Literary Humor

Things on board the R.M.S. Atlantic are terribly, terribly complicated... Monty Bodkin loves Gertrude, who thinks he likes Lotus Blossom, a starlet, who definitely adores Ambrose, who thinks that she has a thing for his brother, Reggie, who is struck by Mabel Spence, sister-in-law of Ikey Llewellyn (movie mogul, Ambrose's prospective employer and reluctant smuggler), but hasn't the means to marry her.

For a nation that elected Barack Obama as president, here is the first novel of the new era: The Mere Future, by award-winning novelist, activist, and playwright Sarah Schulman, set in a utopian (or is it dystopic?) future vision of New York City. The city has morphed into what appears to be an idealized version of itself, the result of what the new mayor calls "The Big Change," in which rent is cheap, homelessness is a thing of the past, and the only job left is marketing.

A. Huli, beautiful and curiously foxlike, works as a classy prostitute in Moscow's premier hotels, until one client goes inexplicably and fatally berserk at the sight of her and she has to leave in a hurry. Forced to advertise on the Internet, she comes to the attention of an intelligence officer who also happens to be a werewolf.

Roland Merullo's playful, eloquent, and life-affirming novel finds the Pope and the Dalai Lama teaming up for an unsanctioned road trip through the Italian countryside to rediscover the everyday joys of life that can seem, even for the two holiest men in the world, unattainable.

What if the history of the transatlantic slave trade had been reversed and Africans had enslaved Europeans? How would that have changed the ways that people justified their inhuman behavior? How would it inform our cultural attitudes and the insidious racism that still lingers today? We see this tragicomic world turned upside down through the eyes of Doris, an Englishwoman enslaved and taken to the New World, movingly recounting experiences of tremendous hardship and the dreams of the people she has left behind, all while journeying toward an escape into freedom.

Sideways is the story of two friends, Miles and Jack, going away together for the last time to steep themselves in everything that makes it good to be young and single: pinot, putting, and prowling bars. In the week before Jack plans to marry, the pair heads out from Los Angeles to the Santa Ynez wine country.

Meet Rose Feller. She's 30 years old and a high-powered attorney with a secret passion for romance novels. She dreams of a man who will slide off her glasses, gaze into her eyes, and tell her that she's beautiful. She also dreams of getting her fantastically screwed-up little sister to get her life. together. Meet Rose's sister, Maggie. Twenty-eight years old, drop-dead gorgeous and only occasionally employed. Although her dreams of big-screen stardom haven't progressed, Maggie dreams of fame and fortune - and of getting her dowdy big sister to stick to a skin-care regime.

Glue is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences, and the secrets that hold them together into their 30s. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer, driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally, who seems to find catastrophe at every corner.

Named as one of the New York Times Year’s Ten Best upon its publication, Gary Shteyngart’s Absurdistan is a biting, poignant satire of American-style democracy and the American Dream. After returning to Russia to attend his father’s funeral, 30-year-old Misha is subsequently denied a visa when he attempts to re-enter the United States.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

Eleanor knows she's a mess. But today she will tackle the little things. She will shower and get dressed. She will have her poetry and yoga lessons after dropping off her son, Timby. She won't swear. She will initiate sex with her husband, Joe. But before she can put her modest plan into action - life happens. Today, it turns out, is the day Timby has decided to fake sick to weasel his way into his mother's company. It's also the day Joe has chosen to tell his office - but not Eleanor - that he's on vacation.

In this unforgettable work of fiction, Donald Ray Pollock peers into the soul of a tough Midwestern American town to reveal the sad, stunted, but resilient lives of its residents. Spanning a period from the mid-'60s to the late '90s, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are woebegone, baffled, and depraved - but irresistibly, undeniably real. Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump at the listener with inexorable force.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Jeeves and Wooster never disappoint on audio and these unabridged stories are of course no exception. Wodehouse/Jarvis deliver another excellent audio collection featuring all your favourite characters, not forgetting our intrepid duo of course! Full Story Listings: 1. Jeeves and the Impending Doom, 2. The Inferiority Complex of Old Sippy, 3. Jeeves and the Yule-Tide Spirit, 4. Jeeves and the Song of Songs, 5. Episode of the Dog McIntosh, and 6. The Spot of Art

When 27-year-old Bette Robinson quits her Manhattan banking job, she knows she won't miss the 80-hour workweeks, her claustrophobic cubicle or her revolting boss's Quotes of the Day. Then Bette meets Kelly, head of Manhattan's hottest PR and events planning firm, and suddenly she has a brand-new job where the primary requirement is to see and be seen. The work at Kelly & Company takes Bette inside the VIP rooms of the city's most exclusive nightclubs, to parties crowded with celebrities and socialites.

At fifty-three, Maggie Harris has a good marriage and two mostly happy children. Perpetually anxious, she’s also accumulated a list of semi-reasonable fears: falling air conditioners, the IRS, identity theft, skydiving, and airbag recalls. But never once did Maggie worry that her husband of nearly thirty years would leave her.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.

Sex is forbidden at the Dasgupta Institute, the Buddhist retreat where Beth Marriot has taken refuge, and that's a big advantage. Beth has been working as a server, assisting in the kitchen and helping out - discreetly, so the meditators aren't disturbed. The meditators are making big sacrifices to come here and change their lives. So the servers must observe the rules, and silence and separation of the sexes are chief among them.

Willis Digby is the letters editor at Sis(Sisterhood) magazine, a job that drives her mad. Plowing through correspondence that fluctuates from the predictable boosterish boilerplate to letters challenging conventional notions of sanity, Willis struggles to find a balance in her selections for publication in the landmark feminist journal. As Digby strikes up an unconventional friendship with one of her correspondents, she also confronts a harrowing childhood incident that has come back to haunt her.