Literary Humor

Karl, Eleanor, and their daughter, Irina, arrive from New York City in the wake of Karl's infidelity to start anew. Karl tries to stabilize his flailing art career. Eleanor, a successful commercial novelist, eagerly pivots in a new creative direction. Meanwhile, 12-year-old Irina becomes obsessed with the brutal murders that occurred in the house years earlier. And, secretly, so does her mother.

Willis Digby is the letters editor at Sis(Sisterhood) magazine, a job that drives her mad. Plowing through correspondence that fluctuates from the predictable boosterish boilerplate to letters challenging conventional notions of sanity, Willis struggles to find a balance in her selections for publication in the landmark feminist journal. As Digby strikes up an unconventional friendship with one of her correspondents, she also confronts a harrowing childhood incident that has come back to haunt her.

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?

Actor Matthew McConaughey descends into a surreal desert of the soul, an admirer of Miley Cyrus performs a 3,000-word sentence in defense of his passion, an aging porn star dons a dinosaur costume to film the sex scene of a lifetime, and Leonard Cohen shills for Subway: these mercurial and wildly varied stories explode the conventions of short fiction.

A confused and conflicted but not altogether angry young man shares his observations, disappointments, rants, and sexual desires in a revealing series of letters to an unnamed friend. Our hero wants to be a writer, but is stuck doing mind-numbing work for an unscrupulous encyclopedia publisher. He muddles through two engagements, one to a bright-eyed Catholic virgin, the other to a woman pregnant with another man’s child.

Meet the Knights of Creation, a group of artistic friends struggling with society's standards of beauty. Barb, a stunningly beautiful costume designer, chooses to don a fat suit in hopes that it will help her meet the man of her dreams - a man who can see beyond her looks. Lily, Barb's brilliantly talented, unfortunate-looking musician friend, goes to fantastic lengths to attract the shallow man she loves.

Manda is a 38-year-old, tough, sarcastic woman who has yet to make peace with the town she was brought to as a teenager after her parents' messy divorce. Her mother is estranged, her father is ill, her brother and stepbrother are emotionally distant and growing restless, and all the while, her tight-lipped and depressed husband is pressing her to have a baby. Full of barbed dialogue and macabre, deadpan descriptions of family dynamics and the awkward social dances performed daily, this novel depicts those who feel permanently out of place.

Fifteen-year-old Jacob feels almost on the inside: almost smart, almost funny, almost good-looking, almost worthy of falling in love. His sister is too busy dating guys in Whitesnake jackets to notice, and his best friend is occupied with his own painful pubescent crisis. Jacob's mother has just started a curious (and rather un-Christian) holy war with the church across the street, while his father has secretly moved into the garage.

Critically acclaimed author David Schickler made a splash with Kissing in Manhattan, a best-selling story collection that Booklist said is "magical" and "never ceases to amaze and impress". Now this gifted writer's extraordinary imagination produces a brazen novel that reads like Bonnie and Clyde meets Robin Hood.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Two auditors for the US egg industry go rogue and conceive a plot to steal a million chickens in the middle of the night - an entire egg farm's worth of animals. Janey and Cleveland - a spirited former runaway and the officious head of audits - assemble a precarious, quarrelsome team and descend on the farm on a dark spring evening. A series of catastrophes ensues.

From the rubble-strewn streets of US-occupied Baghdad, Hadi - a scavenger and an oddball fixture at a local café - collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed.

Charles Lumley feels that he has been born in captivity - the captivity of his smugly conventional bourgeois upbringing. Now he has just graduated from university, only to make the discouraging discovery that his education has rendered him unfit for any kind of useful employment. Wondering what to do with the rest of his life and longing to escape, a chance remark overheard in a pub sets him off on a picaresque and hilarious tour of 1950s Britain. He undergoes a string of comic misadventures as he works as a window cleaner, a drug trafficker, a hospital orderly, and a chauffeur.

Willie Shakespeare Greenberg is not living up to his name. It's 1986, and instead of finishing his thesis on the Bard, this grad student is saying "yes" to drugs, bedding coeds, and delivering a giant psychedelic mushroom to a mysterious collector. Meanwhile (or rather, back in 1582), would-be playwright William Shakespeare is an 18-year-old Latin teacher whose world is turned upside down when a stranger entrusts him with a sacred relic from Rome.

Under the Glacier represents Nobel laureate Halldor Laxness at his entertaining and brilliantly inventive best. Philosophy, theological speculation and charming wit combine to make this novel a timeless fable of modern times. A youthful emissary of the Bishop of Iceland travels to the beautiful and mysterious district of Snæfellsnes, locally known as "Under Glacier" to investigate the affairs of the parish and its enigmatic pastor.

Eloise Foley, known to her friends as Weezie, has been through the divorce from hell. Her ex-husband Tal (aka Talmadge Evans III) was awarded their house in Savannah's historic district, the house that Weezie had spent years painstakingly restoring to its original splendor. Weezie was awarded the two-bedroom carriage house on the same property. Each was sure the other would sell.

Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.

Mr. Mani is a deeply affecting six-generation family saga, extending from 19th-century Greece and Poland to British-occupied Palestine to German-occupied Crete and ultimately to modern Israel. The narrative moves through time and is told in five conversations about the Mani family. It ends in Athens in 1848 with Avraham Mani's powerful tale about the death of his young son in Jerusalem. A profoundly human novel, rich in drama, irony, and wit.

Alors qu’un typhon menace la baie de Hong Kong, la brigade policière de Jackie Thran encercle la cave à vin la plus sécurisée du monde, installée dans d’anciens bunkers de l’armée britannique. Un trio de braqueuses, aux agissements excentriques, s’y est infiltré et retient en otage l’impressionnant stock de M. Coetzer, estimé à trois cent cinquante millions de dollars…Revisitant avec brio les codes du film de braquage, Céline Minard signe un roman drôle et explosif, où la subversion se mêle à l’ivresse.

Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional.