Literary Life

1876. Among the filth and depravity of Covent Garden's flower markets, orphaned Irish sisters Flora and Rosie Flynn sell posies of violets and watercress to survive. It is a pitiful existence, made bearable only by each other's presence. When they become separated, the decision of a desperate woman sets their lives on very different paths.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Sara King has nothing, save for her secrets and the baby in her belly, as she boards the bus to Memphis, hoping to outrun her past in Chicago. She is welcomed with open arms by Mama Sugar, a kindly matriarch and owner of the popular boardinghouse The Scarlet Poplar. Like many cities in early 1960s America, Memphis is still segregated, but change is in the air. News spreads of the Freedom Riders. Across the country, people like Martin Luther King Jr. are leading the fight for equal rights.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

Rachel Blum and Andy Landis are eight years old when they meet late one night in an ER waiting room. Born with a congenital heart defect, Rachel is a veteran of hospitals, and she's intrigued by the boy who shows up all alone with a broken arm. He tells her his name. She tells him a story. After Andy's taken back to the emergency room and Rachel's sent back to her bed, they think they'll never see each other again.

In nine poignant stories spiked with humor and intelligence, Chitra Banerjee Divakaruni captures lives at crossroad moments - caught between past and present, home and abroad, tradition, and fresh experience. A widow in California, recently arrived from India, struggles to adapt to a world in which neighbors are strangers and her domestic skills are deemed superfluous in the award-winning "Mrs. Dutta Writes a Letter".

Two sisters, one farm. A family is split when their father leaves their shared inheritance entirely to Helen, his younger daughter. Despite baking award-winning pies at the local nursing home, her older sister, Edith, struggles to make what most people would call a living. So she can't help wondering what her life would have been like with even a portion of the farm money her sister kept for herself.

Claire is only seven years old when her college-age sister, Alison, disappears on the last night of their family vacation at a resort on the Caribbean island of Saint X. Several days later, Alison’s body is found in a remote spot on a nearby cay, and two local men - employees at the resort - are arrested. But the evidence is slim, the timeline against it, and the men are soon released. The story turns into national tabloid news, a lurid mystery that will go unsolved. For Claire and her parents, there is only the return home to broken lives.

Tilly was a bright, outgoing little girl who liked playing with ghosts and matches. She loved fizzy drinks, swear words, fish fingers and Catholic churches, but most of all she loved living in Brighton in Queenie Malone's magnificent Paradise Hotel, with its endearing and loving family of misfits - staff and guests alike. But Tilly's childhood was shattered when her mother sent her away from the only home she'd ever loved to boarding school with little explanation and no warning. Now, Tilda has grown into an independent woman still damaged by her mother's unaccountable cruelty.

Until now, Kathryn Lyons's life has been peaceful if unextraordinary: a satisfying job teaching high school in the New England mill town of her childhood; a picture-perfect home by the ocean; a precocious, independent-minded fifteen-year-old daughter; and a happy marriage whose occasional dull passages she attributes to the unavoidable deadening of time.

When Kate, single mother and law firm partner, gets an urgent phone call summoning her to her daughter's exclusive private school, she's shocked. Amelia has been suspended for cheating, something that would be completely out of character for her over-achieving, well-behaved daughter. Kate rushes to Grace Hall, but what she finds when she finally arrives is beyond comprehension. Her daughter is dead.

This is a story about love. It's also a story about hate, which is why I left New York in the first place. You don't fly halfway across the world to live with a bunch of people you never met, just for a laugh.

Sam is dead, which means that Elsie Jane has just lost the brilliant, sensitive man she planned to grow old with. The early days of grief are a fog of work and single parenting. Too restless to sleep, Elsie pores over Sam's old love letters, paces her house, and bickers with the ghosts of Sam and her dead parents night after night. As the year unfolds, she develops an obsession with a local murder mystery, attends a series of disastrous internet dates in search of a "replacement soulmate," and solicits a space-time wizard via Craigslist.

Glass Ferry, Kentucky, is bourbon country. Whiskey has been a way of life for generations, enabling families to provide and survive even in the darkest times. Flannery Butler's daddy, Beauregard "Honey Bee" Butler, entrusted her with his recipes before he passed on, swearing her to secrecy. But Flannery is harboring other secrets too, about her twin sister Patsy, older by eight minutes and pretty in a way Flannery knows she'll never be. Then comes the prom night when Patsy - wearing a yellow chiffon dress and the family pearls - disappears along with her date.

Lauren Groff’s acclaimed debut novel The Monsters of Templeton was short-listed for the Orange Prize. Her second novel, Arcadia opens in the late 1960s with a group of young idealists forming a commune in western New York State. Into this group is born Bit, who grows into a quiet, distant man. Over the course of 50 years, Bit witnesses the utopia crumble and the world change in unimaginable ways.

Cannie Shapiro never wanted to be famous. The smart, sharp, plus-sized pop culture reporter was perfectly content writitng about other people's lives in the pages of the Philadlphia Examiner. But the day she opened up a national women's magazine to find out that her ex-boyfriend has been chronicling their ex-sex life is the day her life changes forever.

Meet Charlie Savage: a middle-aged Dubliner with an indefatigable wife, an exasperated daughter, a drinking buddy who’s realized that he’s been a woman all along.... Compiled here for the first time is a whole year’s worth of Roddy Doyle’s hilariousseries for the Irish Independent. Giving a unique voice to the everyday, he draws a portrait of a man - funny, loyal, somewhat bewildered - trying to keep pace with the modern world (if his knees don’t give out first)

Six years ago, Lucy Kincaid was attacked and nearly killed by an online predator. She survived. Her attacker did not. Now Lucy’s goal is to join the FBI and fight cyber-crime, but in the meantime, she’s volunteering with a victim’s rights group, surfing the Web undercover to lure sex offenders into the hands of the law. But when the predators she hunts start turning up as murder victims, the FBI takes a whole new interest in Lucy.

Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.

When a home aide arrives to assist a rambunctious family at a crossroads, simmering tensions boil over in this “witty, exuberant debut” (People) that is an “absolute delight from start to finish” (Sarah Haywood, New York Times best-selling author) perfect for fans of Where’d You Go, Bernadette and Evvie Drake Starts Over.