Literary Life

It is in this house, surrounded by heirloom gardens and the gentle sounds of a river, that Kate Harding, 52, faces her second winter since the untimely death of her husband. Her children, now grown, are living away, and Kate is truly on her own. In her living room are several hatboxes filled with letters and other ghostly ephemera, recently brought by her sister from the attic of their grandparents’ 18th-century Connecticut house. Their sweet mustiness tinges the air and makes Kate dream of her childhood and of her beloved grandparents.

Sam is 28, Swedish and spending the summer in London, working for a top marketing agency. Over the course of the sticky summer months, she falls hard for Lucas, a man she first met as a teenager. Lucas is working at a boutique clothing store whilst trying to get a foot on the corporate ladder, and struggling to hold the pieces of his life together. Sam is a gorgeous distraction. But you can only avoid reality for so long, and both Sam and Lucas know their relationship can't last. Nobody can be this happy forever, surely?

The sheriff's deputy at the front door brings hard news to Ree Dolly. Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date. Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley.

Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee”, she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse mirror, my whirlwind other half and I loved her as a sister”. As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.

It's the last day of 1984, and 85-year-old Lillian Boxfish is about to take a walk. As she traverses a grittier Manhattan, a city anxious after an attack by a still-at-large subway vigilante, she encounters bartenders, bodega clerks, chauffeurs, security guards, bohemians, criminals, children, parents, and parents to be in surprising moments of generosity and grace. While she strolls Lillian recalls a long and eventful life that included a brief reign as the highest paid advertising woman in America - a career cut short by marriage, motherhood, divorce, and a breakdown.

Épicène, adj. : Qui a la même forme au masculin et au féminin. Claude et Dominique, dont la rencontre au café a été fortuite, se marient et filent à Paris conquérir une nouvelle vie. De leur union naquit un enfant : Épicène. Un amour mère-fille fusionnel. Une détestation père-fille immédiate. Le dernier roman d'Amélie Nothomb est un jeu de piste familial shakespearien, écrit d'une main de maître.

Dear Anna, What I have to tell you is difficult to write, but I know it will be far more difficult for you to hear, and I'm so sorry. The unfinished letter is the only clue Tara and Emerson have to the reason behind their close friend Noelle's suicide. Everything they knew about Noelle - her calling as a midwife, her passion for causes, her love for her friends and family - described a woman who embraced life. Yet there was so much they didn't know. With the discovery of the letter and its heartbreaking secret, Noelle's friends begin to uncover the truth about this complex woman who touched each of their lives.

"Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l'écho inlassable des morts, et le retentissement du désastre. Aujourd'hui, je sais aussi qu'elle illustre, comme tant d'autres familles, le pouvoir de destruction du verbe, et celui du silence."

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

Each of three sisters—Elv, Claire, and Meg—has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart's desire, and a demon who will not let go. What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others?

One night in an isolated college town in the hills of Southern California, a first-year student stumbles into her dorm room, falls asleep - and doesn't wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics, nor the perplexed doctors at the hospital. When a second girl falls asleep, and then a third, Mei finds herself thrust together with an eccentric classmate as panic takes hold of the college and spreads to the town.

Allison Weiss is a typical working mother, trying to balance a business, aging parents, a demanding daughter, and a marriage. But when the website she develops takes off, she finds herself challenged to the point of being completely overwhelmed. Her husband’s becoming distant, her daughter’s acting spoiled, her father is dealing with early Alzheimer’s, and her mother’s barely dealing at all.

Kathleen Winter’s poignant debut novel was a finalist for the Scotiabank Giller Prize. In it, Winter explores society’s views of gender identity through the eyes of a child born with male and female sex organs. At their doctor’s urging, the Blakes decide to raise their child as a boy, Wayne, giving him hormones to suppress his feminine physical traits. But after discovering the secret about his body, Wayne decides to stop taking his medication and lets his body develop naturally.

In this breathtaking and beautiful novel, the #1 New York Times best-selling author Anna Quindlen creates an unforgettable portrait of a mother, a father, a family, and the explosive, violent consequences of what seem like inconsequential actions.

On the eve of her daughter's wedding, June Reid's life is completely devastated when a shocking disaster takes the lives of her daughter, her daughter's fiancé, her ex-husband, and her boyfriend, Luke - her entire family, all gone in a moment. And June is the only survivor.

Mona's perfect world is shattered by sudden and serious illness - leaving her searching her past for answers. Fate has led her from a tough Brooklyn girlhood to a happy marriage with a wonderful man, but what has she forgotten along the way? In this classic New York novel of the 1980s, as Mona struggles to understand her own life story, she uncovers the shocking memory of a murder and traces the shape of her own mortality.

Grace Reinhart Sachs is living the only life she ever wanted for herself. Devoted to her husband, a pediatric oncologist at a major cancer hospital, their young son Henry, and the patients she sees in her therapy practice, her days are full of familiar things: She lives in the very New York apartment in which she was raised, and sends Henry to the school she herself once attended. Dismayed by the ways in which women delude themselves, Grace is also the author of a book You Should Have Known, in which she cautions women to really hear what men are trying to tell them.

For Stella Fortuna, death has always been a part of life. Stella’s childhood is full of strange, life-threatening incidents - moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted. When the Fortunas emigrate to America on the cusp of World War II, Stella and her sister, Tina, must come of age side by side in a hostile new world with strict expectations for each of them.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

Nahid has six months left to live. Or so the doctors say. At 50, she is no stranger to loss. But now, as she stands on the precipice of her own death - just as she has learned that her daughter, Aram, is pregnant with her first child - Nahid is filled with both new fury and long-dormant rage. Her life back home in Iran, and living as a refugee in Sweden, has been about survival at any cost. How to actually live, she doesn’t know; she has never had the ability or opportunity to learn.