Literary Humor

Taylor Bell comes from a long line of Beta Zeta sorority sisters, all of whom expect her to pledge upon starting at the university. However, Taylor is determined to destroy the rich tradition they hold so dear by eschewing sorority life altogether. Taylor's resolve soon melts, though, when she falls in with a group of hilarious, ultra-saucy girls who introduce her to all things Greek and soften her to the idea of joining.

The video stores are dying. But most of you don't care. You've got your Netflix and your Redbox and your DVR, so why deal with VHS tapes or scratched DVDs? Why deal with the grumpy guy at the worn-down independent video store?

Willis Digby is the letters editor at Sis(Sisterhood) magazine, a job that drives her mad. Plowing through correspondence that fluctuates from the predictable boosterish boilerplate to letters challenging conventional notions of sanity, Willis struggles to find a balance in her selections for publication in the landmark feminist journal. As Digby strikes up an unconventional friendship with one of her correspondents, she also confronts a harrowing childhood incident that has come back to haunt her.

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?

Manda is a 38-year-old, tough, sarcastic woman who has yet to make peace with the town she was brought to as a teenager after her parents' messy divorce. Her mother is estranged, her father is ill, her brother and stepbrother are emotionally distant and growing restless, and all the while, her tight-lipped and depressed husband is pressing her to have a baby. Full of barbed dialogue and macabre, deadpan descriptions of family dynamics and the awkward social dances performed daily, this novel depicts those who feel permanently out of place.

In midcentury America, one man is determined to take over the airwaves with a program as audacious as it is entertaining. Bald, bombastic, and irresistible, Golk is his name and You're on Camera is his show. To "golk" someone is to trick her, on camera, into betraying her true nature.

Cy Riemer is the patriarch of a successful and loving Chicago family. But not all is copacetic in Cy's world. The scientific newsletter he publishes is foundering financially, his ex-wife still relies on him for money and intimacy, and he can never seem to find the time or the wherewithal to relax. Much of Cy's stress is caused by the trouble he has with his brilliant and duplicitous son, Jack.

Fifteen-year-old Jacob feels almost on the inside: almost smart, almost funny, almost good-looking, almost worthy of falling in love. His sister is too busy dating guys in Whitesnake jackets to notice, and his best friend is occupied with his own painful pubescent crisis. Jacob's mother has just started a curious (and rather un-Christian) holy war with the church across the street, while his father has secretly moved into the garage.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.

Nineteen-year-old Nayeli works at a taco shop in her Mexican village and dreams about her father, who journeyed to the US to find work. Recently it has dawned on her that he isn't the only man who has left town. In fact there are almost no men in the village - they've all gone north. While watching The Magnificent Seven, Nayeli decides to go north herself and recruit seven men - her own "Siete Magníficos" - to repopulate her hometown and protect it from the bandidos who plan on taking it over.

Aaron thinks genre fiction is an affront to the fiction-writing craft. He often quotes the essayist Arthur Krystal, who says literary fiction "melts the frozen sea inside of us". Ironically Aaron doesn't seem to realize that he's emotionally frozen. The vivacious Laurie, lover of flamingo-patterned attire and all things hot pink, is the one person who might be capable of melting him.

It all began with a correspondence between two quite different women: 28-year-old Sara from Haninge, Sweden, and 65-year-old Amy from the small town of Broken Wheel, Iowa. After years of exchanging books, letters and thoughts on the meaning of literature and life, Sara, mousy, disheveled, who has never been anywhere in her life--has really lived only for her work in a beloved bookshop, which has just closed its doors for the last time--bravely decides to accept her unknown friend's invitation to visit. But when she arrives, she finds her house empty, the funeral guests just heading home. . .

An absolute delight of a debut novel by William Kuhn - author of Reading Jackie: Her Autobiography in Books - Mrs Queen Takes the Train wittily imagines the kerfuffle that transpires when a bored Queen Elizabeth strolls out of the palace in search of a little fun, leaving behind a desperate team of courtiers who must find the missing Windsor before a national scandal erupts.

Where happy ever after is only a page away…A delightful new series set in a quaint old bookshop, for fans of Lucy Diamond and Jenny Colgan. Once upon a time in a crumbling London bookshop, Posy Morland spent her life lost in the pages of her favourite romantic novels. So when Bookend's eccentric owner, Lavinia, dies and leaves the shop to Posy, she must put down her books and join the real world. Because Posy hasn't just inherited an ailing business, but also the unwelcome attentions of Lavinia's grandson.

Weighing in at 320 pounds, Winston "Tuffy" Foshay, is an East Harlem denizen who breaks jaws and shoots dogs and dreams of millions from his idea, Cap'n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and his wife, Yolanda, he married from jail over the phone. Shrewdly comical as this dazzling novel is, it turns acerbically sublime when the frustrated Tuffy agrees to run for City Council.

Ava Simon designs storage boxes for STÄDA, a slick Brooklyn-based furniture company. She’s hard-working, obsessive, and heartbroken from a tragedy that killed her girlfriend and upended her life. It’s been years since she’s let anyone in. But when Ava’s new boss—the young and magnetic Mat Putnam—offers Ava a ride home one afternoon, an unlikely relationship blossoms. Ava remembers how rewarding it can be to open up—and, despite her instincts, she becomes enamored. But Mat isn’t who he claims to be, and the romance takes a sharp turn.

After writing a letter in praise of malls, our eccentric narrator is offered a residency at a shabby suburban shopping centre. His mission: to occupy the mall for several weeks, splitting his time between "making work" and "engaging the public," all while chronicling his adventures in weekly progress reports. Before long, a series of strange after-hour events rattles our hero, and he sets forth on a nightly quest to untangle the mysterious forces at play in the mall's unmapped recesses.

As intricate as a house of mirrors, Nabokov’s last novel is an ironic play on the Janus-like relationship between fiction and reality. It is the autobiography of the eminent Russian-American author Vadim Vadimovich N. (b. 1899), whose life bears an uncanny resemblance to that of Vladimir Vladimirovich Nabokov, though the two are not to be confused (?).

Marnie MacGraw and Patrick Delaney have been in love for a few years now, enough to realize that they are imperfectly perfect together. Still, there are some things that maybe need a little attention. Marnie’s ebullient; he’s brooding. She thrives on change; he prefers stability. She sees marriage and parenthood in their future, but he can’t see beyond the shadow of an earlier tragedy. Then an eight-year-old surprise from Patrick’s past shows up on their doorstep, cartwheeling into their lives and spinning things in all directions.