Literary Humor

Anatomie d'un mariage et d'une famille - les Berglund -, ce livre analyse les illusions, les déceptions et les compromis d'une génération de baby-boomers qui avaient rêvé un jour de changer le monde. Mais c'est aussi un acte d'accusation implacable à l'égard d'une nation qui a cessé depuis longtemps d'incarner ses propres valeurs. Qu'avons-nous fait de notre liberté ?, se demandent les personnages de Jonathan Franzen.

From the rubble-strewn streets of US-occupied Baghdad, Hadi - a scavenger and an oddball fixture at a local café - collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

New York Times best-selling author Bruce Wagner is also a PEN/Faulkner Award finalist and a notable contributor to the New Yorker and Vanity Fair. With Dead Stars, Wagner delivers uproarious and sharply critical views on the sex- and money-obsessed world of Hollywood through the story of Telma, a 13-year-old girl who’s also the world’s youngest breast cancer survivor. A regular at pink-tie charity events and private lunches, Telma has come to enjoy her fame—so she’s not pleased to learn another young girl is about to break her record.

“Begins here first account of operative me, agent number 67 on arrival Midwestern American airport greater _____ area. Flight _____. Date _____. Priority mission top success to complete. Code name: Operation Havoc.” Thus speaks Pygmy, one of a handful of young adults from a totalitarian state sent to the United States, disguised as exchange students, to live with typical American families and blend in, all the while planning an unspecified act of massive terrorism.

This captivating tale by George Orwell serves as a powerful allegory, warning against the dangers of totalitarianism, and remains relevant even today.

Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist, eco-warrior novel American Mermaid becomes a best-seller. But when Hollywood insists she convert her fierce, androgynous protagonist into to a teen sex object in a clamshell bra, strange things start to happen. Is Penelope losing her mind, or has her fictional mermaid come to life, enacting revenge against society’s limited view of what a woman can and should be?

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

May We Be Forgiven, a darkly comic novel of 21st-century domestic life, stars Harold Silver, a historian who's always been jealous of his successful brother, George. But when the hot-tempered George is institutionalized for committing a violent act, Harold finds himself comforting his brother's wife and children. What follows is a scathing examination of a family so fractured it may never be whole again.

An absolute delight of a debut novel by William Kuhn - author of Reading Jackie: Her Autobiography in Books - Mrs Queen Takes the Train wittily imagines the kerfuffle that transpires when a bored Queen Elizabeth strolls out of the palace in search of a little fun, leaving behind a desperate team of courtiers who must find the missing Windsor before a national scandal erupts.

When the university merged his Department of Linguistics with English, Professor Desmond Bates took early retirement, but he is not enjoying it. But his daily discontent is nothing compared to the affliction of hearing loss, which is a constant source of domestic friction and social embarrassment. In the popular imagination, he observes, deafness is comic, as blindness is tragic, but for the deaf person himself it is no joke.

Vatanen, a journalist, is feeling burned out and sick of the city. One summer evening, he and a photographer set out on an assignment, and as they drive through the country, the car hits a young hare. Vatanen leaves the car to save the injured creature, and the grateful animal adopts him. This small incident becomes a turning point in Vatanen’s life as he decides to break free from the world’s constraints.

Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels.

Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional.

Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingnue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.

Sur les conseils de son médecin qui s’inquiète de ses dérapages récents, Nicolas part deux mois loin de son travail, de sa femme et de ses enfants. Un vent de liberté souffle dans ses cheveux et lui donne envie de mordre dans la vie comme si c’était un beau gros beigne débordant de crème. Il voyage, fait des rencontres, tente de réconforter de vieux amis aussi mal en point que lui; tout ça ne peut que mal finir.

Gerald, a mid-level employee of a New York-based public relations firm, has been uploaded into the company’s internal Slack channels - at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from-home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from...wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists his coworker Pradeep to help him escape and to find out what happened to his body.

These are the adventures of a naughty wooden puppet who, through many misadventures, learns what it takes to become a real boy.

An unforgettable tour de force in the voice of an ordinary-extraordinary woman who has simply had enough. Through the character of Bina, who is writing out her story on the backs of discarded envelopes, Anakana Schofield filters a complex moral universe filled with humour and sadness, love and rage, and the consolations, obligations and mysteries of lifelong friendship. A work of great power, skill, and transformative empathy from a unique and astonishing writer, whose previous book, Martin John, was shortlisted for the Giller Prize.