Literary Humor

Désirée, trop jeune veuve, va régulièrement sur la tombe de son mari. Au cimetière, elle rencontre "le mec de la tombe d'à côté", dont l'allure l'agace autant que le caveau tape-à-l’œil qu'il vient fleurir. Depuis la mort de sa mère, Benny vit seul dans la ferme familiale. Il s'en sort comme il peut, grâce à une bonne dose d'humour. Chaque fois qu'il la voit, il s'énerve contre la nana qui s'assied sur le même banc de cimetière que lui.

The Impossible Fortress begins with a magazine. The year is 1987, and Playboy has just published scandalous photographs of Vanna White, from the popular TV game show Wheel of Fortune. For three teenage boys - Billy, Alf, and Clark - who are desperately uneducated in the ways of women, the magazine is somewhat of a Holy Grail: priceless beyond measure and impossible to attain. So, they hatch a plan to steal it.

The everyday insanity of life at a fictional literary review. The journal Belles Lettres has a long and storied history, which is what enticed young editor Frank Page over its threshold in the first place. But Frank did not anticipate the infighting, backstabbing, and utter oddity that are all business as usual at the respected magazine. Still, nothing can match Frank’s thrill at discovering a new literary phenom. But the book industry seems to be on the decline. Integrity is going extinct as conglomerate giants gobble up smaller organs and trample innovation and daring into the muck of commerciality.

Sex is forbidden at the Dasgupta Institute, the Buddhist retreat where Beth Marriot has taken refuge, and that's a big advantage. Beth has been working as a server, assisting in the kitchen and helping out - discreetly, so the meditators aren't disturbed. The meditators are making big sacrifices to come here and change their lives. So the servers must observe the rules, and silence and separation of the sexes are chief among them.

Willis Digby is the letters editor at Sis(Sisterhood) magazine, a job that drives her mad. Plowing through correspondence that fluctuates from the predictable boosterish boilerplate to letters challenging conventional notions of sanity, Willis struggles to find a balance in her selections for publication in the landmark feminist journal. As Digby strikes up an unconventional friendship with one of her correspondents, she also confronts a harrowing childhood incident that has come back to haunt her.

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?

A confused and conflicted but not altogether angry young man shares his observations, disappointments, rants, and sexual desires in a revealing series of letters to an unnamed friend. Our hero wants to be a writer, but is stuck doing mind-numbing work for an unscrupulous encyclopedia publisher. He muddles through two engagements, one to a bright-eyed Catholic virgin, the other to a woman pregnant with another man’s child.

Manda is a 38-year-old, tough, sarcastic woman who has yet to make peace with the town she was brought to as a teenager after her parents' messy divorce. Her mother is estranged, her father is ill, her brother and stepbrother are emotionally distant and growing restless, and all the while, her tight-lipped and depressed husband is pressing her to have a baby. Full of barbed dialogue and macabre, deadpan descriptions of family dynamics and the awkward social dances performed daily, this novel depicts those who feel permanently out of place.

In midcentury America, one man is determined to take over the airwaves with a program as audacious as it is entertaining. Bald, bombastic, and irresistible, Golk is his name and You're on Camera is his show. To "golk" someone is to trick her, on camera, into betraying her true nature.

Cy Riemer is the patriarch of a successful and loving Chicago family. But not all is copacetic in Cy's world. The scientific newsletter he publishes is foundering financially, his ex-wife still relies on him for money and intimacy, and he can never seem to find the time or the wherewithal to relax. Much of Cy's stress is caused by the trouble he has with his brilliant and duplicitous son, Jack.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Alice Pearse is a mostly happily married mother of three, an attentive daughter, an ambivalent dog owner, a part-time editor, a loyal neighbor, and a Zen commuter. She is not: a cook, a craftswoman, a decorator, an active PTA member, a natural caretaker, or the breadwinner. But when her husband makes a radical career change, Alice is ready to lean in - and she knows exactly how lucky she is to land a job at Scroll, a hip, young startup that promises to be the future of reading.

Lucien est mort. "C'est bien triste" se lamentent au bar du coin ses quatre copains. Pire encore : il a été retrouvé froid sur ses toilettes, lui qui ne s'était jamais montré négligé en public ! Martial, Gilbert, Jacques et Armand sont unanimes : pas question de clamser aussi bêtement ! La bande de septuagénaires a alors une idée folle : chacun va planifier sa propre mort. Quand ils veulent, comme ils veulent ! Enfin, ils vont tout oser.

A man with a borrowed name steps from a flashy red sports car—also borrowed—onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, and with a woman from his past who comes bearing an unusual request.

Tatiana Leonardo a 27 ans, est orpheline et travaille comme secrétaire au 52e étage de la tour Montparnasse. Quand elle n'est pas au boulot, chez sa tante Jenny, ou en train de manger des merveilleux avec sa vieille voisine, Tatania rêve de trouver l'amour. Cupidon semble avoir perdu son adresse, mais Tatiana ne perd pas espoir. Gustav Romansky est le mystérieux nouvel associé du cabinet de comptabilité dans lequel Tatiana travaille.

Following a cancer diagnosis, 40-year old Prin vows to become a better man and a better Catholic. He’s going to spend more time with his kids and his wife, care for his recently divorced and aging parents, and also expand his cutting-edge research into the symbolism of the seahorse in Canadian literature. But when his historic college in downtown Toronto faces a shutdown and he meets with the condominium developers ready to take it over - including a foul-mouthed young Chinese entrepreneur and Wende, his ex-girlfriend from graduate school - Prin hears the voice of God.

An absolute delight of a debut novel by William Kuhn - author of Reading Jackie: Her Autobiography in Books - Mrs Queen Takes the Train wittily imagines the kerfuffle that transpires when a bored Queen Elizabeth strolls out of the palace in search of a little fun, leaving behind a desperate team of courtiers who must find the missing Windsor before a national scandal erupts.

A dazzling urban satire of modern human relations? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed 30-something?

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

An unforgettable tour de force in the voice of an ordinary-extraordinary woman who has simply had enough. Through the character of Bina, who is writing out her story on the backs of discarded envelopes, Anakana Schofield filters a complex moral universe filled with humour and sadness, love and rage, and the consolations, obligations and mysteries of lifelong friendship. A work of great power, skill, and transformative empathy from a unique and astonishing writer, whose previous book, Martin John, was shortlisted for the Giller Prize.