Literary Life

Wyoming, 1876. For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.

Jeannette Walls's memoir The Glass Castle was "nothing short of spectacular" ( Entertainment Weekly). Now, in Half Broke Horses, she brings us the story of her grandmother, told in a first-person voice that is authentic, irresistible, and triumphant.

In the 1950s poet Christopher Chubb composes a body of sexually charged poems. Chubb then dupes a trendy literary magazine into believing the poems were composed by the late Bob McCorkle, an undiscovered genius. But the trick backfires, and soon Chubb finds himself tormented by the very monster he creates. Decades later, a literary editor named Sarah Wode-Douglass begins peeling back the layers of the Chubb mystery in, of all places, Malaysia, where the reclusive poet remains in hiding.

This astonishing novel was chosen as a Best Book of the Year by the Los Angeles Times, Entertainment Weekly, Publisher's Weekly and Newsweek. Contained within is the story of Edgar Mint, the half-Apache, mostly orphaned child who overcomes a serious childhood injury to embark on a life of tragedies, including a boarding school for Native Americans and a dysfunctional Mormon foster family.

"Work hard. Do good. Be incredible!" is the advice Teresa Rae Wood shares with the listeners of her local radio show, Modern Pioneers, and the advice she strives to live by every day. She has fled a bad marriage and rebuilt a life with her children, Claire and Joshua, and their caring stepfather, Bruce. Their love for each other binds them as a family through the daily struggles of making ends meet. But when they received unexpected news that Teresa, only 38, is dying of cancer, their lives all begin to unravel and drift apart.

Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up. Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his life.

A seventeen-year-old boy, bullied and heartbroken, hangs himself. And although he felt terribly alone, his suicide changes everyone around him. His parents are devastated.

C. S. Lewis is the 20th century's most widely read Christian writer and J. R. R. Tolkien its most beloved mythmaker. For three decades they and their closest associates formed a literary club known as the Inklings, which met weekly in Lewis' Oxford rooms and a nearby pub. They read aloud from works in progress, argued about anything that caught their fancy, and gave one another invaluable companionship, inspiration, and criticism.

Young Elly's world is shaped by those who inhabit it: her loving but maddeningly distractible parents; a best friend who smells of chips and knows exotic words like 'slag'; an ageing fop who tapdances his way into her home, a Shirley Bassey impersonator who trails close behind; lastly, of course, a rabbit called God. In a childhood peppered with moments both ordinary and extraordinary, Elly's one constant is her brother Joe. Twenty years on, Elly and Joe are fully grown and as close as they ever were. Until, that is, an earth-shattering event that threatens to destroy their bond for ever.

Something terrifying that must not be seen. One glimpse and a person is driven to deadly violence. No one knows what it is or where it came from.Five years after it began, a handful of scattered survivors remain, including Malorie and her two young children. Living in an abandoned house near the river, Malorie has long dreamed of fleeing to a place where her family might be safe. But the journey ahead will be terrifying: 20 miles downriver in a rowboat blindfolded with nothing to rely on but Malorie's wits and the children's trained ears. One wrong choice and they will die. And something is following them....

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

Jojo Harvey is a literary agent whose star is on the rise. In love with both her married boss and her burgeoning career, not much distracts her. Until she finds herself representing two women who used to be best friends. Used to be....

Love is in the air in the colourful Ulster village of Ballybucklebo, where Dr. Fingal Flahertie O'Reilly has finally proposed to the darling of his youth, Kitty O'Hallorhan. There's a wedding to be planned, but before O'Reilly can make it to the altar, he and his young colleague, Barry Laverty, M.B., must deal with the usual round of eccentric patients—and crises both large and small.

Peter Rock's stunning autobiographical novel begins in the '90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears.

First published in 1948, Nothing but the Night marked the auspicious beginning of John Williams' career as a novelist. In the person of Arthur Maxley, Williams investigates the terror and the waywardness of a man who has suffered an early traumatic experience. As a child, Maxley witnessed a scene of such violence and of such a nature that the evocation of Greek tragedy is inescapable. Now, years later, we move through a single significant day in the grown Arthur Maxley's life, the day when he is to meet his father, who has been absent for many years.

June the first, a bright summer's evening, a Monday.... And into the busy, bustling homes at 66 Star Street slips, unseen, a mysterious visitor. As the couples, flatmates and repentant singletons of No. 66 fall in and out of love, clutch at and drop secrets, laugh, cry and simply try to live, no one suspects the visitor patiently waiting in the wings. For soon, as the light slowly fades to dark, everything is going to change....

The word "carnivorous", which appears in the title of this book, means "meat-eating", and once you have read such a bloodthirsty word, there is no reason to read any further. This carnivorous volume contains such a distressing story that consuming any of its contents would be far more stomach-turning than even the most imbalanced meal.

It happens quietly one August morning. As dawn's shimmering light drenches the humid Iowa air, two families awaken to find their little girls have gone missing in the night. Now these families are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets.

Kara Davis is a girl caught in the middle - of her Canadian nationality and her desire to be a “true” Jamaican, of her mother and grandmother’s rages and life lessons, of having to avoid being thought of as too “faas” or too “quiet” or too “bold” or too “soft”. In “Little Jamaica”, Toronto’s Eglinton West neighbourhood, Kara moves from girlhood to the threshold of adulthood, from elementary school to high school graduation, in these 12 interconnected stories.

My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age 12, concerning what she knew to be the racist murder of an African American boy by her older brothers. In a succession of vividly recalled episodes, Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement.