for a short while, like a different, better person. But one night, as an uninvited guest in someone's empty room, she discovers a story sadder than her own: a boy named Cooper Payne, whose dream of visiting the Amazon rainforest died alongside his father.