Literary Humor

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Years after the events of The House of God, the Fat Man has been given leadership over a new Future of Medicine Clinic at what is now only Man's 4th Best Hospital, and has persuaded Dr. Roy Basch and some of his intern cohorts to join him to teach a new generation of interns and residents. In a medical landscape dominated by computer screens and corrupted by money, they have one goal: to make medicine humane again.

Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work has lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own miserable existence, news arrives that his good friend, a renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit box to Theo, however, the professor has set him on a quest of epic proportions.

Hector is very good at treating patients in need of his help. But he can’t do much for those who are simply dissatisfied with life, and that is beginning to depress him. When a patient tells him he looks in need of a vacation, Hector takes a trip around the world to learn what makes people happy—and sad. As he travels from Paris to China to Africa to the United States, he lists his observations about the people he meets. Is there a secret to happiness, and will Hector find it? Hector’s journey ventures around the globe and into the human soul.

Anatomie d'un mariage et d'une famille - les Berglund -, ce livre analyse les illusions, les déceptions et les compromis d'une génération de baby-boomers qui avaient rêvé un jour de changer le monde. Mais c'est aussi un acte d'accusation implacable à l'égard d'une nation qui a cessé depuis longtemps d'incarner ses propres valeurs. Qu'avons-nous fait de notre liberté ?, se demandent les personnages de Jonathan Franzen.

Domestic bliss seems in short supply at 44 Scotland Street. Over at the Pollocks', dad, Stuart, is harbouring a secret about a secret society and Bertie is feeling kind of blue. Having had enough of his neurotic hot-housing mother, he puts himself up for adoption on eBay. Will he go to the highest bidder or will he have to take matters into his own hands? Will the lovelorn Big Lou find true love on the Internet? And will Angus Lordie and Domenica make it up the aisle? Catch up with all your favorite faces down in 44 Scotland Street as we follow their daily pursuit of a little happiness.

Sur les conseils de son médecin qui s’inquiète de ses dérapages récents, Nicolas part deux mois loin de son travail, de sa femme et de ses enfants. Un vent de liberté souffle dans ses cheveux et lui donne envie de mordre dans la vie comme si c’était un beau gros beigne débordant de crème. Il voyage, fait des rencontres, tente de réconforter de vieux amis aussi mal en point que lui; tout ça ne peut que mal finir.

LOVE, DISHONOR, MARRY, DIE, CHERISH, PERISH leaps cities and decades as Rakoff sings the song of an America whose freedoms can be intoxicating, or brutal. The characters' lives are linked to each other by acts of generosity or cruelty.

Harry Christmas is unable to cope with the death of his wife and has been bouncing from one bad decision to the next. After a terrifying assault by the son of a woman he has conned, he makes up his mind to leave the country. Now Harry Christmas is on the run.

Mark Renton is finally a success. An international jet-setter, he now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms and broken relationships have left him dissatisfied with his life. He's then rocked by a chance encounter with Frank Begbie, from whom he'd been hiding for years after a terrible betrayal and the resulting debt. But the psychotic Begbie appears to have reinvented himself as a celebrated artist and - much to Mark's astonishment - doesn't seem interested in revenge.

For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US. We cannot, however, escape ourselves—even across deserts, bayous, and coastlines. From his strained relationship with Freddy to confronting his privilege, Arthur Less must eventually face his personal demons.

Actor Matthew McConaughey descends into a surreal desert of the soul, an admirer of Miley Cyrus performs a 3,000-word sentence in defense of his passion, an aging porn star dons a dinosaur costume to film the sex scene of a lifetime, and Leonard Cohen shills for Subway: these mercurial and wildly varied stories explode the conventions of short fiction.

When Adeline Bertrand-Verdon, the haughty, conniving president of the Proust Association, is murdered, Inspector Jean-Pierre Foucheroux is called on to lead the investigation. Soon Inspector Foucheroux is overwhelmed by a seemingly endless list of suspects: from her assistant to her colleagues, her fiancé to her lover, almost everyone Adeline knew had motive to kill her.

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief.

It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way, and everyone must do their bit. Young copywriter Catrin Cole is drafted into the Ministry of Information to help write women into propaganda films - something that the men aren't very good at. She is quickly seconded to the ministry's latest endeavor: a heartwarming tale of bravery and rescue at Dunkirk. It's all completely fabricated, of course, but what does that matter when the nation's morale is at stake?

Deputy sheriff Constance Kopp is outraged to see young women brought into the Hackensack jail over dubious charges of waywardness, incorrigibility, and moral depravity. The strong-willed, patriotic Edna Heustis, who left home to work in a munitions factory, certainly doesn't belong behind bars. And 16-year-old runaway Minnie Davis, with few prospects and fewer friends, shouldn't be publicly shamed and packed off to a state-run reformatory. But such were the laws - and morals - of 1916.

Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.

Alan Blair, the hero of Wake Up, Sir!, is a young, loony writer with numerous problems of the mental, emotional, sexual, spiritual, and physical variety. He's very good at problems. But luckily for Alan, he has a personal valet named Jeeves, who does his best to sort things out for his troubled master. And Alan does find trouble wherever he goes.

A producer. A novelist. An actress. It's summer 1968 - a time of war and assassinations, protests and riots. While the world is reeling, our trio is involved in making a disaster-plagued, Swingin' Sixties British movie in sunny Brighton. All are leading secret lives. As the movie shoot zigs and zags, these layers of secrets become increasingly more untenable. Pressures build inexorably. The FBI and CIA get involved.

Glue is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences, and the secrets that hold them together into their 30s. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer, driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally, who seems to find catastrophe at every corner.