Literary Humor

Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents' wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her step-father, stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time. Then there's Violet Devohr, Zee's great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.

Literary agent Barbara Ragg has agreed to represent a man writing a book about his experiences hanging out with the Abominable Snowman. Terence Moongrove’s residence has become the target of New Age cosmologists. And pint-sized terrier Freddie de la Hay is being recruited by MI6 to infiltrate a Russian spy ring.

Mindy Solomon absolutely has to leave Miami. Florida is bad for her head and her hair. She dreams of a dancing career on Broadway and moves to New York, but after a string of failures and mishaps, she realizes that she needs to rethink her grand plan. Finding herself spending way too much time in the comedy club where her future ex-boyfriend works, she nervously goes up onstage one night. People laugh. Not in the places where Mindy thought they would laugh, but hey, it's a start.

On the Ides of March, our hero, Raleigh Whittier Hayes (forgetful husband, baffled father, prosperous insurance agent, and leading citizen of Thermopylae, North Carolina), learns that his father has discharged himself from the hospital, taken all his money out of the bank and, with a young Black female mental patient, vanished in a yellow Cadillac convertible. Left behind is a mysterious list of seven outrageous tasks that Raleigh must perform in order to rescue his father and his inheritance.

The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find her own voice. It's about friendship and being female. It's bold and brilliant. It's searingly perceptive. It's about never following the herd. And everyone is going to be talking about it.

Valencia, a timid debt collector with crippling OCD, is afraid of many things, but the two that scare her most are flying and turning thirty-five. To confront those fears, Valencia’s therapist suggests that she fly somewhere - anywhere - before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem - he might not actually exist.

This is the tale of the happy but ill-fated Candide and his progressive disillusionment with the idea that we live in the best of all possible worlds. His tutor, Dr. Pangloss, embodies this philosophy of good cheer, even in the face of ever more absurd misfortunes. Luckily, Candide's other companions provide an over-supply of good sense.

One of Faulkner's comic masterpieces, The Reivers is a picaresque story that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucas Priest is persuaded by Boon Hogganbeck, one of his family's retainers, to steal his grandfather's car and make a trip to Memphis. The priests' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey.

More than three decades have passed since the events described in John Updike's The Witches of Eastwick. The three divorcées - Alexandra, Jane, and Sukie - have left town, remarried, and become widows. They cope with their grief and solitude as widows do: they travel the world, to such foreign lands as Canada, Egypt, and China, and renew old acquaintance. Why not, Sukie and Jane ask Alexandra, go back to Eastwick for the summer?

A dazzling urban satire of modern human relations? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed 30-something?

Born during the Cuban revolution in 1959, Yocandra learns that for a woman to survive in the world of communist machismo, she must use all her assets - her body, her wits, and most importantly, her ability to transform disillusionment into wonder.

May We Be Forgiven, a darkly comic novel of 21st-century domestic life, stars Harold Silver, a historian who's always been jealous of his successful brother, George. But when the hot-tempered George is institutionalized for committing a violent act, Harold finds himself comforting his brother's wife and children. What follows is a scathing examination of a family so fractured it may never be whole again.

Montese Crandall is a downtrodden writer whose rare collection of baseball cards won't sustain him, financially or emotionally, through the grave illness of his wife. Luckily, he swindles himself a job churning out a novelization of the 2025 remake of a 1963 horror classic, "The Crawling Hand." Crandall tells therein of the United States, in a bid to regain global eminence, launching at last its doomed manned mission to the desolation of Mars.

Marnie MacGraw wants an ordinary life - a husband, kids, and a minivan in the suburbs. Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes - just as Blix told her it would. When her marriage ends after two miserable weeks, Marnie is understandably shocked.

As a shaky truce between suburban gangsters starts to unravel, schlubby civilian Scott Clark has other things on his mind: if he can't afford to buy out his ex-father-in-law, Scott's about to lose the only house he's ever called home. In the red-hot urban housing market, he doesn't have a chance - until he and his best friends take the desperate measure of staging a fake drive-by shooting on the property to push down the asking price. But then Scott's mobster-posturing stunt attracts the attention of the real criminals.

Born in England in 1869, Stephen Leacock would immigrate to Canada and become a teacher, political scientist, and writer. He would ultimately come to be best known and loved as a humourist. Literary Lapses was first published as a collection of sketches in 1910, although many of the individual stories were first printed in various newspapers and periodicals, such as Punch, New York Life, and the Detroit Free Press.

Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D'Or. It is a place for starlets and would-be starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic of 1950s Hollywood, Desert D'Or is a moral proving ground, where men and women discover what they really want - and how far they are willing to go to get it.

The auto age is defunct. Buicks, Chryslers, and Pontiacs disfigure the landscape. Vines sprout in Manhattan. Wolves are seen in downtown Cleveland. And psychiatrist, mental hospital outpatient, and inventor Dr. Tom More has created a miraculous instrument: the ontological lapsometer, a kind of stethoscope of the human spirit. With it, he plans to cure mankind’s spiritual flu. But first, he must survive Moira, Lola, and Ellen - and discover why so many living people are actually dead.

Galahad Threepwood is causing scandal again...this time by deciding to NOT publish his potentially humiliating high-society memoirs. His decision causes rifts in the ranks at castle Blandings and all involved split into three camps: those who want the book suppressed, those who want it published, and those, who for some reason or another, that have been sent to steal it.

"Work," said Psmith, with simple dignity. "I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. "I shall not spare myself," he proceeded earnestly. "I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay."