Literary Humor

It's everyday business when Wattles, the San Fernando Valley's top "executive crook", sets up a hit. He establishes a chain of criminals to pass along the instructions and the money, thereby ensuring that the hitter doesn't know who hired him. Then one day Wattles finds his office safe open and a single item missing: the piece of paper listing the crooks in the chain. When people associated with the chain begin to pop up dead, the only person Wattles can turn to for help is Junior Bender, professional burglar and begrudging private eye for crooks.

Domestic bliss seems in short supply at 44 Scotland Street. Over at the Pollocks', dad, Stuart, is harbouring a secret about a secret society and Bertie is feeling kind of blue. Having had enough of his neurotic hot-housing mother, he puts himself up for adoption on eBay. Will he go to the highest bidder or will he have to take matters into his own hands? Will the lovelorn Big Lou find true love on the Internet? And will Angus Lordie and Domenica make it up the aisle? Catch up with all your favorite faces down in 44 Scotland Street as we follow their daily pursuit of a little happiness.

Meet Tom. Or Dr O’Grady, as he used to be called. When you pass him on the street, most people don’t even give him a second glance. You see, Tom isn’t living his best life. Burdened by grief, he’s only got his loyal dog, Bette Davis, for company and a rucksack containing his whole world. Then there’s Ruth and her son, DJ, who no longer have a place to call home. But Ruth believes that you can change the world by helping one person at a time - and Tom needs her help. There are a thousand ways to find your home - you just need to be brave enough to look for them.

Diary takes the form of a "coma diary" kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide attempt. It is a dark, hilarious, and poignant act of storytelling from America's favorite, most inventive nihilist.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

A small Midwestern town is having an identity crisis: should they have a new techno-savvy name or a name honoring the freedmen who founded the town? Or is the current name just fine? They call in a professional naming consultant, famous for naming Apex bandages, guaranteed to match any skin color. But even he is losing his faith in monikers.

Ray Welter, who was until recently a high-flying advertising executive in Chicago, has left the world of newspeak behind. He decamps to the isolated Scottish Isle of Jura in order to spend a few months in the cottage where George Orwell wrote most of his seminal novel, Nineteen Eighty-Four. Ray is miserable and quite prepared to make his troubles go away with the help of copious quantities of excellent scotch.

It's 1957, long before computers have replaced the skillful eye and hand, and our narrator at State U is determined to major in Art. After several false starts, he ends up by accident in a new class called "Introduction to Graphic Design," taught by the enigmatic professor Winter Sorbeck - equal parts genius, seducer, and sadist. Sorbeck is a bitter yet fascinating man whose assignments hurl his charges through a gauntlet of humiliation and heartache, shame and triumph, ego-bashing and enlightenment.

Laugh-out-loud funny and deeply touching, Beth Hoffman's sparkling debut is, as Kristin Hannah says, "packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart." It is a novel that explores the indomitable strengths of female friendship and gives us the story of a young girl who loses one mother and finds many others.

I've known Death a long time but now Death knows me. When their idyllic childhood is shattered by the sudden death of their parents, siblings Marty, Liz and Jules are sent to a bleak state boarding school. Once there, the orphans' lives change tracks: Marty throws himself into academic life; Liz is drawn to dark forms of escapism; and Jules transforms from a vivacious child to a withdrawn teenager.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

In late 2007, as the world’s economy crumbles, the remarkably unremarkable Milton Ontario - not to be confused with Milton, Ontario - leaves his parent’s basement in Saskatchewan and sets forth to find fame, fortune, and love in the electric sexuality of Montreal, to bask in endless Millennial adolescence, to escape the infinite flatness of Saskatchewan, and to find his messiah: Leonard Cohen.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

I got the call. The dreaded call every child fears. My dad wasn't well, and the man who had always been my everything needed me. There was only one thing to do: pack up and head back to my small hometown. I had finally made my dream life in the city, with the great job and loving boyfriend. But was there really a choice not to go?

This is a darkly hilarious coming-of-age novel and a richly plotted suspense tale told through the distinctive voice of its heroine, Blue van Meer. After a childhood spent moving from one academic outpost to another with her father, Blue is clever and possessed of a vast lexicon of knowledge. But when a drowning and the shocking death of a teacher lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide - or misguide - her.

Hear Dickens' gift for social commentary in this classic story of the poor orphan, Oliver. In this time-tested classic, Dickens aimed to expose the filth of the London underworld as well as attack the inhumanity of the New Poor Law of 1834. This audiobook is a stunning performance by the award-winning Miriam Margolyes, who is considered one of the most knowledgeable and brilliant actors and interpreters of Dickens.

A chance meeting on a train brought together Lord Ickenham and Bill Oakshott, although being told that the love of his life, Hermione, was engaged to none other than Pongo, Lord Ickenham's nephew, did not make Bill feel like he'd been struck behind the ear. And what with the usual amount of stirring goings-on at Ashendon Manor that include biffings and black eyes and duckings in duck ponds, is there any chance that it will ever work out for poor Bill?

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.