Literary Life

Just moved in to a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly’s for a pint, a slow one. One evening his drink is interrupted. A man in shorts and a pink shirt brings over his pint and sits down. He seems to know Victor’s name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, dislikes, too, the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers.

For every woman who has ever fantasized about driving past her exit on the highway instead of going home to make dinner, for every woman who has ever dreamed of boarding a train to a place where no one needs constant attention - meet Maribeth Klein, a harried working mother who's so busy taking care of her husband and twins, she doesn't even realize she's had a heart attack. Afterward, surprised to discover that her recuperation seems to be an imposition on those who rely on her, Maribeth does the unthinkable: She packs a bag and leaves.

The epic novel Beauty Is a Wound combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism....

The Mystery of Right and Wrong is a masterwork from one of the country’s most critically acclaimed and beloved writers that is both compulsively listenable and heartstopping in the vital truth it unfolds. In a novel that grapples with sexual abuse, male violence and madness, Wayne Johnston reveals haunting family secrets he’s kept for more than 30 years.

Wall Street traverse l'une des pires crises de son histoire. Nous sommes dans les années 1930, la Grande Dépression frappe l'Amérique de plein fouet. Un homme, néanmoins, a su faire fortune là où tous se sont effondrés. Héritier d'une famille d'industriels devenu magnat de la finance, il est l'époux aimant d'une fille d'aristocrates. Ils forment un couple que la haute société new-yorkaise rêve de côtoyer, mais préfèrent vivre à l'écart et se consacrer, lui à ses affaires, elle à sa maison et à ses oeuvres de bienfaisance.

Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

Eve Fletcher is trying to figure out what comes next. A 46-year-old divorcée whose beloved only child has just left for college, Eve is struggling to adjust to her empty nest when one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, "U R my MILF!" Over the months that follow, that message comes to obsess Eve. Before long, Eve's online fixations begin to spill over into real life, revealing new romantic possibilities that threaten to upend her quiet suburban existence.

The final book in the landmark Cazalet Chronicles, recently broadcast on BBC Radio 4. It is the 1950s and as the Cazalets' beloved matriarch, the Duchy, passes away, she takes with her the last remnants of a world - of great houses and servants, of class and tradition - in which the Cazalets have thrived. Louise, now divorced, becomes entangled in a painful affair; while Polly and Clary must balance marriage and motherhood with their own ideas and ambitions.

In northwest Ireland, eighteen-year-old Miranda Martin lives in a country estate home with her father. A recent widower, he spends his days consumed by a project to reforest their tranquil Donegal surroundings. Miranda, on the cusp of adulthood, spends her summer engrossed in a chaste but passionate courtship with a local boy named Cathal. Members of the Anglo-Irish class and the Protestant Ascendancy, Miranda and her father are sympathetic to the burgeoning movement for home rule.

I Am Liu Yuejin, by prize-winning Chinese novelist Liu Zhenyun, is a novel of Beijing that paints a microcosm of contemporary China, dealing with classes at the two extremes: the super rich and the migrant workers who make them rich through deceit and corruption. The protagonist, Liu Yuejin, is a work site cook and small-time thief whose bag is stolen. While searching for it, he stumbles upon another bag, which contains a flash disk that chronicles high-level corruption, and sets off a convoluted chase.

Claire is only seven years old when her college-age sister, Alison, disappears on the last night of their family vacation at a resort on the Caribbean island of Saint X. Several days later, Alison’s body is found in a remote spot on a nearby cay, and two local men - employees at the resort - are arrested. But the evidence is slim, the timeline against it, and the men are soon released. The story turns into national tabloid news, a lurid mystery that will go unsolved. For Claire and her parents, there is only the return home to broken lives.

Yoshie's much-loved musician father died in a suicide pact with an unknown woman. It is only when Yoshie and her mother move to Shimokitazawa, a traditional Tokyo neighborhood of narrow streets, quirky shops, and friendly residents, that they can finally start to put their painful past behind them. However, despite their attempts to move forward, Yoshie is haunted by nightmares in which her father is looking for the phone he left behind on the day he died, or on which she is trying—unsuccessfully—to call him. Is her dead father trying to communicate a message through these dreams?

The suburbs of the 1970s promised to be heaven on earth - new houses, new status, happiness guaranteed. But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone's dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese Canadian coming of age in this shifting world.

It's the last day of 1984, and 85-year-old Lillian Boxfish is about to take a walk. As she traverses a grittier Manhattan, a city anxious after an attack by a still-at-large subway vigilante, she encounters bartenders, bodega clerks, chauffeurs, security guards, bohemians, criminals, children, parents, and parents to be in surprising moments of generosity and grace. While she strolls Lillian recalls a long and eventful life that included a brief reign as the highest paid advertising woman in America - a career cut short by marriage, motherhood, divorce, and a breakdown.

Anna Roux was a professional dancer who followed the man of her dreams from Paris to Missouri. There, alone with her biggest fears - imperfection, failure, loneliness - she spirals down anorexia and depression till she weighs a mere 88 pounds. Forced to seek treatment, she is admitted as a patient at 17 Swann Street, a peach pink house where pale, fragile women with life-threatening eating disorders live. Women like Emm, the veteran; quiet Valerie; Julia, always hungry. Together, they must fight their diseases and face six meals a day.

Two old friends, who first met in university, get together for a weekend of golfing: Allan, a football hero, worldly and financially successful, and his quieter friend, nicknamed Byron, lame from a childhood injury, a smart fellow who became a lawyer but who has never left home, staying put so he could care for a mother with Alzheimer's.

Even as a child, Serenity Jones knew she possessed unusual psychic gifts. Now, decades later, she’s an acclaimed medium and host of her own widely viewed TV show, where she delivers messages to the living from loved ones who have passed. Lately, though, her efforts to boost ratings and garner fame have compromised her clairvoyant instincts. When Serenity books a young war widow to appear as a guest, the episode quickly unravels, stirring up a troubling controversy.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.

One night in an isolated college town in the hills of Southern California, a first-year student stumbles into her dorm room, falls asleep - and doesn't wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics, nor the perplexed doctors at the hospital. When a second girl falls asleep, and then a third, Mei finds herself thrust together with an eccentric classmate as panic takes hold of the college and spreads to the town.