Literary Humor

In his long-awaited new novel, Norman Rush, author of three immensely praised books set in Africa, including the best-selling classic and National Book Award-winner Mating, returns home, giving us a sophisticated, often comical, romp through the particular joys and tribulations of marriage, and the dilemmas of friendship, as a group of college friends reunites in upstate New York 20-some years after graduation. When Douglas, the ringleader of a clique of self-styled wits of "superior sensibility" dies suddenly, his four remaining friends are summoned to his estate high in the Catskills to memorialize his life and mourn his passing.

"I think the Cosmopolis is a bally rotten hotel!" Having made a bitter enemy of Daniel Brewster, owner of New York's Hotel Cosmopolis, Archie Moffam (fresh from England) checks out and heads south, where he woos and weds one Lucille Brewster...little thinking. Back at the Hotel Cosmopolis, Archie once again finds himself confronted by Mr. Brewster, who resembles nothing so much as a "man-eating fish." And then the fun begins...

Lacey Yeager is young, captivating, and ambitious enough to take the New York art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights - and, at times, the dark lows - of the art world and the country from the late 1990s through today.

In her best-selling debut, Commencement, J. Courtney Sullivan explored the complicated and contradictory landscape of female friendship. Now, in her highly anticipated second novel, Sullivan takes us into even richer territory. For the Kellehers, Maine is a place where children run in packs, showers are taken outdoors, and old Irish songs are sung around a piano. By turns wickedly funny and achingly sad, Maine unveils the sibling rivalry, alcoholism, social climbing, and Catholic guilt at the center of one family, along with the abiding, often irrational love that keeps them coming back....

Glue is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences, and the secrets that hold them together into their 30s. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer, driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally, who seems to find catastrophe at every corner.

One day, sitting in traffic, Stella Sweeney attempts a good deed. The resulting car crash changes her life. But in this event is born the seed of something which will take Stella thousands of miles from her old life, turning an ordinary woman into a superstar, wrenching her whole family apart. For the first time real, honest-to-goodness happiness is just within her reach. But is Stella Sweeney, Dublin housewife, ready to grasp it?

Guy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: Complacency, greed, corruption, and idiocy. Determined to "make it hot for people," Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom.

For almost four decades, Bartholomew Neil has done nothing but live with his mom. When she begins calling him Richard - for reasons unknown - and then dies, Bartholomew is woefully unprepared.”

Benedict is an inventor whose life’s work is a clean energy machine. It has just made him an overnight sensation and his family is suddenly wealthy. Benedict’s wife, Karen, and his teenage daughters, Charlotte and Poppy, are proud of him. But there are problems Benedict is too busy to see: Karen is deeply unhappy in the marriage and contemplating an affair, Charlotte, who is dealing with a chronic illness, is growing more and more distant, and Poppy is cracking under the pressures of her social circle. And there’s another problem.

The Corrections is a grandly entertaining novel for the new century - a comic, tragic masterpiece about a family breaking down in an age of easy fixes. Richly realistic, darkly hilarious, deeply humane, it confirms Jonathan Franzen as one of our most brilliant interpreters of American society and the American soul.

Jan Nyman, the ace detective of the covert operations unit of the National Central Police, is sent to a sleepy seaside town to investigate a mysterious death. Nyman arrives in the town dominated by a bizarre holiday village - the ‘hottest beach in Finland’. The suspect: Olivia Koski, who has only recently returned to her old hometown. The mission: find out what happened, by any means necessary.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

Meet Tom. Or Dr O’Grady, as he used to be called. When you pass him on the street, most people don’t even give him a second glance. You see, Tom isn’t living his best life. Burdened by grief, he’s only got his loyal dog, Bette Davis, for company and a rucksack containing his whole world. Then there’s Ruth and her son, DJ, who no longer have a place to call home. But Ruth believes that you can change the world by helping one person at a time - and Tom needs her help. There are a thousand ways to find your home - you just need to be brave enough to look for them.

June 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book.

At fifty-three, Maggie Harris has a good marriage and two mostly happy children. Perpetually anxious, she’s also accumulated a list of semi-reasonable fears: falling air conditioners, the IRS, identity theft, skydiving, and airbag recalls. But never once did Maggie worry that her husband of nearly thirty years would leave her.

Développez votre culture générale et profitez du plaisir de la narration, avec une sélection de nouvelles par les plus grands écrivains, choisies pour leur qualité et aussi pour leur caractère inhabituel. Cette collection vous emmènera du fantastique au désespoir de l'artiste ou de l'écrivain jusqu'à l'humour surréel, avec une narration vivante et talentueuse.

Joy Bergman is not slipping into old age with the quiet grace her children, Molly and Daniel, would prefer. She won't take their advice, and she won't take an antidepressant. Her marriage to their father, Aaron, has lasted through health and dementia, as well as some phenomenally lousy business decisions. The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don't just grow, they grow old.

Garrison Keillor's latest book is about the wedding of a girl named Dede Ingebretson, who comes home from California with a guy named Brent. Dede has made a fortune in veterinary aromatherapy; Brent bears a strong resemblance to a man wanted for extortion who's pictured on a poster in the town's post office. Then there's the memorial service for Dede's aunt Evelyn, who led a footloose and adventurous life after the death of her husband 17 years previously.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the 20th and 21st centuries.