Literary Life

This astonishing novel was chosen as a Best Book of the Year by the Los Angeles Times, Entertainment Weekly, Publisher's Weekly and Newsweek. Contained within is the story of Edgar Mint, the half-Apache, mostly orphaned child who overcomes a serious childhood injury to embark on a life of tragedies, including a boarding school for Native Americans and a dysfunctional Mormon foster family.

No longer tolerating her husband’s borderline abuse, Faith escapes to her parents’ California beach house to plan her next move. She never dreamed her new chapter would involve befriending Sarah, a fourteen-year-old on the run from her father and reeling from her mother’s sudden and suspicious death. While Sarah’s grandmother scrambles to get custody, Faith is charged with spiriting the girl away on a journey that will restore her hope: Sarah implores Faith to take her to Falkner’s Midnight Sun, the prized black mare that her father sold out from under her.

Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this.

In the spring of 1981, the young Skinner siblings - fierce Renee, dreamy Caroline, golden boy Joe, and watchful Fiona - lose their father to a heart attack and their mother to a paralyzing depression, events that thrust them into a period they will later call “the Pause.” Caught between the predictable life they once led and an uncertain future that stretches before them, the siblings navigate the dangers and resentments of the Pause to emerge fiercely loyal and deeply connected.

Bigger Thomas, the central figure in Richard Wright’s novel Native Son (1940), eludes easy categorization. A violent and troubled character who rejects the rules of society, Bigger is both victim and perpetrator, damaged by racism and segregation on the South Side of Chicago, seemingly raping and killing without regrets. His story has electrified readers for more than eight decades, and it continues to galvanize debates around representation, respectability, social justice, and racism in American life.

In the 1930s, fresh from a stint in the Royal Navy Reserve, and against the wishes of his disapproving father, Fingal O'Reilly goes to Dublin to study medicine. Fingal and his fellow aspiring doctors face the arduous demands of Trinity College and Sir Patrick Dun's Hospital. The hours are long and the cases challenging, but Fingal manages to find time to box and play rugby—and to romance a fetching, gray-eyed nurse named Kitty O'Hallorhan.

In the Deep South, where love and hatred run deep and close, dissension often summers just beneath the surface. When a family gathers for a funeral as its old homestead above the waters of Mobile Bay, it must carry out the last wish of the aunt and sister whom it has come to mourn. It is a wish that will unearth a terrible secret, one that will either tear her siblings and their offspring apart or allow them to accept buried memories, wounds, and love.

A study in motives, conflicts, ambitions, and fears as idealistic young newlyweds face unanticipated realities Hortense Calisher's second novel is a multigenerational story of art, family, and marriage. Opening with Liz and David's wedding and chronicling the first four years of their life together, Calisher follows the couple through their evolution into erudite, anti-materialist artists. They move into a sparse downtown Manhattan loft, prideful of their rebellious choice to lead lives unfettered by possessions.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce’s first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin, and the Dubai Tourist Authority conspire to transport Bertie's mother, Irene, to a warmer--if not a better--place.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

Sully is staring down a VA cardiologist's estimate that he has only a year or two left, and it's hard work trying to keep this news from the most important people in his life: Ruth, the married woman he carried on with for years...the ultra-hapless Rub Squeers, who worries that he and Sully aren't still best friends...Sully's son and grandson, for whom he was mostly an absentee figure (and now a regretful one).

In this number one New York Times best-selling novel of first love and second chances, former high school sweethearts confront the painful truths of their past to build a promising future - together. In the spring of 1984, high school students Amanda Collier and Dawson Cole fell deeply, irrevocably in love. Though they were from opposite sides of the tracks, their love for one another seemed to defy the realities of life in their small town in North Carolina. But as the summer of their senior year came to a close, unforeseen events would tear the young couple apart.

Against the mythical dreamscape of America, Auster brilliantly weaves the bizarre narrative of Marco Stanley Fogg, an orphan searching for love, his father, and the key to the riddle of his origin and fate.

When Kate, single mother and law firm partner, gets an urgent phone call summoning her to her daughter's exclusive private school, she's shocked. Amelia has been suspended for cheating, something that would be completely out of character for her over-achieving, well-behaved daughter. Kate rushes to Grace Hall, but what she finds when she finally arrives is beyond comprehension. Her daughter is dead.

Eve Fletcher is trying to figure out what comes next. A 46-year-old divorcée whose beloved only child has just left for college, Eve is struggling to adjust to her empty nest when one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, "U R my MILF!" Over the months that follow, that message comes to obsess Eve. Before long, Eve's online fixations begin to spill over into real life, revealing new romantic possibilities that threaten to upend her quiet suburban existence.

Lifetime friends become bitter enemies when the father of one family is killed by militants - one of whom is a son from the other family. Told in short sections highlighting a rich multiplicity of characters from all walks of life, Homeland brilliantly unfolds in nonlinear fashion as it traces the moral dilemmas faced by the families of murder victim and perpetrator alike. Aramburu alludes only obliquely to the historical context while he focuses on the psychological complexity of his characters and builds nearly unbearable suspense.

In LA Times First Fiction Award winner Maggie Shipstead's "Angel Lust", Simon Orff, a thrice-married movie producer, departs for his deceased father’s house, daughters selfishly in tow. “If he had to referee their squabbles and navigate their quicksilver emotions while sifting through his father’s possessions, he hoped the house would not seem so empty, or he hoped at least the emptiness would be neutral.” "If only," writes Halimah Marcus, co-editor of Electric Literature, in her introduction.

It is 1940 and a tragedy sends Lou and her little brother, Oz, along with their invalid mother, from New York City to the rugged mountains of Southwest Virginia to live with their great-grandmother. The story is told with both heartbreaking elegance and large doses of touching humor as the lives of Lou and Oz are changed forever.

Allie Fox is going to re-create the world. Abominating the cops, crooks, junkies and scavengers of modern America, he abandons civilisation and takes the family to live in the Honduran jungle. There his tortured messianic genius keeps them alive, his hoarse tirades harrying them through a diseased and dirty Eden towards unimaginable darkness.