Literary Life

One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo's wife - and the only person Jessa's ever been in love with - walks out without a word.

Inside his home in Derry, Joe Logan's life is ruled by his tormented father; outside, by the tension and violence of the Troubles. Sometimes his father makes him run errands despite the nearby reports of gunfire. Other times his mother, afraid to be alone with her volatile and war-wounded husband, confines Joe to the home. A bright and sensitive young man, Joe finds solace and freedom in writing - a pursuit encouraged by Kathleen Doherty, a young teacher at a nearby school whom he meets and befriends.

Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep.

Thirty-six-year-old Grace McAllister never longed for children. But when she meets Victor Hansen, a handsome, charismatic divorced restaurateur who is father to Max and Ava, Grace decides that, for the right man, she could learn to be an excellent part-time stepmom. After all, the kids live with their mother, Kelli. How hard could it be?

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.

Anna has waited a long time to fall in love and now that she has, she's not going to let her boyfriend Charlie's mother stand in her way. Meredith Granger is frighteningly well-cultured and impossible to impress. So far, Anna hasn't even been allowed to meet her. But when Charlie leaves the country on business for the summer, Anna decides to take matters into her own hands. Reinventing herself from top to toe, Anna embraces a whole new life.

Girl is spending the spring at an artist's residency in Scotland. Far from her home in Australia and her tight-knight Malaysian family, she is meant to be writing a postcolonial novel and working on a PhD on the poetry of Sylvia Plath. But she can't stop thinking about her upbringing and the stories of her parents and grandmother who raised her. How can she reconcile their dreams for her with her lived reality? And what if the story of becoming yourself is not about carving out a new identity but learning to understand the people who shaped you?

Andy Boyd thinks he is the luckiest man alive. Widowed with a young child after his wife dies in childbirth, he is certain that he will never again experience true love. Then he meets Anna. Feisty, fun and beautiful, she's his perfect match.... And she loves his son, too. When Andy ends up in the hospital on his wedding night, he receives his first clue that Anna is not all that she seems. He ignores it; a dangerous mistake that could cost him everything.

Jenna Rosen returns to the place in Alaska where her young son, Bobby, disappeared without a trace two years before. Jenna is determined to lay to rest the aching mystery of his death. But ancient legends may have had a hand in Bobby’s fate, forcing Jenna to sift through her own Native American ancestry to uncover the truth.

A young boy comes of age within the confines of post-civil-war Beirut, with conflict and comedy lurking round every corner. Adam dreams of becoming an astronaut, but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence.

On the banks of the River Seine in 1899, a young woman takes her final breath before plunging into the icy water. Although she does not know it, her decision will set in motion an astonishing chain of events. It will lead to 1950s Norway, where a grieving toy-maker is on the cusp of a transformative invention, all the way to present-day Ottawa Valley in Canada, where a journalist, battling a terrible disease, risks everything for one last chance to live.

The heat is oppressive and storms are brewing in Brighton in the summer of 1982. Little Gold, a boyish girl on the brink of adolescence, is struggling with the reality of her broken family and a home descending into chaos. Her only refuge is the tree at the end of her garden. Into her fractured life steps elderly neighbour, Peggy Baxter. The connection between the two is instant, but just when it seems that Little Gold has found solace, outsiders appear who seek to take advantage of her frail family in the worst way possible.

Bea has barely been scraping by since her husband died. After falling for a telephone scam, she loses everything and is forced to abandon her trailer. With only two-thirds of a tank in her old van, she heads toward the Pacific Ocean with her cat - on a mission to reclaim what's rightfully hers, even if it means making others pay for what she lost.

Emily Morris got her happily-ever-after earlier than most. Married at a young age to a man she loved passionately, she was building the life she always wanted. But when enormous stress threatened her marriage, Emily made some rash decisions. That’s when she fell in love with someone else. That’s when she got pregnant. Resolved to tell her husband of the affair and to leave him for the father of her child, Emily’s plans are thwarted when the world is suddenly split open on 9/11. It’s amid terrible tragedy that she finds her freedom, leaving New York City to start a new life.

At night, in Huda's fragrant garden, a breeze sweeps in from the desert encircling Baghdad, rustling the leaves of her apricot trees and carrying warning of visitors at her gate. Huda, a secretary at the Australian embassy, lives in fear of the Mukhabarat - the secret police who watch and listen for any scrap of information that can be used against America and its allies. They have ordered her to befriend Ally Wilson, the deputy ambassador's wife. Huda has no wish to be an informant, but fears for her teenage son, who may be forced to join a deadly militia.

Rose Napolitano is fighting with her husband, Luke, about prenatal vitamins. She promised she’d take them, but didn’t. He promised before they got married that he’d never want children, but now he’s changed his mind. Their marriage has come to rest on this one question: Can Rose find it in herself to become a mother? Rose is a successful professor and academic. She's never wanted to have a child. The fight ends, and with it their marriage.

Sylvia Plath: A Literary Life examines the way Plath made herself into a writer. Close analysis of Plath's reading and apprenticeship writing both in fiction and poetry sheds considerable light on Plath's work in the late 1960s. In this updated edition, there will be discussion of the aftermath of Plath's death including the publication of her Collected Poems edited by Ted Hughes which won the Pulitzer Prize for Poetry in 1982. Biographies of Plath will be examined along with the publication of Hughes's Birthday Letters.

Melody Shee is alone and in trouble. At 33 years old, she finds herself pregnant with the child of a 17-year-old Traveler boy, Martin Toppy, and not by her husband, Pat. Melody was teaching Martin to read, but now he's gone, and Pat leaves, too, full of rage. She's trying to stay in the moment, but the future is looming, while the past won't let her go. It's a good thing that she meets Mary Crothery when she does.

Professor Godfrey St. Peter is a man in his fifties who has devoted his life to his work, his wife, his garden, and his daughters, and achieved success with all of them. But when St. Peter is called on to move to a new, more comfortable house, something in him rebels. And although at first that rebellion consists of nothing more than mild resistance to his family's wishes, it imperceptibly comes to encompass the entire order of his life.

For more than 20 years, Ella has learned to live without her mother, Maggie, who disappeared into a fog of mental illness when Ella turned 10. Despite this trauma, Ella has forged ahead, becoming a veterinarian, getting married, and most of all, developing a deep, trusting bond with her father, John, a ferry captain in Seattle. Ella’s contented life is shattered when her father is hit by a car and killed. Going through his papers, she learns that her father maintained a secret relationship with her mother.