Literary Humor

Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.

Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.

Edward St. Aubyn's Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award in this witty audiobook.

New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother’s sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.

The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie's phantasmagoric epic of an unnamed country that is "not quite Pakistan". In this dazzling tale of an ongoing duel between the families of two men - one a celebrated wager of war, the other a debauched lover of pleasure - Rushdie brilliantly portrays a world caught between honor and humiliation.

Polly Spencer is fine. She’s single, turning thirty and only managed to have sex twice last year (both times with a Swedish banker called Fred), but seriously, she’s fine. Even if she’s still stuck at Posh! magazine writing about royal babies and the chances of finding a plus one to her best friend’s summer wedding are looking worryingly slim.

Marnie MacGraw wants an ordinary life - a husband, kids, and a minivan in the suburbs. Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes - just as Blix told her it would. When her marriage ends after two miserable weeks, Marnie is understandably shocked.

Alex-Li Tandem sells autographs. A small blip in a huge worldwide network of desire, his business is to hunt for names on paper, collect them, sell them, and occasionally fake them - all to give the people what they want: a little piece of Fame. But what does Alex want? Only the return of his father, the reinstatement of some kind of all-powerful, benevolent God-type figure, the end of religion, something for his headache, three different girls, infinite grace, and the rare autograph of '40s movie actress Kitty Alexander. With fries.

Original, honest and thought-provoking, Roar is Cecelia Ahern's unforgettable story collection. With her trademark honesty, Cecelia Ahern gives us 30 linked stories, all titled 'The Woman Who...', that capture the different facets of women's lives. Humorous, moving, surreal and poignant, the stories capture the moments the characters are overwhelmed by guilt, confusion, frustration, intimidation, exhaustion - the private moments when they feel the need to roar.

From the rubble-strewn streets of US-occupied Baghdad, Hadi - a scavenger and an oddball fixture at a local café - collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed.

A year has passed, and in this third novel of the Pop Larkin series, Pop Larkin is preparing to build the bungalow he promised Charley and Mariette upon their engagement. He buys a country home slated for demolition, intending to convert it for the two, but it is not long before a London couple persuade him to sell it. Pop, ever the trickster, sells it for an extortionate price, as the two social climbers know little about country life.

Sam Bagshott, son of the late Boko Bagshott, had been at Blandings Castle only a short while, but long enough to know that anyone enjoying its hospitality must get the occasional shock. Sam braced himself as the possibilities flitted through his mind. The house was on fire? Empress of Blandings had taken to the bottle again? Constable Evans had arrived with a search warrant?

The description of his ancestral seat as an earthly Paradise would, at present, have struck its proprietor as ironical, full as it was with unwanted and troublesome inhabitants. What Lord Elmsworth needed above all was a rugged ally at his side to remove from Blandings its superfluous guests, leaving him in peace to tend to his beloved pig, Empress of Blandings. However, when Lord Ickenham is on a sweetness-and-light-spreading expedition, there's always apt to be trouble.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

You’ve never seen romance do this before. So brutally honest and breathtakingly perverse you’ll want to throw this book at the wall, but you’ll also want to know if it can possibly get any more disturbing (it can and it does). And as you start to wonder whether men and women were ever even meant to be together, a surprise ending brings the trilogy full circle and provides unexpected closure to an issue raised by a certain photographer's assistant in the first book. Eunuchs and Nymphomaniacs is about how we love today and how increasingly we try to avoid it altogether.

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

Hazel has just moved into a trailer park of senior citizens, with her father and Diane - his extremely lifelike sex doll - as her roommates. Life with Hazel's father is strained at best, but her only alternative seems even bleaker. She's just run out on her marriage to Byron Gogol, CEO and founder of Gogol Industries, a monolithic corporation hell-bent on making its products and technologies indispensable in daily life.

In the rolling hills of upstate New York, a group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most. The unlikely cast of characters includes a Russian-born novelist, his Russian-born psychiatrist wife, their precocious child obsessed with K-pop, a struggling Indian American writer, a wildly successful Korean American app developer, a global dandy with three passports.

A delightfully funny and moving novel about the singular life of a cantankerous Jewish-American writer and anarchist troublemaker, as remembered by his daughter. In 1972, sixty-four-year-old Ezra Slavin's heart gives out at an anti-war rally. A contentious and irascible Jewish-American writer, anarchist, and inadvertent guru to discontented youth, he leaves behind a large extended family of ex-wives, lovers, and children, most of whom had cut all ties with the infuriating intellectual provocateur years earlier.